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Aguas negras

por Alberto Manguel (Editor)

Otros autores: Ryunosuke Akutagawa (Contribuidor), Hans Christian Andersen (Contribuidor), Marcel Aymé (Contribuidor), Max Beerbohm (Contribuidor), Hilaire Belloc (Contribuidor)59 más, Stephen Vincent Benét (Contribuidor), Adolfo Bioy Casares (Contribuidor), Léon Bloy (Contribuidor), Jorge Luis Borges (Contribuidor), Ray Bradbury (Contribuidor), Italo Calvino (Contribuidor), Jean Cocteau (Contribuidor), John Collier (Contribuidor), Alex Comfort (Contribuidor), Julio Cortázar (Contribuidor), Pedro Antonio de Alarcón (Contribuidor), Walter de la Mare (Contribuidor), André Pieyre de Mandiargues (Contribuidor), Marco Denevi (Contribuidor), Charles Dickens (Contribuidor), Isak Dinesen (Contribuidor), Daphne du Maurier (Contribuidor), Lord Dunsany (Contribuidor), Howard Fast (Contribuidor), E.M. Forster (Contribuidor), David Garnett (Contribuidor), Joanne Greenburg (Contribuidor), Graham Greene (Contribuidor), João Guimarães Rosa (Contribuidor), L.P. Hartley (Contribuidor), Nathaniel Hawthorne (Contribuidor), Lafcadio Hearn (Contribuidor), O. Henry (Contribuidor), Hermann Hesse (Contribuidor), Robert S. Hichens (Contribuidor), George Hitchcock (Contribuidor), I.A. Ireland (Contribuidor), W.W. Jacobs (Contribuidor), Henry James (Contribuidor), M.R. James (Contribuidor), Franz Kafka (Contribuidor), Francis King (Contribuidor), Rudyard Kipling (Contribuidor), Manuel Mujica Lainez (Contribuidor), Flann O'Brien (Contribuidor), Silvina Ocampo (Contribuidor), Cynthia Ozick (Contribuidor), Giovanni Papini (Contribuidor), Virgilio Piñera (Contribuidor), Edgar Allan Poe (Contribuidor), J.B. Priestley (Contribuidor), Alexander Pushkin (Contribuidor), Horacio Quiroga (Contribuidor), Saki (Contribuidor), Bruno Schulz (Contribuidor), Robert Louis Stevenson (Contribuidor), Junichiro Tanizaki (Contribuidor), Jules Verne (Contribuidor), H.G. Wells (Contribuidor), Edith Wharton (Contribuidor), Oscar Wilde (Contribuidor), Charles Williams (Contribuidor), Tennessee Williams (Contribuidor), Marguerite Yourcenar (Contribuidor)

Series: Black Water (1)

MiembrosReseñasPopularidadValoración promediaMenciones
440843,837 (4.11)17
Seventy-two stories of fantasy and horror drawn primarily from England, the United States, and Latin America, whose authors include Henry James, D. H. Lawrence, and Tennessee Williams.
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» Ver también 17 menciones

Mostrando 1-5 de 8 (siguiente | mostrar todos)
I bought Black Water based on the high ratings at goodreads. Not caring for science fiction, I hoped I would like this different style of fantastic literature.

Well, I don't. After reading a few stories, I narrowed it down to read only those written by familiar authors. It didn't help much. In fact my favorite was another one I noticed based only on the title: Marco Denevi's "A Dog in Durer's Etching" about unending war.

How to rate it. Should I judge it on my personal proclivities or try to assess it on its own merits? Suspecting that readers don't care about my proclivities, I will try instead to be helpful. Try four stars if you like fantastic literature somewhat. Maybe five stars if you love it. (Two stars for me. The world of reality has enough fantastic stuff, and I like finding out about real things.) ( )
  KENNERLYDAN | Jul 11, 2021 |
So far, SO incredible! Alberto Manguel wrote one of my favorite reference books, "A Dictionary of Imaginary Places," and this is as imaginative, as literate, as carefully considered a collection as any I have ever, ever read, each piece lovingly introduced by the editor with all the necessary biography to put each piece in context and also bridge time & place seamlessly... from Jean Cocteau to Jules Verne to Borges and O. Henry with not a page out of place... highly recommended, one of the best anthologies I've ever encountered. ( )
  uncleflannery | May 16, 2020 |


Alberto Manguel - Argentine-Canadian anthologist, translator, essayist, novelist and editor. He is surely among the very greatest readers of books and lovers of world literature. Black Water collects 72 tales of the fantastic by such authors as Jean Cocteau, Marguerite Yourcenar, Herman Hesse, Italo Calvino, Vladimir Nabokov, H.G.Wells, Franz Kafka and Ursula K. LeGuin. There is one story I particularly enjoy from a less well known author from Argentina, Manuel Mujica Láinez, and it is this story I have made the focus of my review. Hope you enjoy and take the opportunity to explore this outstanding collection on your own.

