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Jonathan Hensleigh

Autor de Armageddon

10+ Obras 701 Miembros 4 Reseñas

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Obras de Jonathan Hensleigh

Obras relacionadas

Die Hard With a Vengeance (1988) — Screenwriter — 329 copias

Etiquetado

Conocimiento común

Nombre canónico
Hensleigh, Jonathan
Nombre legal
Hensleigh, Jonathan Blair
Fecha de nacimiento
1959-02-13
Género
male
Nacionalidad
USA
Ocupaciones
director
screenwriter
producer
Relaciones
Hurd, Gale Anne (wife)

Miembros

Reseñas

 
Denunciada
jimbeal | otra reseña | Apr 23, 2023 |
Oil rig workers are recruited to destroy a giant asteroid; meanwhile, various things explode for no good reason.

The quintessential made-to-order blockbuster: the movie that even Michael Bay admits is bad.

Concept: F
Story: D
Characters: D
Dialog: D
Pacing: D
Cinematography: D
Special effects/design: C
Acting: C
Music: D

Enjoyment: F

GPA: 1.0/4
½
 
Denunciada
comfypants | otra reseña | Nov 24, 2015 |
 
Denunciada
Miquinba_F | otra reseña | Dec 21, 2013 |
Amazon.com essential video
The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy… (más)
Esta reseña ha sido denunciada por varios usuarios como una infracción de las condiciones del servicio y no se mostrará más (mostrar).
 
Denunciada
schotpot | otra reseña | May 13, 2007 |

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Estadísticas

Obras
10
También por
1
Miembros
701
Popularidad
#36,120
Valoración
½ 3.7
Reseñas
4
ISBNs
15

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