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Lucky Breaks

por Yevgenia Belorusets

Otros autores: Ver la sección otros autores.

MiembrosReseñasPopularidadValoración promediaMenciones
752358,421 (3.44)3
"Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets's captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women's Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative"--… (más)
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I saw this in a bookstore in a display of Ukrainian writers and had to buy it. And I'm glad I did, because it was so, so good. A collection of short stories largely centered in impoverished Ukrainian coal country. This collection also centers women, and the unreality of living in the kinds of covert conflict that has been going on there for so long.

The translator's note at the end was so helpful in establishing context for the author and this work, for writing in Russian vs. Ukrainian, etc.

I got so much more than I expected here, this was wonderful. ( )
  greeniezona | Jul 31, 2023 |
Magic, witchcraft and astrology infuse Belorusets's collection of absurdist stories about women in Ukraine. A midwife curses a neighbourhood; a woman turns a teapot into a fan; a group hiding underground to avoid shelling relies on hour-by-hour horoscopes in the local paper for indications as to when it is safe to emerge for walks.

The title is ironic: far from having any "lucky breaks", Belorusets's women are disillusioned, moving between towns and cities with scant economic opportunity. And in some stories, they are abruptly erased – a florist disappears leaving no trace, her shop turned into a warehouse for propaganda materials, her house destroyed, her regular customers having left Donetsk "long ago". In vignettes no longer than a few pages, Belorusets recounts stories of women existing in the margins.
añadido por Cynfelyn | editarThe Guardian, Ella Creamer (Feb 8, 2024)
 

» Añade otros autores

Nombre del autorRolTipo de autor¿Obra?Estado
Belorusets, Yevgeniaautor principaltodas las edicionesconfirmado
Dathe, ClaudiaTraductorautor secundarioalgunas edicionesconfirmado
Ostashevsky, EugeneTraductorautor secundarioalgunas edicionesconfirmado
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"Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets's captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women's Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative"--

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