IMPORTANCE by Manuel Mujica Láinez
Great Lady: Mrs. Hermosilla del Fresno, widow, lady of very great importance, lives in her huge mansion with her many servants and presides over all the city’s important charities and parties. Great writers such as de Maupassant and Balzac have always understood one of the perfect ingredients for a good short story is a character puffed up by all their wealth and social standing. Manuel Mujica Láinez was familiar with the precariousness of family wealth: born into a distinguished and wealthy lineage of Buenos Aries nobility, by the time the family line reached his parents and Manuel, the vast majority of wealth vanished. Manuel had to earn a living as a literary critic and art critic for the city’s leading newspaper.

Chink in the Armor: Unfortunately, there is one small fact diminishing the Señora’s splendid importance: her family background is somewhat less than splendid. That’s right, sad but true, she comes from a dubious bloodline. Also unfortunate for Señora, certain obscure relatives occasionally have the temerity to pop up at the wrong time forcing Señora to cloak their kinship with a wry smile and arched glance “while her vanity spits and snarls inside her like a crouching tiger.” Ah, a second valuable ingredient for a good short story featuring a puffed up character: a hidden flaw.

Piety Counts: Señora believes in God as well as in heaven and hell. And equally notable, Señora also firmly believes, a belief bolstered by her assistants and employees, that she has unquestionably earned her rightful place in Paradise. Such a worldview as the Señora’s has always amused me, a worldview shared by fundamentalists of whatever stripe I’ve encountered: there’s a heaven and hell and I’m the one going to heaven. All the rest of you people who don’t believe exactly what I believe will go to hell – good riddance!

The Fantastic: As it turns out, there’s an excellent reason why this story is included in Alberto Manguel's anthology of fantastic literature: one morning Señora wakes up only to discover she is dead. That’s right, all her very, very important servants gather in her room, wailing and crying over the fact that their beloved Señora has died. Of course, Señora is frightened and a tad astonished at this event since deep down Señora really and truly believed she is immortal. Let’s face it, all of us are not that different from Señora – a characteristically human way of viewing life: suffering, old age and especially death are things that happen to other people, certainly not me since, well . . . life is all about me!

The Unexpected: After one hour, two hours, three hours, Señora thinks enough is enough, where are heavenly angels to carry me off to paradise? Instead, exactly the beings she does not want to appear, appear: her dubious cousins, nephews and, damn, her most dreaded half-sister show up in open view of those upper crust ladies Señora has always tried her hardest to impress. Oh, my, what a bummer for someone who has spent their life molding an identity around wealth, status and bloodline. Sidebar: In the Tibetan Buddhist tradition with their Bardo Thodol (Tibetan Book of the Dead), the biggest mistake we can make at the time of our death is to cling to our past life and relationships rather than letting go.

Bad News: Señora's upper crust lady friends actually exchange pleasantries with her lowly relatives rather than paying any attention to her. What is happening here? Señora grows impatient, life is not cooperating with her wishes and desires. On top of this, after six distasteful, highly unpleasant days, Señora’s lawyer shows up on the scene and, contrary to her interests in perpetuating her good name by leaving her wealth to her chosen charities as clearly expressed in her will, the nefarious rascal denies there is any such will and boldly states all her monies will be distributed to her relatives. Ahhh! Señora wants to raise her arms to heaven and shout out the truth, but, alas, inhabiting a ghostly, otherworldly space, she cannot move her limbs or open her mouth.

Even Worse: The bad news continues, her cousins, nephews and half-sister move into her house, rummage through her drawers and closets, put on her clothes and jewelry, have lewd sex on her bed right next to her ghostly body, speak of her as prudish, vain and haughty. Here is how Manuel Mujica Láinez ends his tale: “Until, gradually, Mrs Hermosilla del Fresno (who cannot even escape into the haven of madness) understands, with surprise and despair, the she will never be taken away, not even to be guided to an unexpected Hell. Because this, however strange, absurd, unconventional and antitheological it might seem, this is Hell.”

