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From the best-selling novelist of the American West, comes a novel of romance, danger, and life along the trail. After his first successful venture of moving 2,500 cattle along the infamous Chisholm Trail, Adam Brite couldn't resist the allure of a second drive. To prepare for his greatest and most dangerous prospect yet, Brite begins purchasing cattle at every possible opportunity he gets and searching for an able crew to aid him in the arduous journey from San Antonio to Dodge City. He recruits a diverse cast of characters all left penniless after the Civil War: Trail boss and veteran driver Joe Shipman; Alabama Moze, the cook; Hal Bender, a friendly brute; The Uvalde quintet, a strapping group all under the age of twenty; and Pan Handle Smith, a striking Texas outlaw who never sleeps. As they begin their journey north, Brite looks over the vast western landscape and his men attempting to herd the thousands of cattle from afar. In spite of the awe-inspiring scene, he grows fearful that Indians or inclement weather may make the excursion too dangerous with such a limited amount of drivers. As Brite begins to doubt the operation, a mysterious, young drifter named Reddie Bayne rides into their camp, and Brite offers him a job. Shortly afterwards, two unwanted guests arrive at the camp searching for the boy, and Brite quickly realizes that Bayne is not what he seems. In this classic western tale by Zane Grey, raging rivers, powerful storms, stampedes, treachery, trail rustlers, and Comanche Indian raiders threaten the outfit and their stock along the trail. However, the greatest surprise lies right within the outfit, when an unlikely heroine appears--a young girl disguised as a cowboy. Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns--books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians--are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L'Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.… (más)
Westerns are not among my usual genres but my mum enjoyed Zane Grey's novels so much when she was young that I've finally gotten around to giving one a try.
I find here some very good writing, in a vernacular that feels authentic and a voice I don't often hear. An enjoyable story, too; Grey has a wonderful grasp of his setting. No wonder he remains popular.
This book seems straddled between action fiction and classical literature. Grey is not only telling a tale, he is revealing glimpses of a perspective and way of life that had merits and flaws, and despite his clear endorsement of the highest ideals of Texas manhood, he has an awareness of subtleties and inequalities that are unexpected.
There is a comfortable racism and sexism built into the very foundation of these trail drivers' outlooks, and Grey to a large degree shares them with his characters. Yet he also points out that what drove the Indians to begin attacking settlers was the destruction of the buffalo herds and the threat to their way of life. If he had continued to develop this perspective later in the book, it would have fit well into modern literature.
Unfortunately the "redskins" become fierce and one-dimensional, a thing to fear and kill if possible, in order to save your hide. The single black in the book is only slightly more than a stereotype, himself, although a congenial one, an individual who never protests at friendly epithets like nigger and coon. Though to put that in context, the trail riders treat each other with similar friendly abuse most of the time.
The lead female belies the assertion that "no one ever seen an idee come oot of a pretty girl's haid" (p.153). A young orphan who has made her way disguised as a boy, she is sharp, fractious, determined, and extremely adept, and is responsible for the entire remuda - the herd of horses that supply the drivers along the thousands of miles of the Chisholm Trail.
A feature of this book that is unexpected is that the viewpoint character, Brite, a rich landowner and rugged cattleman who is making his third trip up the dangerous Chisholm Trail with a huge number of longhorns, is not king of the story. He hires a trail boss and defers to him. He takes the opinions of others into account, and when those others are more experienced than he is, they give the orders. He makes mistakes. He stumbles around when he's been on his horse too many hours. He is clearly the boss, clearly a man to respect, but he is not and doesn't desire to be a hero. If anything, he'd rather the hero settle down and not risk his life so much, even though Brite benefits from the risks the hero takes. Not the kind of leader we see in most fiction, and all the more appealing because of it.
This book holds value for me in a variety of ways. Paramount are its glimpse, however partial, into a part of my world that I had stopped thinking about when I rejected its easy stereotypes, and Grey's embracing and inspiring appreciation of the land and life upon it. But I also respect the good-hearted intent behind Grey's writing, the affection he has for his characters and their imperfections, and his attempts, however limited, to step beyond the accepted stereotypes of his day.
