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Featuring a number of women and lots of quotations from the letters and travel writing they wrote, this book focuses on 18th century British women travelling on the continent, mainly in France and Italy.
 
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mari_reads | 2 reseñas más. | Oct 13, 2021 |
 
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LOM-Lausanne | Apr 30, 2020 |
The life and accomplishments of Josiah Wedgwood, one of the great industrialists and innovators of the eighteenth century. I found this book very interesting, as Dolan covers not only the technical and commercial aspects of Wedgwood's achievements, but also his intellectual development, and the changes in the world he lived in. He also places due, but not undue, emphasis on the implications of Wedgwood's status as a religious Dissenter (that is, non-Anglican Christian) in the England of the mid-eighteenth century, and gives a good many details on Wedgwood's associations with men like Erasmus Darwin, Joseph Priestly, Matthew Boulton, and James Watt, as well as the other members of the Lunar Society.
 
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fidelio | otra reseña | Dec 4, 2007 |
I was delighted to be able to "live" 18th century travel through the eyes of the woman that Dolan brings to life. I am especially glad not to be travelling like they did - airport security gates are a much aggravation as I can take.

Dolan takes his topic broadly. The book is not just a recounting of travel incidents -- it spends considerable time on the significance of being abroad, particularly for those women who spend time in France during the Revolution, eventually fleeing as it turned into the Terror. He conveys a good sense of the differences between that time and this, when views and videos of faraway places are immediately and widely available.

This book is particularly set apart by Dolan's sensitive examination of the women's status in their society. I was particularly touched by his discussion of the double-bind that made "frivolous" if they concentrated on domestic and personal matters, but "unwomanly and unnatural" if they attempted to broaden their horizons. I was aware that women were not usually well-educated in this era, but surprised to learn of the panic engendered if they attempted self-education.

An excellent book for those interested in this era, in travel, or in the historical situation of women.
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PuddinTame | 2 reseñas más. | Oct 6, 2007 |
My mother and some of my siblings worked in a pottery factory, and in my youth I went there many times and caught some glimpses of how things were done. This factory employed hundreds of workers. doing some awful, monotonous, carpal tunnel-generating routines. They made only the most basic stuff, quickly and cheaply. Nothing produced was of much beauty, but it was the town's most important employer, and many workers gave their lives over to it.

Wedgwood pottery has always intrigued me--how the devil do they produce such incredibly beautiful stuff, so different from what I saw there? How are the finer pieces made with such reproducibility and perfection? There is a fine story here and Dolan has told it well.

When Josiah Wedgwood was born in 1730, the youngest of twelve children, into the home of a potter in the Britain's Midlands. His humble beginnings, rising through the ranks, finally, at the age of 29, led him to establish his own small pottery business. Wedgewood was determined to achieve greater success and made a key decision--that he would continuously improve the processes used and invent new and wonderful things. He established a routine of constant experimentation and recorded all of his results meticulously into a laboratory notebook. He was constantly looking for new combinations of materials and firing methods to get new glazes and improved results. He looked for reliable, reproducible processes that could be introduced into his small factory. And he inspired his men to improve right along with the processes by paying careful attention to their working conditions, their safety, and their security. His men loved him, and he succeeded to become the foremost manufacturer of his day.

Wedgwood paid very careful attention to the fashions of the day, and strived to keep abreast. This required an approach that was constantly changing--resting on one's laurels and yesterday's success would only lead to failure. He produced much that was top of the line, and learned to market to the trend setters and royalty, then moving the product into the growing middle class.

The setting in which he struggled was the early industrial revolution, where change was accelerating in Britain through a confluence of forces that are only poorly understood even today. Giants seemed to stalk the earth, and Wedgwood came to know many of them. He knew James Watt, and his metal-working partner Mathew Boulton, who at one point even tried to compete with him. This was the era of canal-building, and Wedgwood played a big role in this too.

Much of this story is contained, though in much less detail, in _The Lunar Men_ by Jenny Uglow, which I would also recommend. Curiously, though, Wedgwood is counted as one of the five central members of the Lunar Society (encompassing a whole column in the index), this is mentioned only once by Dolan.

The author has done an outstanding job in this book and it is well written. The sixteen pages of glossy photos contribute a lot to the book too. The story told here is an inspiring one, and will certainly encourage the reader to learn more about this astounding era.
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DonSiano | otra reseña | Oct 20, 2006 |
from Publishers Weekly: "For upper-class Englishmen in the 18th century, travel on the Continent represented pretty much what it does for college students today a chance to learn a few things and have some unsupervised fun. For women of that era, however, it might represent an opportunity denied to them at home: freedom from a narrowly defined femininity, the chance to develop and exercise their intelligence, an escape from an abusive marriage or, occasionally, a career as a travel writer or political correspondent. As Dolan points out, however, these benefits came at some real cost, since Continental travel, even for the rich, was neither comfortable nor safe, and the woman who remained too long abroad risked condemnation at home as unpatriotic, unfeminine or unchaste. While some were decidedly the last, using a sojourn abroad to pursue an irregular sexual liaison or to conceal its results, many found in revolutionary Paris or benign Tuscany a personal and intellectual liberty impossible in England and, like Mary Wollstonecraft, wrote home to say so. Although this book is richly detailed and immensely entertaining, it is a bit of a grab-bag in which women of no particular interest jostle for space with the genuinely significant. Still, it is hard to forget the otherwise obscure Elizabeth Webster, reluctant repatriate, being borne backwards over the Alps so that she would not lose sight of her beloved Italy until the last possible moment."
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kristian_m | 2 reseñas más. | Aug 12, 2006 |
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