PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Cargando...

The Strength of Poetry: Oxford Lectures

por James Fenton

MiembrosReseñasPopularidadValoración promediaMenciones
982278,935 (3.67)3
Why should a poet feel the need to be original? What is the relationship between genius and apprenticeship? James Fenton, Oxford Professor of Poetry from 1994 to 1999 and winner of the Whitbread Prize for Poetry, examines some of the most intriguing questions behind the making of the art - issues of creativity and the earning of success, of judgement, tutorage, rivalry and ambition.… (más)
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

» Ver también 3 menciones

Mostrando 2 de 2
The twelve essays contained in this volume were delivered at Oxford between 1995 and 1999 during James Fenton’s tenure there as Oxford Professor of Poetry. They are, each of them, masterly engagements with the lives and loves of poets, and most especially with their poetry. Fenton writes with assurance and sympathy. He tends towards the encroachment of biographical details into his criticism—in almost every case, details of the poet’s life under scrutiny, which would not have been generally or publicly available during the poet’s life, inform and adjust the interpretation of the poetry. That is a debatable strategy, but Fenton acknowledges its risks, most notably in the final essay. It does, however, make for highly readable accounts and a personable critical style.

In some ways, Fenton is better dealing with male poets. He writes with conviction and respect on Marianne Moore, Elizabeth Bishop, and Sylvia Plath. But he truly shines when discussing Wilfrid Owen, Seamus Heaney, D.H. Lawrence, and W.H. Auden, on whom there are three essays. Perhaps I should have placed Philip Larkin at the front of that list, but unusually here, Fenton’s scholarship and incisive observation diminishes rather than burnishes Larkin’s reputation. It was ever thus—poets move up or down in standing as critics disabuse us of our blinders with respect to them.

Fine criticism, I think, typically draws us back to the texts it explores with renewed enthusiasm. That is surely the case here. This is criticism that gently nudges us in certain directions and then, for the most part, seeks to absent the field. It returns us to the poems and lets their strengths act upon us. A fine collection of essays, highly recommended. ( )
  RandyMetcalfe | Mar 23, 2013 |
These essays are cogently argued and thought-provoking. One of Fenton's great strengths that he is a lot more than a poet. He therefore has much to drawn on as he formulates his thoughts on the place of poetry in the pantheon of communication and art. The essays were originally lectures given by Fenton when he held the more or less honorary post of professor of poetry at Oxford. ( )
  ElizabethPisani | Apr 19, 2008 |
Mostrando 2 de 2
sin reseñas | añadir una reseña
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Dedicatoria
Primeras palabras
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés (1)

Why should a poet feel the need to be original? What is the relationship between genius and apprenticeship? James Fenton, Oxford Professor of Poetry from 1994 to 1999 and winner of the Whitbread Prize for Poetry, examines some of the most intriguing questions behind the making of the art - issues of creativity and the earning of success, of judgement, tutorage, rivalry and ambition.

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: (3.67)
0.5
1
1.5
2
2.5
3 1
3.5
4 2
4.5
5

¿Eres tú?

Conviértete en un Autor de LibraryThing.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 206,309,541 libros! | Barra superior: Siempre visible