From the best-selling novelist of the American West, comes a novel of romance, danger, and life along the trail. After his first successful venture of moving 2,500 cattle along the infamous Chisholm Trail, Adam Brite couldn't resist the allure of a second drive. To prepare for his greatest and most dangerous prospect yet, Brite begins purchasing cattle at every possible opportunity he gets and searching for an able crew to aid him in the arduous journey from San Antonio to Dodge City. He recruits a diverse cast of characters all left penniless after the Civil War: Trail boss and veteran driver Joe Shipman; Alabama Moze, the cook; Hal Bender, a friendly brute; The Uvalde quintet, a strapping group all under the age of twenty; and Pan Handle Smith, a striking Texas outlaw who never sleeps. As they begin their journey north, Brite looks over the vast western landscape and his men attempting to herd the thousands of cattle from afar. In spite of the awe-inspiring scene, he grows fearful that Indians or inclement weather may make the excursion too dangerous with such a limited amount of drivers. As Brite begins to doubt the operation, a mysterious, young drifter named Reddie Bayne rides into their camp, and Brite offers him a job. Shortly afterwards, two unwanted guests arrive at the camp searching for the boy, and Brite quickly realizes that Bayne is not what he seems. In this classic western tale by Zane Grey, raging rivers, powerful storms, stampedes, treachery, trail rustlers, and Comanche Indian raiders threaten the outfit and their stock along the trail. However, the greatest surprise lies right within the outfit, when an unlikely heroine appears--a young girl disguised as a cowboy. Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns--books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians--are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L'Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
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(3.54)
1
I find here some very good writing, in a vernacular that feels authentic and a voice I don't often hear. An enjoyable story, too; Grey has a wonderful grasp of his setting. No wonder he remains popular.
This book seems straddled between action fiction and classical literature. Grey is not only telling a tale, he is revealing glimpses of a perspective and way of life that had merits and flaws, and despite his clear endorsement of the highest ideals of Texas manhood, he has an awareness of subtleties and inequalities that are unexpected.
There is a comfortable racism and sexism built into the very foundation of these trail drivers' outlooks, and Grey to a large degree shares them with his characters. Yet he also points out that what drove the Indians to begin attacking settlers was the destruction of the buffalo herds and the threat to their way of life. If he had continued to develop this perspective later in the book, it would have fit well into modern literature.
Unfortunately the "redskins" become fierce and one-dimensional, a thing to fear and kill if possible, in order to save your hide. The single black in the book is only slightly more than a stereotype, himself, although a congenial one, an individual who never protests at friendly epithets like nigger and coon. Though to put that in context, the trail riders treat each other with similar friendly abuse most of the time.
The lead female belies the assertion that "no one ever seen an idee come oot of a pretty girl's haid" (p.153). A young orphan who has made her way disguised as a boy, she is sharp, fractious, determined, and extremely adept, and is responsible for the entire remuda - the herd of horses that supply the drivers along the thousands of miles of the Chisholm Trail.
A feature of this book that is unexpected is that the viewpoint character, Brite, a rich landowner and rugged cattleman who is making his third trip up the dangerous Chisholm Trail with a huge number of longhorns, is not king of the story. He hires a trail boss and defers to him. He takes the opinions of others into account, and when those others are more experienced than he is, they give the orders. He makes mistakes. He stumbles around when he's been on his horse too many hours. He is clearly the boss, clearly a man to respect, but he is not and doesn't desire to be a hero. If anything, he'd rather the hero settle down and not risk his life so much, even though Brite benefits from the risks the hero takes. Not the kind of leader we see in most fiction, and all the more appealing because of it.
This book holds value for me in a variety of ways. Paramount are its glimpse, however partial, into a part of my world that I had stopped thinking about when I rejected its easy stereotypes, and Grey's embracing and inspiring appreciation of the land and life upon it. But I also respect the good-hearted intent behind Grey's writing, the affection he has for his characters and their imperfections, and his attempts, however limited, to step beyond the accepted stereotypes of his day.
Glad I read this book. Thanks, Mum. (