Billed as a medieval thriller. I would not say it is a thriller, but a historical fiction and romance read. The premise is very good, a secretive young lady is taken into the court of Eleanor of Aquitaine as a troubairitz in training. The usual court intrigue is present and Estela must maneuver through. While the premise of this book is good, I once again find a plethora of characters which make it a difficult read for me. I did have to some extra reading because I was unaware of the results of the second crusade and had no idea about the Occitanians. I've read many a book about Eleanor of Aquitaine, but had never come across "Occitania" before. Interesting read about the language and it's forced cessation in my lifetime. This is book 1/6. Not sure if I'm going to seek out book 2 or not. 3.5 stars overall, 4 points content. 352 pages ( )

Good book set in a time period I love, but nothing jumps out and says this is exceptional ... more to follow ( )

This is the first book in The Troubadours Quartet series and it certainly won't be my last - I absolutely loved it. I do love historical fiction but I've never read anything set in the medieval period; I feel like I've learned so much along the way as all I ever knew of Eleanor of Aquitaine was that she was Richard the Lionheart's mother. So this book was a real treat for me.

It's hard to get to grips with the medieval French names at first but it's surprising how familiar they become so quickly. The story revolves around three very strong female characters - Estela, Aliénor and Ermengarda. Estela is a mysterious young girl who Aliénor finds in a ditch by the roadside. Aliénor includes Estela in her entourage as they travel to Narbonne. Aliénor is the Queen of France and very dissatisfied with her husband, King Louis VII. Ermengarda is the vivacious Vicomtesse of Narbonne, in whose colourful court this story is set. Dragonetz is the man who links them as a knight, a troubadour and a lover.

There is so much going on in this fabulous book that I was so disappointed when it ended - there are Vikings, highland-style games, the first production of paper, with a sprinkling of treachery and jealousy in the court. It's like Game of Thrones but with real places and real people from history - I felt like I was actually having a magical glimpse into the past. I'm not going to spoil any of the story but I just have to mention an absolutely amazing scene when Estela is stuck in the bathtub - I applauded her resourcefulness although I found I was gripping my Nook a bit too tightly until she was safely out of the bathroom.

I enjoyed reading about Dragonetz and the moor, Al-Hisba. I couldn't help but liken Al-Hisba to Morgan Freeman's character, Azeem, in Robin Hood Prince of Thieves. It must be so difficult for Al-Hisba being so far from home but bonds with Estela and Dragonetz through their music. Dragonetz bought Al-Hisba but, in the style of Robin Hood and Azeem, treats him as a friend and equal. There are moments in the book when I wondered whether Dragonetz was right to trust Al-Hisba and the way that this question is answered is simply magnificent.

Jean Gill's storytelling had me engrossed from start to finish with a very cleverly timed ending that ensured the next book in the series is an absolute must read.

I received this e-book from the author in exchange for an honest review. ( )

This was a thoroughly enjoyable historical novel. The characters seemed real in their details. The sense of time and place was well developed. The plot was interesting with intrigue, mystery and a small magnificent romance. ( )

Estela de Matin has secrets and that made her an engaging character right from the beginning. Alienor is intrigued too and takes her into her household out of curiosity. The women build a kind of trust even as politics and scheming threaten Queen Alienor and those around her. The Victomtess of Narbonne, Ermengarda, has to put her people first and the whole of France second. Estela is talented in both singing and playing her mandora, so she’s placed as a troubadour in training.

I thoroughly enjoyed this historical fiction. The history aspect was first and foremost. I loved all the details that made me feel like I was learning even while I was entertained. The fashion and gender roles of 12th century France are well incorporated to the tale. For example, it was fashionable for the ladies to have high foreheads, so some would modify their hairline by shaving part of their hair off to extend their foreheads.

While there were strong gender roles during this time period, the ladies were not sidelined in this tale. There is indeed romance, but they don’t spend all their time on it. So refreshing! I loved that the female characters would talk about all sorts of things and not just romance. They drove the plot and didn’t always have to rely on bedroom skills to do so.

Dragonetz was an interesting character as well. He’s a knight and a troubadour. He is sworn to serve the Queen but he also has a secret lover. He also has a dedicated spy and confidant – Sancha (spelling?). She’s a unique character in that she’s really a man who has chosen to live as a woman for decades. I really hope the series explores her character more.

I did leave the story feeling a little confused on three points. First, would Estela really have left home with so little? She comes from a privileged family and it’s not clear to me what could have forced her out on her own, literally sleeping in ditches. Second, I don’t get why Estela gave up her virginity when she did to who she did. I was left wondering if she just wanted it over with so she could stop worrying about it. Third, I don’t get Arno. The one weak thread in this novel is this idea of love above and beyond station, family, marriage, etc. I think Arno was caught up in that and was supposed to be this example of unrequited courtly love… and yet it didn’t feel like a complete picture to me. With that said, some of these points might be made whole in the sequel.

The story ends with several dramatic scenes, wrapping up the main mystery of who has been leaving threats for the Queen. There’s still a larger mystery that Dragonetz must solve plus the politics of Narbonne are practically on fire at this point. The crusades weren’t all glory and profit and I loved that several aspects were displayed through the characters. All told, 4.5/5 stars.

The Narration: Jake Urry is always a treat to listen to. He has an excellent voice and I have enjoyed several stories that he has narrated. With that said, his female character voices could use a touch more variation. He can do a decent female voice, but all the ladies sounded like alto ladies. There wasn’t much difference from lady to lady. There was some singing in this book and often it was in a foreign language – and Urry did a great job with these songs. I also liked the little snippets of music between chapters. I know this is a small thing, but it took me forever to figure out that it was ‘Moor’ and not ‘maul’ that Urry was saying, referring to the one Moorish character in the story. 4.5/5 stars.

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Jake Urry. The gifting of this audiobook did not affect my opinion of it. ( )