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The Thing on the Doorstep and Other Weird Stories

por H. P. Lovecraft

Otros autores: Ver la sección otros autores.

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9641321,695 (4.16)27
"Part of a new six-volume series of the best in classic horror, selected by award-winning director Guillermo del Toro Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere. The Thing on the Doorstep and Other Weird Stories Howard Phillips Lovecraft's unique contribution to American literature was a melding of traditional supernaturalism (derived chiefly from Edgar Allan Poe) with the genre of science fiction that emerged in the early 1920s. The Thing on the Doorstep and Other Weird Stories brings together a dozen of the master's tales-from his early short stories "Under the Pyramids" (originally ghostwritten for Harry Houdini) and "The Music of Erich Zann" (which Lovecraft ranked second among his own favorites) through his more fully developed works, "The Dunwich Horror," "The Case of Charles Dexter Ward," and "At the Mountains of Madness." The book presents the definitive corrected texts of these works, along with Lovecraft critic and biographer S. T. Joshi's illuminating introduction and notes to each story"--… (más)
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THE TOMB

An horror short story written in June 1917.

‘All things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them.’ (p. 1)

Jervas Dudley discovered the entrance to a mausoleum belonging to the Hyde family , whose house had burnt many years before.
Jervas attempts to enter in the tomb, but he is unable; so, inspired by an example of Plutarch’s Lives, he decides to wait until it is his time to gain entrance to the tomb.

After several years, while Jervas is sleeping beside the mausoleum, he believes to see a light from inside the tomb. He finds the key to the tomb and inside the mausoleum Jervas discovers an empty coffin with the name of Jervas Hyde upon the plate.

Following again the example of Plutarch he starts to sleep inside the coffin, so to gain the name upon it.

Jervas is awoken by his father and discovers that he has never been inside the tomb.

A desire becomes dream, or nightmare: every person change with his consciousness the appearances of the things.

/////////////// /////////// //////////////////

BEYOND THE WALL OF SLEEP and THE WHITE SHIP

‘There is probably a tremendous but invisible stellar orbit in which our very different ways and goals may be included as small parts of this path — let us rise up to this thought! But our life is too short and our power of vision too small for us to be more than friends in the sense of this sublime possibility.
Let us then believe in our star friendship even if we should be compelled to be earth enemies.’
Friedrich Nietzsche

Beyond the Wall of Sleep was written in 1919. Joe Slater is a murderer confined in a mental hospital. He dreams of otherworld with fantastic visions.
An intern of the hospital has built a device for two-way telepathic communication. To test the device the intern attaches himself with Slater. The intern starts to receive a message from a being of light, who explains that all men are light beings. Beyond the wall of sleep, humans are light beings and they experience visions of other world.
Is Slater a star in the sky?

The best parts:
‘I am your brother of light, and have floated with you in the effulgent valleys. … we are all roamers of vast spaces and travellers in many ages. Next year I may be dwelling in the dark Egypt which you call ancient, or in the cruel empire of Tsan-Chan which isto come three thousand years hence.’
‘We shall meet again - perhaps in the shining mists of Orion’s Sword, perhaps on a bleak plateau in prehistoric Asia. Perhaps in unremembered dreams tonight; perhaps in some other form an aeon hence, when the solar system shall have been swept away.’ (p. 19)

*********************************************************************

The White Ship was first published in 1919.
Dream or imagination?
Basil Elton is a lighthouse keeper when a bearded man piloting a white ship and sailing upon a bridge of moonlight, takes Basil on board. They start a voyage towards mystical islands. Basil learns about Cathuria, the land of Hope. This land is ‘beyond the basalt pillars of the West. … but who can tell what lies beyond the basalt pillars of the West?’ (p.24)

Maybe:
Beyond some symbolical connections between The White Ship and desire of the unknown …
Beyond some connection between The White Ship and Plato’s lost realm of Atlantis situated beyond, again, the Pillars of Hercules …
The White Ship is the calling / imagination / evocation of fantastic worlds beyond and inside the Pillars of Hercules.

A quotation:
‘for ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.’ (p. 21)

/////////////// //////////////// ///////////////////

THE MUSIC OF ERICH ZANN

The Music of Erich Zann was written December 1921.
An university student rents an apartment in an almost empty building. Another tenant of the building is an old German man named Erich Zann.
Erich is mute and plays melodies ‘never heard before.’ Erich tells to the student that he has discovered sounds of an otherworldly nature. But Erich’s main reason to play these melodies is to keep back from his window unknown creatures looking ‘illimitable blackness.’

