Paulo de Assis
Autor de Experimental Affinities in Music (Orpheus Institute Series)
Obras de Paulo de Assis
Mémoires… Miroirs 1 copia
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Miembros
Reseñas
Estadísticas
- Obras
- 7
- Miembros
- 9
- Popularidad
- #968,587
- Valoración
- 4.0
- Reseñas
- 1
- ISBNs
- 11
- Idiomas
- 1
Anne Douglas's "Drawing and the Score" is one of the strongest essays as she offers a succinct summary of the relationships that can be established when "an artist transposes concepts of drawing and notation across the borders of art forms" (p. 207). In just under ten pages, Douglas convincingly concludes that the tension between musical score and drawing is essential to all stages of the musical work, and in effect "loops" the components of a performed musical work "between author/audience." (p. 215).
The editing is good, for the most part, although there is a significant error in the captioning of Fig. 4 of Cox's essay (p. 24) and certain essays could have used a stronger editorial hand in order to keep expositional consistency. The book's division into four parts seemed somewhat unnecessary, particularly given the holistic interpretation that underscores the entire book. That said, the parts (I: Score and Idea; II: Mapping the Interface; III: Extending the Boundaries; IV: Choreographies of Sound) do provide interesting inroads to the larger discussion.
This is a very worthwhile collection and has readings that are provocative and useful for a whole host of different types of research and teaching, especially in contemporary music. Some essays are more accessible than others, but it is a valuable compendium for anyone who teaches composition, contemporary music performance, and/or music history.… (más)