From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the aura tic power of the unique art work, or to foster a more democratic art culture. 'The Small Utopia' provides a thorough overview of this tendency, looking at Malevich's tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp's readymades, artist's books and small press magazines among other examples.

Depero p.44