Carolkub's review is spot on. I'm reading the Cusks in chronological order after starting with Outline and not really liking it. The first 4 books were great, this one was not. It seemed to have a lot in common with Outline, actually. The protagonist finds himself in a series of situations with horrible people who he seems to stand in judgement of, the result of which makes protagonist also a sort of horrible person in his own way. The author never fully reveals him to us and I can't really understand his motivations. Still very much worth the time and effort and a great premise. Gotta love the chapter ending where he is asked to stop playing the violin- very funny. Will be interesting to see if this is how her story telling evolves in subsequent novels. ( )

A very well written novel that never quite got going and became interesting enough for me to care what happened. The premise was excellent; of a young man interested in the family of his friend. Visiting again years later he finds things are different than they had been on the summer evening he visited before. Along with this story is the story of his own marriage which is very fragile. This is enough to make a good tale and I'm not sure why the novel doesn't manage it, somehow, although it is skilful, it doesn't have the warmth needed to make this work. The description of the farm on the top of the hill with a view of the sea is beautifully done and the sense of place here is very good. ( )

A few years ago I went to the pub with a friend of mine, Jamie, and a friend of his, Gerard. After listening to Gerard speak without pause for half an hour I excused myself and went to the loo. A few seconds later, Jamie followed me in.
“I had to have a break.” I said. “He's just so boring.”
“I know.” said Jamie. “I'm so sorry.”
We hugged and went back to the table. Gerard repeated the last word he had said before I left and then carried on with the sentence.

Reading this novel reminded me of that day. It's such a shame, because the writing is pretty good. She's got the skills but not the soul.

She's fond of her similes and some are hit but most are miss. I'm not sure if she's going for an elevated tone or showing off or what, she's definitely putting the effort in, but she gives these outlandish similes to describe such boring things they just seem out of place.

Her dialogue is really good. She may use it to have her characters say incredibly uninteresting things, but it sounds real and she made me laugh three or four times. ( )

I found the people in this story to be weird. So much so (and all of them, not just one or two) that I couldn't really relate to the story very well at all. I did find some interest in the relationship issues between the main character, Michael, and his partner, Rebecca, however, and that kept me going to the bitter end. It hasn't put me off Rachel Cusk though. I think she's a good writer. ( )

This was a bit like a temperamental old car - started off a bit jerky and I wasn't at all sure I was going to be able to make the journey, but once it got up to speed, it was as smooth as anything and I fairly sped along through some great scenery.

It's a good idea to keep a dictionary close at hand - any author who makes free with the word 'contemporaneous' on the very first page is serving fair warning on the reader. And there are some unbelievably long and complicated sentences lurking in the early chapters, like brambles snaking through the undergrowth ready to trip the unwary speed-reader. To read this story out loud I swear you would need an extra lung.

Once I got beyond the first thirty or so pages, it became clear that this is an author with an impressive grip on characterisation, and a lot of very astute points to make (albeit not very succinctly). It was a shame that books are expected to have a central 'message', because in trying to make its point, this book occasionally strayed away from the startlingly brilliant dialogue and character portrayal into forced psychobabble. I'm thinking particularly of Michael's encounter late on with his wife and her bitchy friend which started off excellent but degenerated.

I thought Michael came across a bit asexual, which often happens when an author chooses a first person narrator of the opposite sex to tell a story. On the other hand I thought this gave her an excellent opportunity to point out the bizarre things some women do and say. This occurs again and again in this book and I thought the author handled it beautifully. The way the character Lisa deals with children interrupting her conversations with other adults was deserving of four and a half stars all on its own! ( )