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Bernini: His Life and His Rome

por Franco Mormando

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941290,229 (3.86)1
Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598-1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today. It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando's dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and--with a suitable skepticism--a hagiographic account written by Bernini's son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini's many feuds and love affairs, scandals and sins. He sets Bernini's raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets. The result is a seductively readable biography, stuffed with stories and teeming with life--as wild and unforgettable as Bernini's art. No one who has been bewitched by the Baroque should miss it.… (más)
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I read this for a literary prize as a first round reviewer.

It was interesting and informative. Mormando writes well and makes you feel like he really personally knew Bernini at times or at least live in Baroque Rome. However, it skips around a lot which, if you've read my previous reviews of biographies you'll know, I find irritating and distracting. He also makes it clear that there simply isn't a lot of documentation out there regarding Bernini's personal life so much of the book is about the people surrounding Bernini and the politics and conflicts of the era. While these are necessary to why Bernini is who he is and created some of what he created, it is also the reason for the book's subtitle. ( )
  Irishcontessa | Mar 30, 2013 |
"Mormando's extensive research and documentation not only will satisfy scholars and students of art history, especially baroque aficionados, but this biography will also appeal to general readers."
añadido por Christa_Josh | editarLibrary Journal, Ellen Bates (Nov 1, 2011)
 
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Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598-1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today. It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando's dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and--with a suitable skepticism--a hagiographic account written by Bernini's son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini's many feuds and love affairs, scandals and sins. He sets Bernini's raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets. The result is a seductively readable biography, stuffed with stories and teeming with life--as wild and unforgettable as Bernini's art. No one who has been bewitched by the Baroque should miss it.

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