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Everyone would like Anna and Tom's life. A creative work without too many constraints; a bright, plant-filled Berlin apartment; a passion for food and progressive politics; a relationship open to sexual experimentation, to evenings that end late in the morning. A limpid and seductive everyday life like a timeline of photographs taken with care. But off-screen dissatisfaction grows as deep as it is difficult to focus on. The work becomes repetitive. Friends return to their homeland. The attempt at political commitment is extinguished in a generic momentum. Years go by. And in that life so similar to an image -- perfect in color and composition, but flat, limited -- Anna and Tom feel trapped, tormented by the need to find something more real. But does it exist? Vincenzo Latronico returns to fiction with a lucid and bitter story of dreams and disappointments, a parable about our lives besieged by social media images and the search for an increasingly fragile and rare authenticity. No se han encontrado descripciones de biblioteca. |
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Un calco di Le cose di Perec (1965) riconoscente e rispettoso, a volte un po' ingessato, ma scritto molto bene (aggettivo preferito: "friabile"). Un libro che riesce a essere istantanea di una generazione, forse di un'epoca. Si insiste sulle immagini, e forse lo scarto è proprio lì: dalle cose alle immagini, la vittoria dell'estetizzazione rassicurante dei social media che riempie le nostre vite. ( )