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In the country she inhabits, Meiji is unique. The only surviving female in a land where women have been exterminated, she has been brought up in secret, cloistered and protected, by three men she knows as her uncles - Eldest, Middle and Youngest. Now, as she approaches adolescence, her guardians must ensure that the dictatorial clone Generals who rule their world never get to know of her existence, and it falls to Youngest to escort Meiji on a long and treacherous journey through ravaged landscapes to the very edge of the world known to them. An adventure story like no other, a tale of love and self-discovery in several unexpected layers, Escape is a novel that is as unsettling as it is unputdownable. In its captivating portrayal of tender relationships blooming and thriving in a vicious, forbidding landscape, it bears out Manjula Padmanabhan's genius as a creator of compelling alternative worlds.… (más)
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I read this as part of my ongoing investigation into Indian speculative fiction; Padmanabhan is one of a few Indian authors currently writing sf in English. Escape is set in a sort of Handmaid's Taleesque dystopic future India-- except where an evil General has carried out a near-complete femicide. One of the book's two protagonists is one of the last (maybe the last) woman left alive, but she's been kept on drugs and in ignorance, so she doesn't know she's different from the uncles who shelter her. Only the older she gets, the more rumors creep out, and the uncles realize they need to get her out of India, so the youngest of them accompanies her on a desperate trip.

What follows is a very bleak travelogue of sorts. Padmanabhan's future India is horrifying, but also fascinating. Without women, clones are used for reproduction-- but also clones with limited mental acuity ("drones") are created for the purposes of labor. And society has to adapt and to change to deal with the lack of women; there are some very twisted men as a result, men who cannot indulge the desires they have. The book is interspersed with maxims from the General's books, with titles like A Manual for Bold Soldiers, The Vermin Tribe: An Analysis (the "vermin tribe" is what they call women), and The Generals: A Plural Life. As that last title indicates, the General is actual more than one person; he too has cloned himself again and again, his intelligence almost functioning like a program in the cloud. Like future India, the General is both horrifying and fascinating, and I really enjoyed the interjections into the narrative of an interview with him done by an outside newscaster.

At the same time, our poor young protagonist has to adapt to a horrifying world in which she is literally the only one of her kind. Meiji's journey gets pretty intense at times, but if there's any complaint to lob at this book, it's that she occasionally disappears from it; much more of it is about Youngest protecting Meiji than it is about Meiji herself. What kind of sacrifices-- both physical and moral-- will Youngest make to protect his niece? There's a lot of commentary embedded in here, about how society treats women, how society treats other social classes, about the disposability of human life, and like the best sf it's as much a mirror of today as a potential future. Some of humanity's worst desires get brought to the surface, and the book has a very bleak take on sex throughout, perhaps unsurprisingly. It's an engrossing read, and I hope the sequel that the ending indicates ought to happen really does come to pass, though seven years later, I have my doubts.
  Stevil2001 | Sep 5, 2015 |
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In the country she inhabits, Meiji is unique. The only surviving female in a land where women have been exterminated, she has been brought up in secret, cloistered and protected, by three men she knows as her uncles - Eldest, Middle and Youngest. Now, as she approaches adolescence, her guardians must ensure that the dictatorial clone Generals who rule their world never get to know of her existence, and it falls to Youngest to escort Meiji on a long and treacherous journey through ravaged landscapes to the very edge of the world known to them. An adventure story like no other, a tale of love and self-discovery in several unexpected layers, Escape is a novel that is as unsettling as it is unputdownable. In its captivating portrayal of tender relationships blooming and thriving in a vicious, forbidding landscape, it bears out Manjula Padmanabhan's genius as a creator of compelling alternative worlds.

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