Fotografía de autor

Arthur Dreifuss

Autor de Baby Face Morgan [1942 film]

7+ Obras 16 Miembros 3 Reseñas

Obras de Arthur Dreifuss

Baby Face Morgan [1942 film] (1942) — Director — 7 copias
The Quare Fellow [1962 film] (1962) — Director — 2 copias
The Boss of Big Town [1942 film] (1942) — Director — 2 copias
For Singles Only [1968 film] (1968) — Director — 2 copias
Riot on Sunset Strip [1967 film] (1967) — Director — 1 copia
The Love-Ins [1967 film] (1967) — Director — 1 copia
The Last Blitzkrieg [1959 film] (1959) — Director — 1 copia

Obras relacionadas

Dark Crimes: 50 Movies (2006) — Director — 19 copias

Etiquetado

Conocimiento común

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Miembros

Reseñas

The son of a high-ranking Nazi official, Kroner is called upon to lead a dangerous mission in the waning days of the war. He and several other English-speaking Germans are dressed in American uniforms and ordered to infiltrate the Allied troops for sabotage purposes. Kroner does what is expected of him, though it is clear that he has become disillusioned with the “glories” of the Third Reich. When his true identity is revealed, Kroner decides to cast his lot with the Americans, leading a figurative “last blitzkrieg” against his fellow Nazis.(fonte: imdb)… (más)
 
Denunciada
MemorialeSardoShoah | Oct 10, 2020 |
"The Love-ins" is a hysterical and fictionalised take on the story of hippy guru Timothy Leary that sees Professor Barnett (Richard Todd) resigning from his university post in support of students expelled for publishing an underground newspaper. He becomes a cause célèbre with aspiring hippies taking up his half-formed peace and love slogans - his "Be more! Sense more! Love more!" being an obvious take on Leary's "Turn On! Tune In! Drop Out!". He heads to the Haight, gets caught up in a happening and moves into a crash pad with six hippies. With all the adulation, however, it isn't long until Barrett is taking himself way too seriously and is soon the speechifying head of an LSD cult. Director Arthur Dreifuss moves all this dopey plotting along at a rattling pace making great narrative leaps between scenes, leaving the audience with plenty of blanks to fill in. Writer Hal Collins tries to deliver a balanced take between the hippies and the squares and make a reasonable job at proselytizing for both sides. Every character and motivation is hugely stereotypical with every possible cliché thrown into the mix. In many ways "The Love-Ins" was hugely wide of the mark, but in other ways it was (accidentally) right on the zeitgeist - its theme of commercialisation of the hippy message being released just as the bright, beautiful dawn of hippy was beginning to muddy and darken and its downbeat climax presaging the assassinations of Bobby Kennedy and Martin Luther King.… (más)
 
Denunciada
calum-iain | Sep 29, 2018 |
Esta reseña ha sido denunciada por varios usuarios como una infracción de las condiciones del servicio y no se mostrará más (mostrar).
 
Denunciada
WilliamHartPhD | Jun 10, 2012 |

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Estadísticas

Obras
7
También por
1
Miembros
16
Popularidad
#679,947
Valoración
3.0
Reseñas
3
ISBNs
1