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All Aunt Hagar's Children (2006)

por Edward P. Jones

MiembrosReseñasPopularidadValoración promediaMenciones
8521025,420 (3.75)52
In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.… (más)
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  RCornell | Oct 19, 2023 |
I finished reading All Aunt’s Hagar Children a few days ago and had to come back to write a little blurb about it because those stories are still lingering around me. Of course, as in any collection of stories, 3 or 4 make a bigger impact then the rest, however I was quite surprised of how even this selection is overall. Not a small task in a book with 14 stories.

Those are complex stories, with a multitude of secondary characters – neighbors, relatives, ancestors – showing up and furnishing the main story line with flavor and color and creating whole universes. The language is poetic. The prose is full of subtle – and not so subtle - magic realism: the devil shows up at a grocery store; a woman paints pictures of people dead in different countries and time; and yet another woman becomes blind while taking the bus home. But, most often, the stories are about people dealing with the tragedies of their lives, small and big disappointments and endless hope for whatever is to come.

I do love short stories, a genre I realize not every reader appreciates. And Edward P. Jones excels at the genre. I did love his novel “The Known World”, but I crave for more of his short stories.
( )
  RosanaDR | Apr 15, 2021 |
I generally much prefer novels to short stories but I enjoyed this collection. Set in Washington DC, it examines the lives of African Americans who are transplants from another time and place. All grew up in rural, southern communities and most still have family there. What I found interesting was the way the culture and social mores of the country adapted to the lives of those living in the city. ( )
  Eye_Gee | May 8, 2017 |
Excellent book. A great look into African American life in Washington DC over course of several generations. ( )
  CydMelcher | Feb 5, 2016 |
Excellent book. A great look into African American life in Washington DC over course of several generations. ( )
  CydMelcher | Feb 5, 2016 |
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In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

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