In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.

Director: Hettie Macdonald
Writers: Jonathan Harvey, Jonathan Harvey (play)
Stars: Glen Berry, Linda Henry and Meera Syal

In this alternately somber and witty coming-of-age drama, a pair of teenage boys growing up in a working-class neighborhood become aware of their homosexuality. Introspective Jamie (Glen Berry) is the son of Sandra (Linda Henry), a tough but warm-hearted barmaid who lives in a public housing block in a rough-and-tumble section of South London. Living a few doors away is Jamie's classmate Ste (Scott Neal), an athletic type who often has to take a beating from his hard-drinking father and hard-headed brother. One night, Jamie and Sandra discover that Ste has been kicked out of the apartment and has nowhere to spend the night; Jamie lets him stay at his place, and a casual closeness eventually stirs sexual feelings. While both were vaguely aware they might be gay, neither had ever acted on their impulses, and once Jamie and Ste decide that they're attracted to each other, neither is sure just what to do. Tony (Ben Daniels), Sandra's boyfriend, doesn't know what to think about Jamie's new lifestyle. Meanwhile, Jamie and Ste are themselves a bit puzzled by their neighbor Leah (Tameka Empson), a teenager obsessed with the life and music of Mama Cass Elliott. Mark Deming

This absolute winner, based on a stage play by Jonathan Harvey and adapted by him, is a kind of enchanted, urban slice-of-life tale about a gay teen, Jamie (Glen Berry), who is in love with the boy next door, Ste (Scott Neal). Hampering Jamie's progress on the romantic front is his fear that his mother (Linda Henry) will find out, as well as concern over complicating Ste's existing problems. Beautiful Thing is a relationship movie, to be sure, but that description doesn't really describe the buoyant tone of this British television production. Democratic in its inclusive regard for each character (whether camera-pretty or not), the film--well-directed by Hettie Macdonald--is full of surprises. Chief among them is the terrific personality of Jamie's mum, a strong and independent woman who truly worries over and adores her son. But this is a movie involved in a kind of happy dialogue with itself: the tunes of Mama Cass, for instance, play a part in both the story and overall ambience, while a strategic placement of the Rodgers and Hammerstein chestnut "Sixteen Going on Seventeen" during an act of love is fun and exciting. --Tom Keogh