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Our Tragic Universe

por Scarlett Thomas

Otros autores: Jean Baudrillard (Contribuidor)

Otros autores: Ver la sección otros autores.

MiembrosReseñasPopularidadValoración promediaMenciones
7717028,932 (3.44)80
This "delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them" (Publishers Weekly). Can a story save your life?   Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend's only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting.   But who wants to live forever?   Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what's the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever?   Smart, entrancing, and boiling over with Thomas's trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.… (más)
  1. 40
    El fin de Mr. Y por Scarlett Thomas (souloftherose)
    souloftherose: Scarlett Thomas' earlier novel The End of Mr Y shares many similar themes with Our Tragic Universe
  2. 01
    El mundo de Sofía por Jostein Gaarder (buchowl)
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» Ver también 80 menciones

Inglés (71)  Alemán (1)  Holandés (1)  Todos los idiomas (73)
Mostrando 1-5 de 73 (siguiente | mostrar todos)
Hard read but some unexpected rewards in the end. ( )
  Lokileest | Apr 2, 2024 |
Meg Carpenter is trying to write a literary novel, rather than the genre fiction she's been churning out in order to pay the rent, but she can't figure out where to start or what it's about. On her creative journey she has philosophical conversations with her friends and tries to sort out her relationship with her longtime beau. Our Tragic Universe is about everything and nothing and our place in the everything-nothingness and is compelling meta-fiction. Fans of I Heart Huckabees will love this. It nearly melted my brain, but it was worth it!
  BVBurton | Oct 15, 2023 |
I was so taken with PopCo that I decided to read more from Scarlett Thomas so this is my second book.

This is very much like what we get to read in our book group. It is set in a relationship, it is about relationships and not a lot else by my eyes. The characters, at least the two lead females, are credible. The lead male character I found to be a bit two dimensional and he just kind of disappears without any resolution which I found very odd given how prominent he figures in the book. I also found that less than credible given that the book is about relationship that he has no finality either way.

I don’t really get off on this kind of book and God knows there are heaps of them in the bookgroup I am in. I find them a bit dreary and that is how I found this one although I have no doubts whatsoever that it would be very well received by the others in the bookgroup. It is well written but the plot, if there is one, is very woolly. ( )
  Ken-Me-Old-Mate | Sep 24, 2020 |
Scarlett Thomas has what I believe to be an unusual approach to writing fiction, some of which she delves into in the text of this book. It's all very metafictional with the author/protagonist Meg clearly representing Thomas and also having a protagonist of her own named Meg. Not much happens and in the end I was rather unimpressed with this book as a work of fiction though I was sometimes fascinated with the bits about writing. [full review] ( )
  markflanagan | Jul 13, 2020 |
Vi, the novel's wise sage on this non-hero's journey, aptly says, "'The storyless story is a vagina with teeth.'" Once you get in, it's painful to get out.

Thomas sets readers up for suspense at the very beginning of the novel, alluding to a way to survive the end of the universe--based on a book the first person narrator, Meg, is reading to review for the newspaper for which she writes science book reviews. Except that the book she's struggling to understand and to believe isn't really science, but a common form of pseudoscience masquerading as theoretical physics. It's easy, we learn, to write a fantasy book when you pretend you're writing theoretical physics.

The primary driving force of the novel is not plot (hence Vi's words of wisdom), but character, especially Meg's character.

She, like most of us, wants to be financially successful, at least enough to feel free to think her own thoughts and to, finally, write her own novel. A woman of science, Meg is pushed by circumstances (unemployed live-in boyfriend, novel process that involves more deleting than writing, lots of wannabe writers invading her space, a dog that doesn't need her, except for walks, parents who don't understand her, a former lover who is now a rampantly successful actor who has taken up with her former best friend who dies, maybe) to take Vi's advice and to ask the universe (at least the sea) to improve her lot in life.

Meg believes she's broken the universal balance when, suddenly, she discovers that an IDEA she had is bought by a tv production company that wants to make it into a tv series, so her agent, after taking her cut, sends her a check for 20+ thousand pounds.

Suddenly, she has the funds to do what she wants, if she can only figure out what that is.

Thomas dangles hundreds of potential conflict-resolution plot devices in our faces--from a "beast" roaming the English countryside to various broken relationships--but none are clearly resolved, leaving us with a book with no real plot, a plotless story.

I want to read it again just to see what I might have overlooked the first time!
  hefruth | Feb 25, 2020 |
Mostrando 1-5 de 73 (siguiente | mostrar todos)
Is it odd to describe a book as kind? The commodity itself seems an increasingly rare thing in an internet-frazzled world, and so how unexpectedly wonderful to read Scarlett Thomas's Our Tragic Universe, a book that brims with compassion and warmth. I agreed with practically none of its arguments, but I was still happy to spend time debating with its characters, who are just like the exasperating, good-hearted real people you'd call your friends.
añadido por souloftherose | editarThe Guardian, Patrick Ness (May 15, 2010)
 
Thomas has the mesmerising power of a great storyteller – even if you’re not always sure whether what she’s telling you is exactly a story.
 

» Añade otros autores (6 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Scarlett Thomasautor principaltodas las edicionescalculado
Baudrillard, JeanContribuidorautor secundariotodas las edicionesconfirmado
Perkins, NoraMapsautor secundarioalgunas edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Lugares importantes
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Acontecimientos importantes
Películas relacionadas
Epígrafe
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Organise a fake holdup. Verify that your weapons are harmless, and take the most trustworthy hostage, so that no human life will be in danger (or one lapses into the criminal). Demand a ransom, and make it so that the operation creates as much commotion as possible--in short, remain close to the 'truth,' in order to test the reaction of the apparatus to a perfect simulacrum. You won't be able to do it: the network of artificial signs will become inextricably mixed up with real elements (a policeman will really fire on sight; a client of the bank will faint and die of a heart attack; one will actually pay you the phoney ransom), in short, you will immediately find yourself once again, without wishing it, in the real, one of whose functions is precisely to devour any attempt at simulation, to reduce everything to the real... -Jean Baudrillard, Simulacra and Simulation
Dedicatoria
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
For Rod, with love
Primeras palabras
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
I was reading about how to survive the end of the universe when I got a text message from my friend Libby.
Citas
Últimas palabras
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
(Haz clic para mostrar. Atención: puede contener spoilers.)
Aviso de desambiguación
Editores de la editorial
Blurbistas
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés (2)

This "delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them" (Publishers Weekly). Can a story save your life?   Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend's only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting.   But who wants to live forever?   Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what's the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever?   Smart, entrancing, and boiling over with Thomas's trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.

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