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Bestiario o Cortejo de Orfeo

por Guillaume Apollinaire

Otros autores: Ver la sección otros autores.

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First Place, Large Not-for-Profit Publisher, Typographic Text, 2011 Washington Book Publishers Design and Effectiveness Awards Guillaume Apollinaire's first book of poems has charmed readers with its brief celebrations of animals, birds, fish, insects, and the mythical poet Orpheus since it was first published in 1911. Though Apollinaire would go on to longer and more ambitious work, his Bestiary reveals key elements of his later poetry, among them surprising images, wit, formal mastery, and wry irony. X. J. Kennedy's fresh translation follows Apollinaire in casting the poems into rhymed stanzas, suggesting music and sudden closures while remaining faithful to their sense. Kennedy provides the English alongside the original French, inviting readers to compare the two and appreciate the fidelity of the former to the latter. He includes a critical and historical essay that relates the Bestiary to its sources in medieval "creature books," provides a brief biography and summation of the troubled circumstances surrounding the book's initial publication, and places the poems in the context of Apollinaire's work as a poet and as a champion of avant garde art. This short introduction to the work of an essentially modern writer includes four curious poems apparently suppressed from the first edition and reprints of the Raoul Dufy woodcuts published in the 1911 edition.… (más)
Añadido recientemente porDevinDeV, gfellman01, Clichygirl, JBDCatalogue, PigIron, robertwlynn, madadamo, elduende22
Bibliotecas heredadasEdward Tufte
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Guillaume Apollinaire who coined the term "Surrealism" and influenced absurdist writer Alfred Jarry makes merry here of Orpheus's inclination towards wooing animals and other living creatures - although Sirens are included amongst the bestiary, which Orpheus makes analogous to his own 'curse' of continuous song. The poems are mostly four or five lined poems about various animals and insects such as the Fly, Elephant, Ox, Crayfish, Owl, Ibis et cetera, and through-out several observational lyricisms by Orpheus admiring the lousy life around him. Rather than read too much into each poem I settled back and enjoyed the nuances of Apollinaire's text, and took to them all in the spirit of Guillaume's poem on the Peacock who in dragging plumage on the grass, showing its beauty, is also baring its arse. ( )
  RupertOwen | Apr 27, 2021 |
They are tiny tiny poems, but they are best that way. They are tiny and hard and it's kind of a joke to write something that small. ( )
  dawnpen | Nov 2, 2005 |
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» Añade otros autores (8 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Guillaume Apollinaireautor principaltodas las edicionescalculado
Guépin, J.P.Traductorautor secundarioalgunas edicionesconfirmado
Wiarda, DickIlustradorautor secundarioalgunas edicionesconfirmado
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First Place, Large Not-for-Profit Publisher, Typographic Text, 2011 Washington Book Publishers Design and Effectiveness Awards Guillaume Apollinaire's first book of poems has charmed readers with its brief celebrations of animals, birds, fish, insects, and the mythical poet Orpheus since it was first published in 1911. Though Apollinaire would go on to longer and more ambitious work, his Bestiary reveals key elements of his later poetry, among them surprising images, wit, formal mastery, and wry irony. X. J. Kennedy's fresh translation follows Apollinaire in casting the poems into rhymed stanzas, suggesting music and sudden closures while remaining faithful to their sense. Kennedy provides the English alongside the original French, inviting readers to compare the two and appreciate the fidelity of the former to the latter. He includes a critical and historical essay that relates the Bestiary to its sources in medieval "creature books," provides a brief biography and summation of the troubled circumstances surrounding the book's initial publication, and places the poems in the context of Apollinaire's work as a poet and as a champion of avant garde art. This short introduction to the work of an essentially modern writer includes four curious poems apparently suppressed from the first edition and reprints of the Raoul Dufy woodcuts published in the 1911 edition.

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