S.J.A. Turney

The "damned emperor" in this case is not Marcus Aurelius Antoninus better known to us as Caracalla [a nickname taken from the name of a Gaulish hooded cloak he generally wears], but his younger brother Geta, with whom he has a lifetime feud. Until his death, their father Septimius Severus's friend poisons Geta's mind against his brother. and the two boys develop mutual hatred of each other. This animus becomes more intense through the years, leading to mutual attempts at killing each other and to the final denouement in their mother's presence. Afterwards. Caracalla erases all trace of his brother from history. Fascinating, and a real page-turner.… (más)

Funny, I wonder if there is a bit of truth in the way the "barbarians" underestimated the Romans by their effete appearance. Sadly, the tribe leaders met with maybe the least impressive, Claudius. Tragically so.

I've always found it odd that the Romans wiped out the Druid practice/religion when they pretty much left all others alone, even encouraging people to build temples in Rome to foreign gods.

Interesting the self-interest on display when the outraged Britons quake under the prospect of becoming Roman slaves when they enslave each other with abandon.

Not sure I'll finish this. It's a foregone conclusion and there is a ton of grisly action and cruelty, to be expected with war, but I'll never listen to it again even if I do get through it. Back to Audible it will go.

Ok, I made it through, but skipped over some more gratuitous passages - droning on about curses and battle blows. It strikes me, in the fierce pride of the women in the book, that the only way they can have any agency is to adopt the bloodthirsty violence made the cultural norm by men. Behaving with gentleness, kindness, compassion and compromise are all weak and despised. Why? Because they are the default position of many women? Because they don't result in absolute domination and oppression? Why do we value those qualities in humans over the others? Why are we, and by we I mean the culture as a whole and men in particular, so afraid of that other side to us? Sometimes called the feminine side, but I don't think it's that specific. It's just been nearly completely wiped out of so much of how we think of ourselves and what we consider normal and natural. Sad really. We never learn and it will be the end of us one day. And, sadly, probably all life on earth as we know it.… (más)

This. Was. So. Good! Reading about tragic historical events is so bittersweet. On the one hand, I'm learning about a new era and meeting engaging characters. On the other, I know they're basically all going to die. It's like meeting a new friend only for them to suddenly move away, but the time I spent with this book was still so rewarding, that I recommend you read this book anyway.

My favorite stories were Dray's The Queen, Quinn's The Warrior, and Knight's The Daughters. These stories were poignant and full of soul. Dray's Cartimandua was a perfect foil to Boudica while Knight's Sorcha and Keena were the perfect vehicle to show us the infamous warrior queen. They sacrifices really sung from the page. As for Quinn, she wrote about the epic battle, which was heart-wrenching, even though I knew what was going to happen. What made it so sad was Duro and Valeria. Quinn really brought them to life. I understood and sympathized with both of them, which is no easy feat when the characters are sworn enemies. Quinn is truly masterful.

Middle of the road for me was Downie's The Slave, Shecter's The Druid, and Turney's The Son. It's hard for me to pinpoint exactly what I didn't like about them. I guess their stories felt kind of small to me compared to the ones I liked.

My least favorite story was Whitfield's The Tribune about Agricola. I found this story dragged, and I had a hard time understanding how it related to the rest of the narrative. Eventually, it made sense, but it felt very detached and slow. I think this was partially because this is one of the few stories that doesn't get split up between two perspectives, so it was a bit of a slog to get through.

If you like doomed histories, you'll love this!… (más)

This book took me FOREVER to finish. I read the first two installments in this series-A Day of Fire and A Year of Ravens. Those feature a myriad of complex and sympathetic characters that made me feel for them all the more because their lives centered around such a tragic moment in history. Maybe it was because Song of War was all about fictional characters and a fictional war that it lacked the same emotional impact as its predecessors. There was a story or two that shone above the rest, but overall, I just didn't care and couldn't wait for it to be over. I would've given up if I wasn't so stubborn.

Kate Quinn opened this anthology, and she is flawless as always. Everything she writes is amazing and layered and transports me to another era. Even in short story format, her story The Apple is no exception.

I also liked Shecter's The Horse, but that was because it was succinct.

Thornton's story of The Prophecy was middling for me. Cassandra was a compelling character, but the story felt repetitive and unremarkable.

Everything else I couldn't stand, particularly Whitfield's piece about Agamnemnon. Gosh, was that a slog. I couldn't care less about a character than I did about him. He was either drunk or in heat the whole time. There was no evidence of the great king he was supposed to be. A major letdown of one of mythologies more well-known characters.

As for everything else, all you need to know is that everyone was either screwing each other or wanted to. That's pretty much it. Now, I like some good Harlequin every now and then, but this was all just angsty and "I'm drawn to him but I don't love him. He's too powerful for an emotion as human as love." Blah blah blah. Please. Spare me.

So, I'll spare you, reader of my review. Read maybe the first couple stories, and then just go read the Iliad. You're not missing any nuance by skipping this.
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