Timothy Corrigan (1) (1951–)

Autor de A Short Guide to Writing about Film

Para otros autores llamados Timothy Corrigan, ver la página de desambiguación.

Timothy Corrigan (1) se ha aliado con Timothy J. Corrigan.

13 Obras 892 Miembros 4 Reseñas

Sobre El Autor

Timothy Corrigan is Professor of Cinema Studies, English, and History of Art at the University of Pennsylvania. He is the author of New German Film and A Cinema without Walls and an editor of Critical Visions in Film Theory.

Obras de Timothy Corrigan

Popular Reciente

Las obras han sido aliasadas en Timothy J. Corrigan.

A Short Guide to Writing about Film (1989) 581 copias

The Film Experience: An Introduction (2004) 137 copias

Film and Literature: An Introduction and Reader (1998) 49 copias

Critical Visions in Film Theory (2010) 26 copias

A Cinema Without Walls: Movies and Culture After Vietnam (1991) 25 copias

New German Film: The Displaced Image (1983) 22 copias

The Essay Film: From Montaigne, After Marker (2011) 17 copias

The Films of Werner Herzog: Between Mirage and History (1986) 15 copias

American Cinema of the 2000s: Themes and Variations (Screen Decades: American Culture/American Cinema) (2012) 13 copias

Coleridge, Language, and Criticism (1982) 3 copias

Film Elestirisi El Kitabi (2008) 2 copias

A Quick Film Terminology Reference Card (2004) 1 copia

Cinema, Media, and Human Flourishing (The Humanities and Human Flourishing) (2023) 1 copia

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Conocimiento común

Fecha de nacimiento: 1951-03-30
Género: male

Miembros

Reseñas

A Short Guide to Writing about Film (Short Guides… por Timothy Corrigan

Comprehensive and really helped me learn how to critically write for the first time about film for a film class this semester. Highly recommend but wish it wasn't so expensive.

Denunciada

WellReadSoutherner | otra reseña | Nov 17, 2022 |

Film and Literature: An Introduction and Reader por Timothy Corrigan

Textbook from film studies class. Eh.

Denunciada

kedicat | Sep 29, 2011 |

A Short Guide to Writing about Film (Short Guides… por Timothy Corrigan

Slim, steeply-priced volume which deals tidily with the subject promised by the title. Clearly intended for a classroom environment, although general readers wanting more methods for thinking about film might be able to extract something from it as well.