Oskar Bätschmann
Autor de Hans Holbein
Sobre El Autor
Obras de Oskar Bätschmann
Jackson Pollock 2 copias
Nicolas Poussin. Landschaft mit Pyramus und Thisbe: Das Liebesunglück und die Grenzen der Malerei (1987) 1 copia
Marino Marini 1 copia
Ferdinand Hodler: Landscapes 1 copia
Etiquetado
Conocimiento común
- Nombre canónico
- Bätschmann, Oskar
- Fecha de nacimiento
- 1943-09-15
- Género
- male
- Nacionalidad
- Switzerland
- Lugar de nacimiento
- Lucerne, Switzerland
- Lugares de residencia
- Florence, Italy
Zurich, Switzerland
Rome, Italy
Paris, France
London, England - Educación
- University of Zurich (Ph.D|1975)
- Ocupaciones
- art historian
- Organizaciones
- University of Bern
- Premios y honores
- Academia Europaea (2010)
Honorary Member, Swiss Academy of Humanities and Social Sciences (2017)
Miembros
Reseñas
The Artist in the Modern World : the conflict… por Oskar Bätschmann
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .
This study offers answers to questions like, What effect have the (art) exhibition and the public had on the promotion of art? How is the definition of art changing? and above all, What strategies are modern artists developing in the field of tension between artistic freedom on the one side and the mechanisms of the market on the other? Addressing the constantly evolving situations and status of artistic legitimation, the author'sinsightful reflections trace this history of this dynamic, ongoing development.
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .… (más)
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .… (más)
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Estadísticas
- Obras
- 27
- Miembros
- 223
- Popularidad
- #100,550
- Valoración
- 3.8
- Reseñas
- 2
- ISBNs
- 46
- Idiomas
- 4