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Locations

por Jan Morris

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561467,533 (4.22)3
Locations is an honest and insightful look at thirteen unique places from the woman who has, in her own words, been earning her living "by perpetual wandering and writing" for nearly forty years. One of the world's preeminent travel writers, Jan Morris is the author of a number of highly acclaimed volumes. And now, in Locations, she presents yet another collection of provocative essays on destinations as varied as Paris and Oslo, West Point and Chicago. These pieces reveal not so much how a place looks, feels, or sounds, but Morris's own response to a particular moment, her appreciation of history's causes and effects, her sharp eye for a telling detail, and her ability to find the meaning in a chance encounter. In Vermont, she retells with delight how, like the keys to a city, she was given the gift of a piece of lead piping from which the stallion Justin Morgan (the father of the breed of Morgan horses) had drunk. She finds Oaxaca colored violently by its Indianness, where one can hear the arcane languages of the Mixtec, Zapotec, and Ixcatec, and, five thousand feet above sea level, get a benign and hallucinatory effect of breathiness and romance. Morris captures what she calls the pungency of the Tex-Mex frontier, where one can not only find clans that maintain their immemorial feuds on both sides of the Rio Grande, but also such unexpected settlers as a "blond and smiling Swiss lady, like someone out of a Renoir" in charge of a breakfast counter in Laredo. And we experience the mood in post-Wall Berlin, where "the awful fear that used to hang over the Wall like a black cloud" has vanished, and "the soldiers of the People's Army have turned out to be human after all." For travelers, for lovers of adventure, for anyone who simply appreciates fine writing, Locations offers hours of enjoyable reading.… (más)
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Locations is a collection of previously published magazine pieces Morris wrote mostly in the 1980s. They are profiles of cities or other areas that highlight the character of the place as experienced by Morris. They are not travel guides, but ruminations on what makes the place itself, which is why they are entertaining and worthwhile even a few decades after they were written.

Full review posted on Rose City Reader. ( )
  RoseCityReader | Jul 10, 2011 |
(As "Places)
James Morris admits that this is an old-fashioned genre--the travel essay that is also a charming mouthful of literature--and perhaps "Places," which only an Englishman could write, is one of the very last examples we shall meet of a once popular and even moderately lucrative near-art form. In the thirties, Aldous Huxley, Evelyn Waugh, Graham Greene and others were encouraged by publishers to take the wine of their temperaments to the banquet of abroad (with chlorodyne ready in the luggage), and the result was a book rather like this-- except that Huxley and Greene ground axes, and even Waugh would moralize discreetly, whereas Morris's approach is, as he puts it, "one of guileless irresponsibility."
añadido por John_Vaughan | editarNY Times, Anthony Burgess (Jul 21, 1973)
 
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Locations is an honest and insightful look at thirteen unique places from the woman who has, in her own words, been earning her living "by perpetual wandering and writing" for nearly forty years. One of the world's preeminent travel writers, Jan Morris is the author of a number of highly acclaimed volumes. And now, in Locations, she presents yet another collection of provocative essays on destinations as varied as Paris and Oslo, West Point and Chicago. These pieces reveal not so much how a place looks, feels, or sounds, but Morris's own response to a particular moment, her appreciation of history's causes and effects, her sharp eye for a telling detail, and her ability to find the meaning in a chance encounter. In Vermont, she retells with delight how, like the keys to a city, she was given the gift of a piece of lead piping from which the stallion Justin Morgan (the father of the breed of Morgan horses) had drunk. She finds Oaxaca colored violently by its Indianness, where one can hear the arcane languages of the Mixtec, Zapotec, and Ixcatec, and, five thousand feet above sea level, get a benign and hallucinatory effect of breathiness and romance. Morris captures what she calls the pungency of the Tex-Mex frontier, where one can not only find clans that maintain their immemorial feuds on both sides of the Rio Grande, but also such unexpected settlers as a "blond and smiling Swiss lady, like someone out of a Renoir" in charge of a breakfast counter in Laredo. And we experience the mood in post-Wall Berlin, where "the awful fear that used to hang over the Wall like a black cloud" has vanished, and "the soldiers of the People's Army have turned out to be human after all." For travelers, for lovers of adventure, for anyone who simply appreciates fine writing, Locations offers hours of enjoyable reading.

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