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La conjura de dominus (2003)

por Peter Ackroyd

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8212326,863 (3.38)37
'I am sister to the day and night. I am sister to the woods.' Sister Clarisse, a nun in the House of St Mary at Clerkenwell, experiences visions. She dreams of the English King. Are her prophecies the babblings of the crazed? Or can she 'see' a future in which Henry Bolingbroke overthrows Richard II? This clever and colourful novel begins with The Nun's Tale, and continues with The Friar's Tale, The Merchant's Tale and The Clerk's Tale-. Thus, story by story, Peter Ackroyd builds his portrait of medieval London. The people are disenchanted by the Church, with its wealth and corruption, its Pope in Rome and its Pope in Avignon. But heresy is dangerous- almost as dangerous as rebellion. This is a novel about spies and counter-spies, radicals and idealists, murderers and arsonists, sects and secret societies...… (más)
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En el año 1399 circulan rumores apocalípticos por una Londres turbulenta y laberíntica. Un grupo de notables se dirige a una cita secreta. Un asesinato y una serie de explosiones sacuden la ciudad. El convento de Santa María y el priorato de los caballeros templarios se comunican por un túnel subterráneo, el mismo en el que sor Clarisa vino al mundo. Bruja merecedora de la hoguera para unos, profeta para otros, la monja se declara « hermana del día y de la noche, hermana de los bosques» y sus vaticinios inquietan a los feligreses desencantados de la Iglesia y del mundo. Mientras tanto, la secta Dominus urde su trama y no se detiene ante nada.
  Natt90 | Jul 6, 2022 |
En el año 1399 circulan rumores apocalípticos por una Londres turbulenta y laberíntica. Un grupo de notables se dirige a una cita secreta. Un asesinato y una serie de explosiones sacuden la ciudad. El convento de Santa María y el priorato de los caballeros templarios se comunican por un túnel subterráneo, el mismo en el que sor Clarisa vino al mundo. Bruja merecedora de la hoguera para unos, profeta para otros, la monja se declara «hermana del día y de la noche, hermana de los bosques», y sus vaticinios inquietan a los feligreses desencantados de la Iglesia y del mundo. Mientras tanto, la secta Dominus urde su trama y no se detiene ante nada. Sobre la base estructural de Los cuentos de Canterbury, y con el exhaustivo conocimiento de los bajos fondos londinenses, Peter Ackroyd ha creado una espléndida novela en la que la truculencia y el misterio arrastran al lector desde los primeros compases, una electrizante novela que es también un fiel y asombroso retrato de la Londres medieval: cultos extraños, visiones fantásticas, sexo en todas sus variantes, plagas, enfermedades y exóticas prácticas médicas, herejes alucinados, portentos astrológicos, y una galería de personajes tan curiosos como inolvidables.
  kika66 | Oct 13, 2011 |
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As usual, Ackroyd's learning is as impressive as his imagination, ranging from astrology and religious debate to the deep-rooted iconography that shaped the medieval mindset. But it is the description of daily life, of meals and mystery plays, of footwear and farting, which makes the past a smelly and fascinating presence.
añadido por KayCliff | editarGuardian, Will Hammond (Aug 10, 2003)
 
The London of The Clerkenwell Tales is stalked by terrorists who use the most advanced explosives the 14th century can offer to destroy five churches, and the churches are chosen for the significance of their locations. Fans of Hawksmoor will recognise not only this theme, but also the subversive theology, the debate between reason and belief, the labyrinths under churches, the blackmail, the way gentlemen in taverns pee where they're sitting, and the purgative powers of flagellation.
añadido por KayCliff | editarTelegraph, Tom Payne (Aug 4, 2003)
 

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Dame Agnes de Mordaunt was sitting in the window of her Chamber, looking out over the garden of the house of Mary at Clerkenwell.
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[[Hamo] was trained as an illuminator in the scriptorium. He prepared the inks and the paints; he smoothed the parchments and drew lines upon them with rule and charcoal pencil. He learned to mix black and red, white and yellow. Then he was trained in the art of drawing outlines with a brush of squirrel hair. He was taught how to plaster the walls of the church in preparation for the murals; he would cover them with lime putty, rendered damp for the better retention of colour.
Hamo turned the corner of Paternoster Row, into the street of the illuminators and parchment-makers whose work was displayed all around him.
Here was a rich volume indeed, illuminated with great coloured capitals though which birds and monkeys ran. Jolland felt the vellum paper with his forefinger. "Every page takes the skin of a sheep. So here we have many flocks before us." He turned the page very carefully, in case one of them might crack or tear.
Cole Bateman, the miller for the convent of Clerkenwell, was kneeling in the north transept of St Sepulchre. He had just delivered twelve sacks of flour to the parish priest of that church; the priest had agreed to act as arbiter in the miller's dispute with the bailiff over that stretch of the [River] Fleet that ran between them. The bailiff had in turn presented him with a mastiff, since the priest had complained of roarers and masked men who seemed strangely drawn to the Newgate prison. The mill beside the Fleet was less thn a mile beyond the city gates, and Coke Bateman often drove his cart within the walls. For him it was a city of springs and streams. He had got so accustomed to the sound of water rushing beneath the mill that it seemed to him to be the sound of the world. He slept with the rush of waters, and awoke with their rhythms in his head. He knew the harsh and hasty sound of the Fleet, therefore, and compared it carefully and deliberately with the other rivers within the city. He recognised the soft sound of the Falcon sighing through reeds, the disturbed and excitable Westbourne with its hidden springs sending out competing currents, the slow and heavy Tyburn winding through marshes, the light Walbrook gliding over stones and pebbles, and the Fleet itself with its strong and sweeping central current running like a sigh through the city. And then of course there was the Thames, majestic, many-voiced, at one moment a mass of dark turbulance and at the next a gleaming sheet of light.
"If a man full penitent come to me and pay for his sin," [said the pardoner], "I will assoil him. Here is the authority granted me." The pardoner held up a sheet of vellum decorated with a great initial "I" in which monkeys clambered among vines. "If anyone gives seven shillings to Anthony's [St Anthony's Hospital, Threadneedle Street], I will bestow upon him an indulgence of seven hundred years. I am entrusted to do this by the pope himself." He rolled up the papal bull and carefully placed it within his bag.
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'I am sister to the day and night. I am sister to the woods.' Sister Clarisse, a nun in the House of St Mary at Clerkenwell, experiences visions. She dreams of the English King. Are her prophecies the babblings of the crazed? Or can she 'see' a future in which Henry Bolingbroke overthrows Richard II? This clever and colourful novel begins with The Nun's Tale, and continues with The Friar's Tale, The Merchant's Tale and The Clerk's Tale-. Thus, story by story, Peter Ackroyd builds his portrait of medieval London. The people are disenchanted by the Church, with its wealth and corruption, its Pope in Rome and its Pope in Avignon. But heresy is dangerous- almost as dangerous as rebellion. This is a novel about spies and counter-spies, radicals and idealists, murderers and arsonists, sects and secret societies...

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