My one visit to Oxford was long ago as an 18-year-old on a choir tour of England. Our chaperones normally kept a pretty tight rein on us, but for some reason this time they actually let us roam around by ourselves for a while. I was in literary heaven. I visited Blackwell's bookstore, found "Alice's Shop" (the model for the sheep's shop in Through the Looking Glass), and ended up at the Bodleian Library which had a wonderful exhibition of children's books from the Opie collection. It was truly a magical day for a bookaholic teenager, and I still remember it fondly.

Last year I found out that the Bodleian was having another exhibition that sorely tempted me to fly across the Atlantic once more. Magical Books: From the Middle Ages to Middle Earth featured artifacts related to the work of some of my favorite authors, including C.S. Lewis, J.R.R. Tolkien, Susan Cooper, Philip Pullman, and Alan Garner, known as the "Oxford School" for their ties to the university. Along with ancient scrolls and manuscripts from the Bodleian collection that are known or presumed to have inspired their work, there were artifacts from the authors themselves, such as Lewis's hand-drawn map of Narnia, Tolkien's dust jacket design for The Two Towers, and a set of replicas of the Six Signs of Power made for Susan Cooper.

Alas, I wasn't able to make it in person, but the Bodleian did put up images of many of the exhibited item on their website, which you can still view here. They also produced a companion book called Magical Tales: Myth, Legend and Enchantment in Children's Books, which I promptly purchased. It is a lovely high-quality paperback, about 7 inches square, with a nice, heavy wraparound cover (I love these because I can use them instead of a bookmrak), excellent layout and typography, and beautifully reproduced full-color images. So just as a physical object, the book is certainly a success.

Content-wise, the book contains five academic essays. The first is a general consideration of "magical books," which can refer both to ancient books of spells and alchemy and to modern fantasy literature about magical happenings. The next three essays take on three areas of influence and inspiration for children's writers, particularly those of the "Oxford School": Northern mythology, the Middle Ages, and Arthurian legend. The final essay looks at the book itself as a magical, transforming object, in the form of early movable books for children. With a generally readable, engaging style, each essay gives a decent overview of its respective topic. Sometimes I wished for a bit more depth, as the essays tend to briefly survey a lot of books without going much into any one of them, but there isn't really space for that in this small, heavily illustrated book. (Note that those illustrations include some drawn from the Bodleian exhibition, but not all; it's not a "catalogue" of the exhibition. The map, dust jacket, and replica signs mentioned above, for example, are not included.)

So, for some armchair traveling into the sources of my favorite magical books, Magical Tales was a great investment, and a lot cheaper than a plane ticket. If you share my love of these fantasy classics, you might want to take a look at it too.

Originally posted on The Emerald City Book Review
emeraldcitybookreview.blogspot.com ( )

A collection of articles to accompany an exhibit at the Bodleian Library, Oxford (which I unfortunately did not see) on children's fantasy and its connections with genuine magical books (grimoires) ad mythology. I had understood it focused on the Inklings and was rather disappointed to find it did not do so consistently; they are mentioned (particular in the articles on the magical Middle Ages and once and future Arthurs) , but many other modern children's authors are included --Alan Garner, who rally did use grimoires and also used Arthurian and folklore material, Susan Cooper who used Arthurian material (memorably in The Grey King, though that is not discussed) , Philip Pullman who used an Oxford setting for his angry response to the "Oxford Christians" (though the critic here notes he actually shared some values and themes with them, such as self-denial) and others I know less such as Diana Wynn Jones . The last article on pop-up books has almost nothing to do with the Inklings or the writers mentioned elsewhere, though it does include one pop-up story by E. Nesbit, who is discussed in the Middle Ages essay as well.. Overall, a mixed bag but parts of it are interesting. ( )