Manuel Mujica Láinez (1910-1984) - Argentine novelist, essayist, literary critic and art critic ( )
  Glenn_Russell | Nov 13, 2018 |
A wonderful collection—uneven as they usually are, but the high notes are unforgettable. Hunt it down if you like hard-to-classify, weird fiction. ( )
  mrgan | Oct 30, 2017 |


Alberto Manguel - Argentine-Canadian anthologist, translator, essayist, novelist and editor. He is surely among the very greatest readers of books and lovers of world literature. Black Water collects 72 tales of the fantastic by such authors as Jean Cocteau, Marguerite Yourcenar, Herman Hesse, Italo Calvino, Vladimir Nabokov, H.G.Wells, Franz Kafka and Ursula K. LeGuin. There is one story I particularly enjoy from a less well known author from Argentina, Manuel Mujica Láinez, and it is this story I have made the focus of my review. Hope you enjoy and take the opportunity to explore this outstanding collection on your own.

IMPORTANCE by Manuel Mujica Láinez
Great Lady: Mrs. Hermosilla del Fresno, widow, lady of very great importance, lives in her huge mansion with her many servants and presides over all the city’s important charities and parties. Great writers such as de Maupassant and Balzac have always understood one of the perfect ingredients for a good short story is a character puffed up by all their wealth and social standing. Manuel Mujica Láinez was familiar with the precariousness of family wealth: born into a distinguished and wealthy lineage of Buenos Aries nobility, by the time the family line reached his parents and Manuel, the vast majority of wealth vanished. Manuel had to earn a living as a literary critic and art critic for the city’s leading newspaper.

Chink in the Armor: Unfortunately, there is one small fact diminishing the Señora’s splendid importance: her family background is somewhat less than splendid. That’s right, sad but true, she comes from a dubious bloodline. Also unfortunate for Señora, certain obscure relatives occasionally have the temerity to pop up at the wrong time forcing Señora to cloak their kinship with a wry smile and arched glance “while her vanity spits and snarls inside her like a crouching tiger.” Ah, a second valuable ingredient for a good short story featuring a puffed up character: a hidden flaw.

Piety Counts: Señora believes in God as well as in heaven and hell. And equally notable, Señora also firmly believes, a belief bolstered by her assistants and employees, that she has unquestionably earned her rightful place in Paradise. Such a worldview as the Señora’s has always amused me, a worldview shared by fundamentalists of whatever stripe I’ve encountered: there’s a heaven and hell and I’m the one going to heaven. All the rest of you people who don’t believe exactly what I believe will go to hell – good riddance!

The Fantastic: As it turns out, there’s an excellent reason why this story is included in Alberto Manguel's anthology of fantastic literature: one morning Señora wakes up only to discover she is dead. That’s right, all her very, very important servants gather in her room, wailing and crying over the fact that their beloved Señora has died. Of course, Señora is frightened and a tad astonished at this event since deep down Señora really and truly believed she is immortal. Let’s face it, all of us are not that different from Señora – a characteristically human way of viewing life: suffering, old age and especially death are things that happen to other people, certainly not me since, well . . . life is all about me!

The Unexpected: After one hour, two hours, three hours, Señora thinks enough is enough, where are heavenly angels to carry me off to paradise? Instead, exactly the beings she does not want to appear, appear: her dubious cousins, nephews and, damn, her most dreaded half-sister show up in open view of those upper crust ladies Señora has always tried her hardest to impress. Oh, my, what a bummer for someone who has spent their life molding an identity around wealth, status and bloodline. Sidebar: In the Tibetan Buddhist tradition with their Bardo Thodol (Tibetan Book of the Dead), the biggest mistake we can make at the time of our death is to cling to our past life and relationships rather than letting go.

Bad News: Señora's upper crust lady friends actually exchange pleasantries with her lowly relatives rather than paying any attention to her. What is happening here? Señora grows impatient, life is not cooperating with her wishes and desires. On top of this, after six distasteful, highly unpleasant days, Señora’s lawyer shows up on the scene and, contrary to her interests in perpetuating her good name by leaving her wealth to her chosen charities as clearly expressed in her will, the nefarious rascal denies there is any such will and boldly states all her monies will be distributed to her relatives. Ahhh! Señora wants to raise her arms to heaven and shout out the truth, but, alas, inhabiting a ghostly, otherworldly space, she cannot move her limbs or open her mouth.

Even Worse: The bad news continues, her cousins, nephews and half-sister move into her house, rummage through her drawers and closets, put on her clothes and jewelry, have lewd sex on her bed right next to her ghostly body, speak of her as prudish, vain and haughty. Here is how Manuel Mujica Láinez ends his tale: “Until, gradually, Mrs Hermosilla del Fresno (who cannot even escape into the haven of madness) understands, with surprise and despair, the she will never be taken away, not even to be guided to an unexpected Hell. Because this, however strange, absurd, unconventional and antitheological it might seem, this is Hell.”

