As a midwesterner I knew the early pioneers had it tough but it was really very bleak. It is comparable to Giants in the Earth. ( )

My fond memories of growing up in Wisconsin create a warm place in my heart for this memoir about growing up in a Wisconsin of the previous century; then as the mid-western frontier. Hamlin Garland captures the essence of the place and time that was already a distant memory during my boyhood. He does this through advocacy of a form of realism that blended the realist's insistence upon verisimilitude of detail with the impressionist's tendency to paint objects as they appear to his individual eye.

He begins in a tremendously moving fashion with the first time he met his father who was returning home from the Civil War in 1864, as he was a baby when his father went off to war.
""Come here , my little man," my father said.--"My little man!" Across the space of a half-a-century I can still hear the sad reproach in his voice. "Won't you come and see your poor old father when he comes home from the war?"
"My little man!" How significant that phrase seems to me now! The war had in very truth come between this patriot and his sons. I had forgotten him--the baby had never known him."(p 6)

Garland narrates his memoir in chronological fashion tracing the events of his boyhood, first in Wisconsin and later in Iowa, and continuing into adulthood with his own travels and development as a writer. He uses a first person narrator but, he has two different "I"s telling the story. Using a "double angle of vision" Garland frequently shifts from telling his story from a youthful perspective to viewing the events and commenting on their significance as an adult. It is a very personal narrative where he does not claim to be telling the literal truth but only his personal or interior truth. The story is shaped by his own reminiscences and recollections of the past forming a sort of literary impressionism that Garland called "veritism". The veritist differed from the realist, Garland claimed, in his insistence upon the centrality of the artist's individual vision: the artist should paint life as he sees it. In doing this he brings his world alive for the reader.

The stories of his family life, with his brother on the farm and in school, his uncle David playing the fiddle, and the life of the prairie with its flora and fauna were the sections that I enjoyed the most. In later life he would go on to write short stories that were gathered in the collection Main-Travelled Roads and, four years after Son of the Middle Border he wrote Daughter of the Middle Border for which he was awarded the Pulitzer Prize for Biography. I think the depiction of a warm family life on the prairie, a region's characters, customs, and textures of life creates an interesting read even for those who do not share a personal connection with the beauty of Midwestern life. ( )

1686 A Son of the Middle Border, by Hamlin Garland (read 10 Jan 1982) This book, which I remember hearing a lot about in my youth, is the story of Garland's life, told from the beginning of his consciousness in about 1865 (he was born in 1860) until 1893, when he is settling his parents into a house in Wisconsin. His family left Wisconsin when he was under ten and they moved to a farm near Osage, Iowa. Later they went on to Brown County, S.D. Hamlin went east when he was 21, and wrote, etc. What can I say? The writing is florid and over-ripe--he is over-dramatic, and also excessively pessimistic. And every ending is sad. I have very mixed feelings about this book--in some ways it is awfully naive, but some of the lines about life are strikingly beautiful: "The flash and ripple and glimmer of the tall sunflowers, the myriad voices of gleeful bobolinks, the chirp and gurgle of red-winged blackbirds swaying on the willows, the meadow-larks piping from grassy bogs, the peep of the prairie chick, and the wailing call of plover on the flowery green slopes of the uplands made it all an ecstatic world to me." ( )

A classic of American realism, A Son of the Middle Border (1917) is the true coming-of-age odyssey of a farm boy who—informed by the full brute force of a homesteaders’ life on the vast unbroken prairie—would become a preeminent American writer of the early twentieth century. Pulitzer Prize–winner Hamlin Garland’s captivating autobiography recounts his journey from a rural childhood to the study of literature and the sciences in Boston, his vital connections with such inspirations as William Dean Howell, and eventually his reclaimed sense of identity as a writer of the Midwest’s beautiful yet hard land. This definitive book placed Garland among such regionalist writers as Willa Cather, Sherwood Anderson, and Theodore Dreiser. (Product Description)