‘Then I remembered my old wish to gaze from this window … It was very dark, but the city’s lights always burned, and I expected to see them there amidst the rain and wind. Yet when I looked from the highest of all gable windows, looked while the candles sputtered and the insane viol howled with the night-wind, I saw no city spread below, and no friendly lights, gleaming from remembered streets, but only the blackness of space illimitable; unimagined space alive with motion and music, and having no semblance to anything on earth.’ (page 51)

Lovecraft can hear from the space without end the planet’s motion: a music indescribable with words.

***********************************************************************

THE TEMPLE

The Temple (1920) is narrated as a found manuscript written by Lieutenant Commander in the Imperial German Navy, Altberg and during WWI.
The manuscript describes the last days of Altberg and his U-boat before sinking at the bottom of the ocean.
After defeating a British freighter, Altberg and his crew find a dead body with a strange piece of carved ivory in his pocket. One of Altberg’s officers keeps the object, but soon after a series of unexplained accidents occurs.
Altberg survives after his crew, but he doesn’t manage to con the U-boat and lands at the bottom of the ocean.
Altberg discovers that he is surrounded by the remains of an ancient city: Atlantis?

Lovecraft spoils this story when he describes Altberg’s germanophile feeling.
‘But the story is significant in postulating an entire civilization antedating humanity and possibly responsible for many of the intellectual and aesthetic acievements of humanity.’ (from explanatory notes by S.T. Joshi, page 374)

************************************************************************
( )
  NewLibrary78 | Jul 22, 2023 |
This took me a little longer than I thought. I love Lovecraft and like the majority of theses stories, but I found this one longer than the other collection I've read (The Call of Cthulhu and Other Weird Stories). There was one story called "The Case of Charles Dexter Ward" that I thought went on a little too long, but I still enjoyed it, but maybe my least favorite in the book. That story was about 100 pages too long. My two favorite stories in this were "Beyond the Wall of Sleep" and "Under the Pyramids." I found it kind of neat Lovecraft ghost wrote a story for Harry Houdini. I still think Lovecraft is one of (if not) the best horror writers of our time. Good mix of Gothic New England, fearing the unknown, and writing about the human mind going insane. I have one more Penguin anthology I have to read and will save that for another time, but I highly recommend Lovecraft this time of year...or any if you want to feel like a mad man. ( )
  Ghost_Boy | Aug 25, 2022 |
A good old fashioned tale of that old time religion. ( )
  jefware | Jul 29, 2018 |
Brilliantly written and often super scary collection of some of H.P.Lovecraft's best work. This collection includes "The Dunwich Horror" and my favourite Lovecraft short story "The Music of Erik Zahnn" (Apologies for the spelling there). A must for lovers of horror and the occult. ( )
1 vota SarahEBear | Feb 11, 2017 |
"The Thing On The Doorstep" is a super creepy short story as only H.P. can do! It's a body/soul switching thing, steeped in mystery and the arcane arts that just freaks the reader out! Whew! But I did keep having one "weird" thought as the story progressed - did Edward and Asenath consummate their marriage? Eww... ( )
1 vota Stahl-Ricco | Jan 23, 2016 |
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» Añade otros autores (8 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Lovecraft, H. P.autor principaltodas las edicionesconfirmado
Dore, GustaveArtista de Cubiertaautor secundarioalgunas edicionesconfirmado
Joshi, S. T.Editorautor secundarioalgunas edicionesconfirmado
Toro, Guillermo delIntroducciónautor secundarioalgunas edicionesconfirmado
Turriani, MicheleCover photoautor secundarioalgunas edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
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Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Título original
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Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
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Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative.
Citas
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Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
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"Part of a new six-volume series of the best in classic horror, selected by award-winning director Guillermo del Toro Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere. The Thing on the Doorstep and Other Weird Stories Howard Phillips Lovecraft's unique contribution to American literature was a melding of traditional supernaturalism (derived chiefly from Edgar Allan Poe) with the genre of science fiction that emerged in the early 1920s. The Thing on the Doorstep and Other Weird Stories brings together a dozen of the master's tales-from his early short stories "Under the Pyramids" (originally ghostwritten for Harry Houdini) and "The Music of Erich Zann" (which Lovecraft ranked second among his own favorites) through his more fully developed works, "The Dunwich Horror," "The Case of Charles Dexter Ward," and "At the Mountains of Madness." The book presents the definitive corrected texts of these works, along with Lovecraft critic and biographer S. T. Joshi's illuminating introduction and notes to each story"--

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