Arif Dirlik (1940–2017)

The book is a collection of sixteen intensive essays edited by Arif Dirlik(a historian) and Zhang Xudong(prof.of comparative Chinese Lit.).The essays interrogate the ambiguity and relevance of post-modernity in China while debating the phenomenon as a cultural-political question. Post-modernism was introduced to the Chinese culture in the 1980s through Fredrick Jameson's :-'cultural logic of post capitalism'.Postmodernity brought a wave of radical change influencing the modus operandi of various disciplines of arts and literature. When a third world country is exposed to modernization there is a tremendous skepticism and resistance in accepting it whole heartedly.Even today with globalization roaring wild, many heritage rich countries see it as a Western or rather a bourgeois identity.Hence, it becomes necessary for the Western world to view the modernization of any third world countries from that particular country's perspective. The books starts with elucidating the fine line between modernity and postmodernity.Terming Modernity:- canonical&conservative while Postmodernity:-avant-garde progressive.Eventually, touching all the existing socio-economic aspects of mainland China and PRC dominant Taiwan and Hongkong; it concludes by rationalizing the Chinese post-modernism effect.
Although informative, the writings tends to get repetitive and a bit dragging. It is more of a text book read.… (más)

Without knowing it you would not conclude Anarchism was much to be reckoned with in early 20th century China, but you would be wrong. Arif Dirlik demonstrates using primary Chinese source material that while committed anarchists were never more than thousands in number, they outnumbered the Communists until this was reversed in the early to mid 20's after Guomintang-Communist Party united front work, anarchists setup the Communist Party (which Moscow was at pains to purge ideologically), quite a number of recognisable names passed through the anarchists political work (including Chen Duxiu and Deng Xiaopeng!), their ideas were key to the May Fourth movement and the New Culture Movement, between 1922-28 there were more than 90 active anarchist groups across China (mainly Guangzhou and Shanghai), anarchists organised the first labour unions in China and had a national university dedicated to labour organising.

The book operates less as an historical overview of the period in question, but more as a source for analysing the political debates within anarchism (particularly as there were two main schools of thought from the outset) from its inception in the late 1800's to the movements nose dive when the Communist party becomes an independent force. For this reason its slightly lacking as things like the May Fourth Movement and Sun Yat-Sen's 'Three Principles' need to be discussed and placed within a much wider context. And it would have also helped if an appendix could have summarised the groups, individuals involved, influences and publications as it was hard to retain this information as the book went on.

That said the debates and themes the book covers are highly relevant and give a good flavour of the times. Whether were talking Liu Shifu's turn from nilihist terrorism to becoming the leading most articulate theoritician of revolutionary anarchism or Ou Shengbai's grand sweeping criticism of Bolshevism and the nasty turns within the Guomintang. As the debates persist you can see a number of flaws reoccur (errorneous attitude towards the Guomintang and being unabble to organise nationally) and then events take their course, and the rest is then history as they say. As an introduction to an under-researched topic this was both rewarding and informative.… (más)