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Cargando... Persuasion: An Annotated Edition (2011)por Jane Austen
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. I think this might make the 9th time I've read this book. I have never really read an annotated Jane Austen before, and I have to say I enjoyed it. Probably because I've read the book so many times that I was less inclined to view the notes as distracting. Still find myself getting stressed out about the ending, even though (and here's a real shocker!) it never changes. It's been many years since I first read Persuasion and I enjoyed it just as much, maybe more, this time around. I have the Belknap Press illustrated and annotated edition that not only has beautiful illustrations but annotations that provide interesting reading on their own merit. An appendix provides the original two concluding chapters that her nephew said she thought "tame and flat". In any case, it was interesting to read and compare both, which provided some insight of her writing and revision style. Austen died soon after finishing Persuasion. The book was published posthumously together with Northanger Abbey. Also included as an appendix, is a short biography written by her favourite brother Henry Austen. A first for me, I read this while simultaneously listening to Nadia May's audiobook narration, a pairing that was particularly enjoyable. However it is Austen's captivating story in combination with this beautiful volume edited by Robert Morrison that gets a solid five stars. Jane Austen’s novel Persuasion gets a royal treatment in Robert Morrison’s annotated edition. This review deals with the annotation, not Austen’s novel. The illustrations and notes – for almost every page! – turn the book a historical lesson. The footnotes themselves are well written, highlighting notable events, locations, and details in the story. There are also literary and linguistic notes, for example when a word is used oddly from our (modern) point of view. The appropriately selected illustrations bring Austen’s world to life through the eyes of her contemporaries or near-contemporaries. Austen’s original ending, printed at the end of the novel, offers a very enlightening contrast to the final three chapters of the published novel. A beautiful, enjoyable, and informative book. Austen’s story is greatly enhanced by the preface and annotations. Recommended for fans of Jane Austen and/or female writers of the Regency/romantic period. EJ 11/2012
A fine example of the revitalized investment in beautiful books that keeps company with [the] latest phase of digital reproduction. Lavishly respectful of the best material values of the book (elegant cloth binding, gold-stamped spine, silky endpapers, thick and creamy paper, superb illustrations), it also celebrates Austen’s bookish credentials. Its size (25 × 24 cm) makes it monumental rather than portable: a book for exhibition and browsing rather than for continuous reading on the train or in bed. Page layout is double-columned, with the novel text occupying the inner column, and commentary, annotation and graphic illustration tucked around it, cosseting and adorning it, in a gesture akin to the medieval art of illumination. This does not represent the contest for the space of the page that we find in some dry scholarly editions of the twentieth century, where footnotes and layers of synoptic apparatus induce anxiety in the reader, but something closer to loving embellishment and homage… This volume’s purpose of pleasure is evident in the freewheeling style of Robert Morrison’s annotations. Contiene
Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen's remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen's text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action. In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen's other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth. Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen's time-bound and timeless story of loneliness, missed opportunities, and abiding love. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)823.7Literature English English fiction Early 19th century 1800-37Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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Austen’s late novel lacks some of the charm of her first successes, but it is filled with warm familial feelings and friendship, despite there being no small amount of silliness in the vanity and pride of Anne’s father and sisters. The obstacles to Anne and Captain Wentworth renewing their affections are, ultimately, minimal. There are no great intrigues, though some are feared, and no real villain, though her cousin was certainly villainous in the past. We have instead a close study of Anne’s inner anguish as she seeks to interpret Wentworth’s motives and his behaviour toward her. There are highs and lows for both of them, but it all ends well in a rushed last couple of chapters.
For me, it remains a lesser Austen work. Yet I still find myself returning to it years later and finding that absence has neither reduced nor augmented its charms. I do rather wish, however, that Lady Russell had trusted Anne’s discernment and good sense from the start, as Anne and Wentworth would surely have been as happy in married life as their older models in Admiral Croft and his wife.
Recommended, as with all of Austen’s works. ( )