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Cargando... King Aroo, Vol. 1: 1950-1952por Jack Kent
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Presenting a long-neglected classic -- King Aroo! Lauded by critics in the pantheon of great strips such as Krazy Kat, Pogo, and Barnaby, Jack Kent's brilliantly conceived world brought smiles to young and old alike with its fanciful array of clever puns, visual humor, and good old slapstick. The postage-stamp-sized kingdom of Myopia is presided over by kindly King Aroo and his faithful (if sometimes prickly) retainer, Yupyop. The King turns to Professor Yorgle for wisdom, Wanda Witch for magic spells, the kangaroo mailman, Mr. Pennipost, for news from far and wide...and looks for love from the Beautiful Princess From the Kingdom Next Door. Volume One celebrates the strip's 60th anniversary by presenting every daily and Sunday strip from the beginning in 1950 through 1952, reproduced from original artwork and syndicate proofs from the Jack Kent Estate. The series is edited and designed by Eisner Award-winner, Dean Mullaney, with an illuminating biographical text feature by Bruce Canwell, and an introduction by Sergio Aragones. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)741.5973The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections North American United States (General)Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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In college, I spent way too many hours reading old newspapers on microfiche. I always jumped to the comic strip section. I read several months worth of "King Aroo" and fell in love with it. The strip is not particularly the most well-known, but it should be. The characters are innocent and gentle. They find themselves constantly mixed up in awkward situations. Their attempts to resolve a crisis usually result in the creation of another crisis.
This edition presents two years worth of "King Aroo" in a accessible format. There are three strips per page, reprinted at a nice size, making it easy to read. According to the publisher, they did not want to interrupt the continuity of the weekday stories, so the Sunday strips are collected toward the end of the book with one per page. The Sunday strips are not in color, which is fine by me.
The reproductions of the black line art are just wonderful. Even without looking hard, you can see the smooth lines and pick up on the general emotions of the characters because of how clean the art is. As I understand it, the Kent family gave the publisher access to much of the original art. The publisher did a wonderful job maintaining the integrity of that art.
Both Kent's art and writing could stand alone. Combined, they show just how wonderful comics can be. I really hope the publisher will finish this series of "King Aroo" books. ( )