Ann Goldstein (2) (1957–)
Autor de A minimal future? : art as object 1958-1968
Para otros autores llamados Ann Goldstein, ver la página de desambiguación.
Sobre El Autor
Ann Goldstein was born in 1950 and grew up in Maplewood, New Jersey. She attended Bennington College in Vermont and University College in London. She works as an editor and translator of Italian. She is best known as a translator of the works by Elena Ferrante's, Neapolitan Quartet. She has also mostrar más translated works by Jhumpa Lahiri and Primo Levi. Her awards include 1993, 2002 Fellowship of the American Academy in Rome, a 2008 Guggenheim Fellowship, and the PEN Renato Poggioli Translation Award. (Bowker Author Biography) mostrar menos
Obras de Ann Goldstein
Obras relacionadas
Lawrence Weiner: AS FAR AS THE EYE CAN SEE 1960-2007 (Whitney Museum of American Art) (2007) — Editor, algunas ediciones — 37 copias
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 1957
- Género
- female
- Nacionalidad
- USA
- Lugar de nacimiento
- Los Angeles, California, USA
- Lugares de residencia
- Los Angeles, California, USA
Amsterdam, Netherlands - Educación
- University of California, Los Angeles
- Ocupaciones
- museum curator
- Organizaciones
- Stedelijk Museum, Amsterdam
Museum of Contemporary Art, Los Angeles, USA
Miembros
Reseñas
This thematic retrospective catalogue is the most comprehensive volume ever published on the iconoclastic American artist Mike Kelley.
Beginning in the mid-1970s, Mike Kelley assembled an incredibly diverse and often controversial body of work. Working across many disciplines, he created works on paper, paintings, sculpture, video, installation, music and sound works, and performances that managed to be at once shocking yet funny, and complex yet accessible. This companion volume to a much-anticipated retrospective exhibition was conceived in close collaboration with the artist as an overview of his career―from his early Performative Sculptures and Objects to the “abject” sculptures made of old stuffed animals to the multi-part video installation Day Is Done to the ambitious Mobile Homestead, the artist’s final work before his untimely passing in 2012. This book features essays and a fully annotated plate section, as well as a newly researched and revised exhibition chronology, performance history, videography, discography, and bibliography of Kelley’s work. In addition, the publication includes the artist’s last interview. Mike Kelley promises to be the definitive reference on the work of this singular and highly influential artist.… (más)
Beginning in the mid-1970s, Mike Kelley assembled an incredibly diverse and often controversial body of work. Working across many disciplines, he created works on paper, paintings, sculpture, video, installation, music and sound works, and performances that managed to be at once shocking yet funny, and complex yet accessible. This companion volume to a much-anticipated retrospective exhibition was conceived in close collaboration with the artist as an overview of his career―from his early Performative Sculptures and Objects to the “abject” sculptures made of old stuffed animals to the multi-part video installation Day Is Done to the ambitious Mobile Homestead, the artist’s final work before his untimely passing in 2012. This book features essays and a fully annotated plate section, as well as a newly researched and revised exhibition chronology, performance history, videography, discography, and bibliography of Kelley’s work. In addition, the publication includes the artist’s last interview. Mike Kelley promises to be the definitive reference on the work of this singular and highly influential artist.… (más)
Reconsidering the Object of Art examines a generally underexposed (and therefore often misunderstood) period in contemporary art and highlights artists whose practices have inspired much of the most significant art being produced today. It illustrates and discusses many works that may not been seen within their proper historical context, if they have been individually seen at all.
A Minimal Future? Art as Object 1958-1968" March 14- August 2, 2004 MOCA at California Plaza
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Estadísticas
- Obras
- 8
- También por
- 1
- Miembros
- 223
- Popularidad
- #100,550
- Valoración
- 4.7
- Reseñas
- 4
- ISBNs
- 11
- Idiomas
- 1
references
No. 82 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 51.