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Three New Deals: Reflections on Roosevelt's America, Mussolini's Italy, and Hitler's Germany, 1933-1939

por Wolfgang Schivelbusch

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Today FDR's New Deal is regarded as the democratic ideal, the positive American response to the economic crisis that propelled Germany and Italy toward Fascism. Yet in the 1930s, these regimes were hardly considered antithetical. Cultural historian Schivelbusch investigates their shared elements to offer an explanation for the popularity of Europe's totalitarian systems. Returning to the Depression, he traces the emergence of a new type of populist and paternalist state: bolstered by mass propaganda, led by a charismatic figure, and projecting stability and power. He uncovers stunning similarities: the symbolic importance of gigantic public works programs like the TVA dams and the German Autobahn, which not only put people back to work but embodied the state's authority; the seductive persuasiveness of Roosevelt's fireside chats and Mussolini's radio talks; the vogue for monumental architecture stamped on Washington, as on Berlin; and the omnipresent banners enlisting citizens as loyal followers of the state.--From publisher description.… (más)
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A comparison of Nazism, Fascism, and Roosevelt’s New Deal. It starts out with a chapter on architecture, and it stays close to that theme, with the symbolism of this and that public project being considered. Economics is not given much space; we learn every now and then that the (classic) Liberals had destroyed the Western World with unhampered Capitalism, and that this was the background upon which the three statesmen tried to enlarge the power of the state, but that is as far as it goes, symbolism apparently ruled the thirties.
That said, it is not a bad read, I found it an entertaining 190 pages (plus notes). ( )
1 vota jahn | Jul 9, 2009 |
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Today FDR's New Deal is regarded as the democratic ideal, the positive American response to the economic crisis that propelled Germany and Italy toward Fascism. Yet in the 1930s, these regimes were hardly considered antithetical. Cultural historian Schivelbusch investigates their shared elements to offer an explanation for the popularity of Europe's totalitarian systems. Returning to the Depression, he traces the emergence of a new type of populist and paternalist state: bolstered by mass propaganda, led by a charismatic figure, and projecting stability and power. He uncovers stunning similarities: the symbolic importance of gigantic public works programs like the TVA dams and the German Autobahn, which not only put people back to work but embodied the state's authority; the seductive persuasiveness of Roosevelt's fireside chats and Mussolini's radio talks; the vogue for monumental architecture stamped on Washington, as on Berlin; and the omnipresent banners enlisting citizens as loyal followers of the state.--From publisher description.

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