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Vis à vis : fieldnotes on poetry & wilderness (2001)

por Don McKay, Wesley Bates (Ilustrador)

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In Vis à Vis, Don McKay charts a vision of poetics that keeps its feet on the ground and its eyes on the horizon. As one of Canada's leading poets, McKay has long been known for his passionate engagement with his natural surroundings. This book collects three essays on this relationship, together with new and previously published poems that further demonstrate these ideas. Using bushtits, baler twine, Heidegger and Levinas, McKay sets out to explore some of the almost unspeakable concepts driving the use of language particular to poets, and the arguably skewed relationship human beings have with their natural surroundings. In a book the Globe & Mail calls "stylishly constructed" and "impeccably casual," one of Canada's best-loved writers offers his own sense of poetics. Finalist for the 2002 Governor General's Award for Nonfiction.… (más)
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Hardly a point in the book I couldn't grapple with. That is to say I think I got it, which is to say it is written clearly, with conveyance in mind. There's new zest in metaphor for me, a device I had been thinking was old and easy, not of concern to the new poetry. I like what McKay has to say about it, and I'll feel less guilty using it myself. Still, the practice examples (poems) to the theory often were conspicuous, i.e, a huge gap was present to what I felt the theory was intending and what the poems accomplished, but that's a classic divide. The Bushtits' Nest was the most rewarding part for me. Thank you.
  biblioclair | Jun 20, 2023 |
It's difficult to review a collection of poetry, in my opinion. In part because I rarely read the entire thing front to back, and in another part because poetry perceptions shift by the person and by the hour. I studied some of this in my fourth year poetry seminar course. McKay takes on poetry and the wilderness and environment, in a time when the environment is threatened (I'd say it's only gotten worse since the book was published).

I enjoy the mix of poetry and essays. Topics are sharp, a mix of human structure and invention and natural environment. "Stretto" was the work I focused on and it's stuck with me some 10 years after the fact. ( )
  WeeTurtle | Dec 18, 2018 |
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Don McKayautor principaltodas las edicionescalculado
Bates, WesleyIlustradorautor principaltodas las edicionesconfirmado
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(Author's Note) These essays, and the related long poem, were written over the last decade of the twentieth century, a decade in which I was determined to come to grips with the practice of nature poetry in a time of environmental crisis.
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In Vis à Vis, Don McKay charts a vision of poetics that keeps its feet on the ground and its eyes on the horizon. As one of Canada's leading poets, McKay has long been known for his passionate engagement with his natural surroundings. This book collects three essays on this relationship, together with new and previously published poems that further demonstrate these ideas. Using bushtits, baler twine, Heidegger and Levinas, McKay sets out to explore some of the almost unspeakable concepts driving the use of language particular to poets, and the arguably skewed relationship human beings have with their natural surroundings. In a book the Globe & Mail calls "stylishly constructed" and "impeccably casual," one of Canada's best-loved writers offers his own sense of poetics. Finalist for the 2002 Governor General's Award for Nonfiction.

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