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Cargando... La Fantástica Luz (1976)por Alfred Bester
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Pertenece a las series editorialesFontana Science Fiction (5281) Contenido enContiene
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)823.9Literature English English fiction Modern PeriodClasificación de la Biblioteca del CongresoValoraciónPromedio:
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The Light Fantastic starts like a rocket with a novelette that seems designed to show off all of Bester's strengths, "5,271,009" -- the wild humour, the near-obsessive multilingual wordplay, etc. We're told by Bester in the tale's intro that this is all a deliberate self-parody; true, but whoever said parodies aren't a high form of literature? Our hero is lured by someone not unlike the Devil into a series of dreams-come-true that prove each in turn to be hellish. Immediately after this, however, we hurtle downhill with a story that obviously meant a lot to Bester because of the classy venue to which he sold it but which otherwise doesn't have a huge amount to recommend it, "MS. Found in a Champagne Bottle". Following are "Fondly Fahrenheit", a very famous story which I've for some reason never much liked; "The Four-Hour Fugue", which I like a lot; "The Men Who Murdered Mohammed", which is pretty boring; "Disappearing Act", which is good; and the longish fantasy novella "Hell is Forever", which is astonishingly turgid: I had some difficulty forcing myself to finish it.
A great strength that Bester was always able to draw on was, as with John Collier, the ability to tell an involving tale whose protagonists weren't recognizably real people: in both The Light Fantastic and Star Light, Star Bright most of the stories are fantabulations rather than pretences to reality. ost often this effect is charming; The Light Fantastic's main failing is that most of Bester's early stories where this charm was most evident were held over for Star Light, Star Bright. ( )