Imagen del autor

Louise de Vilmorin (1902–1969)

Autor de Madame de

37+ Obras 217 Miembros 2 Reseñas

Sobre El Autor

Obras de Louise de Vilmorin

Madame de (1951) 81 copias
La lettre dans un taxi (1958) 17 copias
Les belles amours (1956) 12 copias
Histoires d'aimer (1955) 12 copias
Poèmes (1970) 10 copias
Le lit à colonnes (1970) 7 copias
Coco Chanel (1999) 7 copias
Julietta (1951) — Autor — 6 copias
Sainte-Unefois (2010) 4 copias
Migraine (1959) 3 copias
Le violon de Cremone (2007) 3 copias
L'alphabet des aveux (2004) 2 copias
Erica's Return (1948) 2 copias

Obras relacionadas

La princesa de Clèves (1678) — Prólogo, algunas ediciones2,326 copias
The Earrings of Madame de... [1953 film] (1953) — Original novel — 50 copias
The Lovers [1958 film] (1958) — Writer — 20 copias

Etiquetado

Conocimiento común

Nombre canónico
Vilmorin, Louise de
Nombre legal
Vilmorin, Louise Levêque de
Otros nombres
Leigh-Hunt, Louise (Nom d'alliance)
Pálffy, Louise
Vilmorin, Louise Levêque de
Fecha de nacimiento
1902-04-04
Fecha de fallecimiento
1969-12-26
Lugar de sepultura
Verrières-le-Buisson, Essonne, Île-de-France, France
Género
female
Nacionalidad
France
Lugar de nacimiento
Verrières-le-Buisson, Essonne, Île-de-France, France
Lugar de fallecimiento
Verrières-le-Buisson, Essonne, Île-de-France, France
Lugares de residencia
Verrières-le-Buisson, Essonne, Île-de-France, France
Paris, Île-de-France, France
Las Vegas, Nevada, USA
Ocupaciones
novelist
poet
journalist
screenwriter
letter writer
Relaciones
Saint-Exupéry, Antoine de (lover)
Malraux, André (companion)
Duff Cooper, Alfred (lover)
Cocteau, Jean (friend)
Premios y honores
Légion d'honneur
Biografía breve
Louise de Vilmorin was born in the family château at Verrières-le-Buisson in Essonne, a suburb of Paris, France. She was the daughter of Philippe de Vilmorin and his wife Mélanie de Gaufridy de Dortan. She was the heir to Vilmorin & Cie, one of the largest seed producers in the world, founded by an 18th century ancestor. At age 32, she published her first novel, Sainte-Unefois (Saint One Time, 1934), which was largely autobiographical. Her first poetry collection, Fiançailles pour rire (Betrothal in Jest), appeared in 1939. Although she was to publish more poetry later in life, Vilmorin received most acclaim for her novels, with characters usually from aristocratic or artistic circles. A number of them were adapted into films, including Le Lit à colonnes (The Tapestry Bed), Julietta, and most famously, Madame de … (which became The Earrings of Madame de...). She also was a screenwriter and dialogue writer for several feature films, including Les Amants (1957). As a young woman, she was briefly engaged to Antoine de Saint-Exupéry. She married her first husband Henry Leigh-Hunt in 1925 and lived with him in Las Vegas, Nevada, before divorcing and returning to France in the 1930s. She spent the last years of her life as the companion of André Malraux, the French Minister of Cultural Affairs. Her letters to Jean Cocteau were published posthumously.

Miembros

Reseñas

Madame De piques the interest immediately with its strange title. Although it was first published in 1951, the omission of the proper noun and its replacement with a blank space alerts readers to a device used to hint at a real-life subject (i.e. a roman à clef) while at the same time suggesting a universal type. Madame De _____ could actually be someone the reader knows (or knows of) but she could also be ‘a typical woman’. Either way, it is hard to escape the conclusion that the author despised Madame De . The characterisation is much kinder to her husband.

I like to think that De Vilmorin set her tale in the past and wrote in the style of 19th century French fiction because she was pleased that women such as Madame De no longer existed. I have recently bought Les Parisiennes: How the Women of Paris Lived, Loved and Died in the 1940s by Anne Sebba and although I’ve only read a couple of chapters, the book shows that reality of life under Nazi Occupation meant that there were grave risks for weak-willed women dependent on men for their sense of self. Then again, the 21st century is replete with celebrity airheads who marry foolish rich men, and maybe De Vilmorin was satirising the behaviour of collaborators.

An idle woman with no children, Madame De is preoccupied with being elegant because that is the mark of merit in the circle of society to which Mme De belonged. She sets the fashion and others follow. Balzac wrote many stories about women such as her, often in contrast to women who used their wit and intelligence to achieve something worthwhile despite the patriarchal society they lived in.

To read the rest of my review please visit https://anzlitlovers.com/2017/02/16/madame-de-by-louise-de-vilmorin-translated-b...
… (más)
 
Denunciada
anzlitlovers | otra reseña | Feb 16, 2017 |
Quand un bijou est racheté 4 fois par le même bijoutier et que l'acheteur est toujours le même, il y a anguille sous roche ! Ou comment des cœurs en diamants feront le malheur de Mme de . Se lit d'une traite.
 
Denunciada
COSTE | otra reseña | Feb 4, 2016 |

Premios

También Puede Gustarte

Autores relacionados

Duff Cooper Translator
Ian Ribbons Illustrator
Nina Leen Cover artist
Mike Bierwolf Cover designer

Estadísticas

Obras
37
También por
3
Miembros
217
Popularidad
#102,846
Valoración
½ 3.5
Reseñas
2
ISBNs
43
Idiomas
4

Tablas y Gráficos