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The World Before Her

por Deborah Weisgall

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1213227,057 (3.34)6
Marian Evans--who writes under the pen name George Eliot--has come to Venice on her honeymoon. It is 1880 and she is newly married to John Cross, twenty years her junior. She has come to this city of canals and bridges to start again, to forget the death of her longtime partner, George Henry Lewes--with whom she shared twenty five years of happiness and art. In this new marriage, in this intensely romantic place, can she give herself the happy ending that she provided for Middlemarch's Dorothea Brooke? A century later, sculptor Caroline Spingold takes us to Venice again. Scarred by her father's abandonment just after she and her parents spent a summer in the city, Caroline vowed never to return. But now her powerful, wealthy older husband has brought her back against her will, to celebrate their tenth anniversary. Told in alternating chapters subtly linked by themes of art, love, and the challenges of marriage, The World Before Her tells of two women, their surprising similarities, and the reckoning Venice will force them to make with their desire, their memories, and their very selves.… (más)
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This was ok. It had some interesting things to say about marriage but I found the writing very stiff, especially the dialogue. ( )
  laurenbufferd | Nov 14, 2016 |
Excellent novel with parallel stories of the marriages of two women, both artists, who visit Venice 100 years apart. In 1880 Marian Evans Cross, better known to the world as George Eliot, is on her honeymoon. She has, to the world's surprise, married her much-younger financial adviser relatively soon after the death of her longtime partner, George Lewes. In 1980, Caroline Spingold is in Venice at the behest of her much older and controlling husband, Malcolm, who is afraid she is reclaiming her identity as an artist (she is a sculptor) and moving away from him. The women's stories are as different as the times and circumstances in which they live but both are enthralling. This novel would be a good choice for people who liked The Hours by Michael Cunningham -- for people who want to know more about George Eliot and her love life, I highly recommend Parallel Lives: Five Victorian Marriages by Phyllis Rose. ( )
  keywestnan | Jun 26, 2011 |
A fictional account of a year George Eliot spent in Venice on her honeymoon with a man not quite her soul mate, intermingled with the account of a modern woman in Venice with her husband to celebrate their 10 year marriage which has become stale over time. Their parallel stories are told in alternating chapters as they each search for love and identity in the city rich with beauty and history.

I love George Eliot, and was thrilled to read about her as a character in a work of fiction. I think Weisgall portrays George Eliot in a friendly and faithful way. The book was not as gripping as it could have been, more of a gentle friendship than a passionate love affair. But very enjoyable. ( )
  bkwurm | Jan 9, 2009 |
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Marian Evans--who writes under the pen name George Eliot--has come to Venice on her honeymoon. It is 1880 and she is newly married to John Cross, twenty years her junior. She has come to this city of canals and bridges to start again, to forget the death of her longtime partner, George Henry Lewes--with whom she shared twenty five years of happiness and art. In this new marriage, in this intensely romantic place, can she give herself the happy ending that she provided for Middlemarch's Dorothea Brooke? A century later, sculptor Caroline Spingold takes us to Venice again. Scarred by her father's abandonment just after she and her parents spent a summer in the city, Caroline vowed never to return. But now her powerful, wealthy older husband has brought her back against her will, to celebrate their tenth anniversary. Told in alternating chapters subtly linked by themes of art, love, and the challenges of marriage, The World Before Her tells of two women, their surprising similarities, and the reckoning Venice will force them to make with their desire, their memories, and their very selves.

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