PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Cargando...

Reading Jazz: A Gathering of Autobiography, Reportage, and Criticism from 1919 to Now (1996)

por Robert Gottlieb (Editor)

Otros autores: Nat Hentoff (Contribuidor)

MiembrosReseñasPopularidadValoración promediaMenciones
2054133,304 (4)4
"Here is the largest, most comprehensive, and most stimulating collection of writings on jazz ever published." "The first of Reading Jazz's three parts is autobiographical, and in it such central jazz figures as Jelly Roll Morton, Louis Armstrong, Sidney Bechet, Billie Holiday, Miles Davis, Charles Mingus, Art Pepper, Count Basie, Anita O'Day, Lionel Hampton, Artie Shaw, and Cab Calloway reveal their lives and ideas in their highly charged and very persuasive first persons." "Part two is reportorial, encompassing formal profiles - Whitney Balliett's of Earl Hines and Peewee Russell, and Gene Lees's of Bill Evans and Dizzy Gillespie; Lillian Ross's hilarious account of the first Newport Jazz Festival; Ralph Ellison remembering Minton's Playhouse; and both Hampton Hawes and Miles Davis reminiscing about Charlie Parker." "Part three is critical, presenting a wide spectrum of opinion and approach, beginning with the famous 1919 essay by Ernst-Alexandre Ansermet (he conducted the premiere of Stravinsky's Rite of Spring) about jazz in general and Bechet in particular, and proceeding to such eminent writers as Nat Hentoff (on John Coltrane), Gunther Schuller (on Sarah Vaughan), Dan Morgenstern (on Louis Armstrong), Gary Giddins (on "Body and Soul"), Philip Larkin, Albert Murray, Stanley Crouch, LeRoi Jones, and many others."--Jacket.… (más)
Ninguno
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

» Ver también 4 menciones

Mostrando 4 de 4
Wont ever be 'done' reading this, just keep it by my bedside and jump into an essay every now and then. ( )
  BooksForDinner | Feb 19, 2019 |
Mein Gott. I must have read this mutha cover to cover at least five times. It is an endlessly rewarding collection of knowledge and opinion and any music lover should give it a go.
  stephenmurphy | Feb 20, 2007 |
Richard Gottlieb, formerly of the New Yorker has put together a quirky collection of memoirs, autobiography, essays and reviews, which cover, slightly selectively, jazz from its beginnings to now.

Gottlieb tends to regard jazz as most authentic when played by African-Americans--the only white musicians discussed here tend to be women singers, and European jazz might as well not exist. His selection includes pieces which acknowledge the limitations of other musics -- Miles Davis's admiration of the Artist Formerly Known as Prince is therefore taken as evidence of the great trumpeter's decline.

This is a generous book both in its sheer size and in the spirit in which people write joyfully about the music; it is a book about the heroic, and anyone with jazz heroes-- from Louis Armstrong to Charlie Parker--will find them attractively celebrated here.

This is a collection of more than 150 excerpts from books, journals, magazines and newspapers, creating an anthology of essays about jazz - the life and the music. Dividing the book into three sections - "Autobiography", "Reportage" and "Criticism", Robert Gottlieb also provides an overall introduction and a brief preface to each piece. There are first-person narratives by Louis Armstrong, Sidney Bechet, Billie Holliday, Charles Mingus, Charlie Parker, Jelly Roll Morton and Fats Waller. There is journalism about musicians and recordings by Whitney Balliet, Leonard Feather, Nat Hentoff, Ralph Ellison, Rudi Blesh, Lillian Ross, A.B. Spellman and Dan Morgenstern. The critiques of major musicians are by Marshall Stearns, Henry Pleasants, Will Friedwald, Gary Giddins, Andre Hodeir, Eric Hobsbawn, Philip Larkin, Albert Murray, Stanley Crouch, LeRoi Jones, Jean-Paul Sartre, Gunther Schuller and Virgil Thompson.
1 vota antimuzak | Oct 18, 2005 |
bought for a jazz appreciation class 2002
  Wakewoman | Sep 25, 2005 |
Mostrando 4 de 4
sin reseñas | añadir una reseña

» Añade otros autores (42 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Gottlieb, RobertEditorautor principaltodas las edicionesconfirmado
Hentoff, NatContribuidorautor secundariotodas las edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Dedicatoria
Primeras palabras
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés (1)

"Here is the largest, most comprehensive, and most stimulating collection of writings on jazz ever published." "The first of Reading Jazz's three parts is autobiographical, and in it such central jazz figures as Jelly Roll Morton, Louis Armstrong, Sidney Bechet, Billie Holiday, Miles Davis, Charles Mingus, Art Pepper, Count Basie, Anita O'Day, Lionel Hampton, Artie Shaw, and Cab Calloway reveal their lives and ideas in their highly charged and very persuasive first persons." "Part two is reportorial, encompassing formal profiles - Whitney Balliett's of Earl Hines and Peewee Russell, and Gene Lees's of Bill Evans and Dizzy Gillespie; Lillian Ross's hilarious account of the first Newport Jazz Festival; Ralph Ellison remembering Minton's Playhouse; and both Hampton Hawes and Miles Davis reminiscing about Charlie Parker." "Part three is critical, presenting a wide spectrum of opinion and approach, beginning with the famous 1919 essay by Ernst-Alexandre Ansermet (he conducted the premiere of Stravinsky's Rite of Spring) about jazz in general and Bechet in particular, and proceeding to such eminent writers as Nat Hentoff (on John Coltrane), Gunther Schuller (on Sarah Vaughan), Dan Morgenstern (on Louis Armstrong), Gary Giddins (on "Body and Soul"), Philip Larkin, Albert Murray, Stanley Crouch, LeRoi Jones, and many others."--Jacket.

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: (4)
0.5
1
1.5
2 1
2.5 1
3 1
3.5 1
4 3
4.5
5 5

¿Eres tú?

Conviértete en un Autor de LibraryThing.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 206,364,283 libros! | Barra superior: Siempre visible