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Cargando... White Shadows in the South Seas (1919)por Frederick O'Brien
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. In this little-known (but much-loved by those who do know it) classic, Frederick O'Brien writes the true story of his life and adventures among the natives of the Marquesan Islands in the year 1919. In that year, those islands were among the least touched by white man of all the South Pacific islands, and the inhabitants were but one or two generations removed from the cannibals their ancestors were. This is an amazing story, documenting in detail an entertaining and interesting piece of history not well known to most people. From what they ate, to how they dressed, to the very language they spoke, this book has so much to teach, and yet it unfortunately has too few readers to teach it to! sin reseñas | añadir una reseña
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The very first feature film ever to be filmed on location in Tahiti? The silent, 1927, adaptation of White Shadows in the South Seas ? and it won the Oscar for Best Cinematography. Now, it's back in print! No se han encontrado descripciones de biblioteca. |
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O'Brien himself was something of a globetrotting wanderer, and this trilogy of so-called Travel Books leaves him looking like a Jack Kerouac of the South Seas. Or, rather, as O'Brien undertook his journeys a generation earlier or more, perhaps Kerouac was the Frederick O'Brien of the American open road. At any rate, O'Brien was also a moralist and a loner. He brought these values to the Marquesas and the South Seas, and, in so doing, was able to stand apart and make a critical commentary on the lives of Polynesians ravaged by their encounter with modern civilization.
I have labeled O'Brien's work as "so-called Travel Books" because they are much, much more than that simple designation indicates. They are part autobiography, part philosophy, part social science, and part scientific journal. But most of all, they are storytelling in a grand style. Perhaps O'Brien did occasionally lapse into what we today consider overwhelming and flowery prose (not all that unusual in his era), but essentially he is a writer devoted to detail and the interruption of his own tale with stories of the people and places he encounters. This makes White Shadows in the South Seas, then, almost an anthology of myths, adventures at sea, and high personal drama and romance.
O'Brien died in 1932 in Sausalita, California. His fame died with him. And it is a pity that today, even among scholars on South Seas literature, he is sometimes forgotten. But he remains popular among the circle of people these days who still find something alluring in the now vanished world of Polynesia. O'Brien was, I suppose, the fulcrum between two great generations of South Seas writers and artists. He followed in the wake of Herman Melville, Robert Louis Stevenson, and Paul Gauguin, all of whom came to Atuona, on Hiva Oa, in the Marquesas. Almost simultaneously with O'Brien, although just a bit later, came the postwar generation. Edward A. Salisbury, along with Merian C. Cooper and Ernest B. Schoedsack, brought their motion picture cameras to the region. And Charles Nordhoff and James Norman Hall set up both their homes and literary shop in Tahiti. Jack London, a bit earlier, also wrote of his encounter with the South Seas, albeit most of his stories are centered on Hawaii.
One final note. O'Brien harshly denounces Europeans and Americans for their role in "depopulating" Polynesia. In the language of current criticism, the depopulating might be seen as genocide. For O'Brien describes islands and peoples who were in the process of dying away. Not only did they succumb to Western diseases for which they had little or no immunity, but they were also subject to black-birding (exported as virtual slave labor to Australasia), armed invasion, and commercial trading that eviscerated the traditional patterns of work, worship, and social hierarchy. (Salisbury and Nordhoff and Hall also mention the effect of the Spanish flu epidemic on Polynesians.) O'Brien was outraged with these developments. The only thing he could do about it, however, was to give life to their dying traditions. This he did in three volumes deserving of a better fate than they have so far met. ( )