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Cargando... Local Customspor Audrey Thomas
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Nominated for the 2016 Forest of Reading Evergreen Award Nominated for the 2014 Victoria Book Prize An Englishwoman's mysterious death in 19th-century West Africa haunts those left behind. Letitia Landon, "Letty" to her friends, is an intelligent, witty, successful writer, much sought after for dinner parties and soirées in the London of the 1830s. But, still single at thirty-six, she fears ending up as a wizened crone in a dilapidated country cottage, a cat her only companion. Just as she is beginning to believe she will never marry, she meets George Maclean, home on leave from his position as the governor of Cape Coast Castle on the Gold Coast of West Africa. George and Letty marry quietly and set sail for Cape Coast. Eight weeks later she is dead -- not from malaria or dysentery or any of the multitude of dangers in her new home, but by her own hand. Or so it would seem. Local Customs examines, in poetic detail, a way of life that has faded into history. It was a time when religious and cultural assimilation in the British colonies gave rise to a new, strange social order. Letty speaks from beyond the grave to let the reader see the world through her eyes and explore the mystery of her death. Was she disturbed enough to kill herself, or was someone -- or something -- else involved? No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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Letty is the primary narrator, and tells us even before the first chapter that she is dead. Her story bounces back and forth in time a lot, as she describes her background, writing, courtship, marriage, and life and death in Africa. As the book progresses, several other narrators pitch in, sometimes telling their own stories, and sometimes retelling Letty's story from different perspectives. The use of multiple first person narrative voices is one of the most notable features of the book. It takes very little time to realize that everyone's honesty is questionable. Some topics that are significant to the plot are social class, colonialism, slavery, mental illness, and the place of women in society.
I had only one problem with the book, and that was purely a matter of personal preference. I do not like historical fiction that is based on real people's lives. So all the time that I was reading, I kept wondering which parts were true. Give me fiction or nonfiction, not a nebulous, in-between fictionalization. Aside from that, it was a very good book. Knowing the eventual outcome added to the subtly building tension. The multiple perspectives were handled well, creating conflict between word and deed. For example, two characters each tell us that they dislike the other because that person treats the servants badly, and cite instances. The serious issues are well-integrated into the story, sometimes obliquely, sometimes with a sledgehammer. The history feels realistic, and the characters express attitudes and concerns that are appropriate to the period. Sensory descriptions of tropical Africa permeate the narrative, with the relentless sound of the sea, the brilliant colours, the blowing sand, and the stifling heat. While obviously not a happy book, Local Customs does have its humorous moments and light spots. It provides history, character study, social commentary, and a puzzle to unravel. ( )