Fady Joudah is a Palestinian-American poet, whose collection, [The Earth in the Attic], won the Yale Series of Younger Poets competition. A practicing emergency room physician and member of Doctors without Borders, Joudah has also translated the poetry of the Palestinian poets, Mahmoud Darwish and Ghassam Zaqtan. Although Joudah was born and lives in the United States, he was raised in the Middle East, his parents being Palestinian refugees. There is clarity to Joudah’s imagery and uniqueness in the way it integrates disparate worlds - being both American and from a family of Palestinian refugees, and a practitioner of medicine both in Houston and in poverty-stricken African countries.

“Sleeping Trees” is based on accompanying his father on a visit to his home village and is representative of how his poetry reflects the experience of the returning exile.

….My father
Learned to fly in a dream. This is the story
Of a sycamore tree he used to climb
When he was young to watch the rain.

Sometimes it rained so hard it hurt. Like being
Beaten with sticks. Then the mud would run red.

My brother believed bad dreams could kill
A man in his sleep, he insisted
We wake my father from his muffled screams
On the night of the day he took us to see his village.
No longer his village he found his tree amputated. (3-13)

I found Joudah to be at his best when merging his experience as a physician with his humanitarian concerns. My favorite in this collection is “Pulse”, a poem delivered in 15 sections. In her introduction, Louise Gluck notes the likelihood that it is set in Darfur, where Joudah served with Doctors Without Borders. .

Halimah’s mother did not seem aware Halimah was dying.

You should have seen Halimah fight her airlessness
Twisting around for a comfortable spot in the world.
………………………….

…Halimah
Died of a failing heart
Early this dawn, her mother, with tears now,

Was on the road, twenty steps past me
Before I turned and found her waiting.

We walked back toward each other, we met, we
Read verses from the Quran,
Our palms open,
Elbows upright like surgeons

Ready to gown up after scrubbing, the slap
Of rubber gloves before we went our separate ways. (“Pulse 12”, 1-3, 9-19)

( )