Manuel Mujica Láinez (1910-1984) - Argentine novelist, essayist, literary critic and art critic ( )
  GlennRussell | Feb 16, 2017 |
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» Añade otros autores (11 posible)

Nombre del autorRolTipo de autor¿Trabajo?Estado
Manguel, AlbertoEditorautor principaltodas las edicionesconfirmado
Akutagawa, RyunosukeContribuidorautor secundariotodas las edicionesconfirmado
Andersen, Hans ChristianContribuidorautor secundariotodas las edicionesconfirmado
Aymé, MarcelContribuidorautor secundariotodas las edicionesconfirmado
Beerbohm, MaxContribuidorautor secundariotodas las edicionesconfirmado
Belloc, HilaireContribuidorautor secundariotodas las edicionesconfirmado
Benét, Stephen VincentContribuidorautor secundariotodas las edicionesconfirmado
Bioy Casares, AdolfoContribuidorautor secundariotodas las edicionesconfirmado
Bloy, LéonContribuidorautor secundariotodas las edicionesconfirmado
Borges, Jorge LuisContribuidorautor secundariotodas las edicionesconfirmado
Bradbury, RayContribuidorautor secundariotodas las edicionesconfirmado
Calvino, ItaloContribuidorautor secundariotodas las edicionesconfirmado
Cocteau, JeanContribuidorautor secundariotodas las edicionesconfirmado
Collier, JohnContribuidorautor secundariotodas las edicionesconfirmado
Comfort, AlexContribuidorautor secundariotodas las edicionesconfirmado
Cortázar, JulioContribuidorautor secundariotodas las edicionesconfirmado
de Alarcón, Pedro AntonioContribuidorautor secundariotodas las edicionesconfirmado
de la Mare, WalterContribuidorautor secundariotodas las edicionesconfirmado
de Mandiargues, André PieyreContribuidorautor secundariotodas las edicionesconfirmado
Denevi, MarcoContribuidorautor secundariotodas las edicionesconfirmado
Dickens, CharlesContribuidorautor secundariotodas las edicionesconfirmado
Dinesen, IsakContribuidorautor secundariotodas las edicionesconfirmado
du Maurier, DaphneContribuidorautor secundariotodas las edicionesconfirmado
Dunsany, LordContribuidorautor secundariotodas las edicionesconfirmado
Fast, HowardContribuidorautor secundariotodas las edicionesconfirmado
Forster, E.M.Contribuidorautor secundariotodas las edicionesconfirmado
Garnett, DavidContribuidorautor secundariotodas las edicionesconfirmado
Greenburg, JoanneContribuidorautor secundariotodas las edicionesconfirmado
Greene, GrahamContribuidorautor secundariotodas las edicionesconfirmado
Guimarães Rosa, JoãoContribuidorautor secundariotodas las edicionesconfirmado
Hartley, L.P.Contribuidorautor secundariotodas las edicionesconfirmado
Hawthorne, NathanielContribuidorautor secundariotodas las edicionesconfirmado
Hearn, LafcadioContribuidorautor secundariotodas las edicionesconfirmado
Henry, O.Contribuidorautor secundariotodas las edicionesconfirmado
Hesse, HermannContribuidorautor secundariotodas las edicionesconfirmado
Hichens, Robert S.Contribuidorautor secundariotodas las edicionesconfirmado
Hitchcock, GeorgeContribuidorautor secundariotodas las edicionesconfirmado
Ireland, I.A.Contribuidorautor secundariotodas las edicionesconfirmado
Jacobs, W.W.Contribuidorautor secundariotodas las edicionesconfirmado
James, HenryContribuidorautor secundariotodas las edicionesconfirmado
James, M.R.Contribuidorautor secundariotodas las edicionesconfirmado
Kafka, FranzContribuidorautor secundariotodas las edicionesconfirmado
King, FrancisContribuidorautor secundariotodas las edicionesconfirmado
Kipling, RudyardContribuidorautor secundariotodas las edicionesconfirmado
Lainez, Manuel MujicaContribuidorautor secundariotodas las edicionesconfirmado
O'Brien, FlannContribuidorautor secundariotodas las edicionesconfirmado
Ocampo, SilvinaContribuidorautor secundariotodas las edicionesconfirmado
Ozick, CynthiaContribuidorautor secundariotodas las edicionesconfirmado
Papini, GiovanniContribuidorautor secundariotodas las edicionesconfirmado
Piñera, VirgilioContribuidorautor secundariotodas las edicionesconfirmado
Poe, Edgar AllanContribuidorautor secundariotodas las edicionesconfirmado
Priestley, J.B.Contribuidorautor secundariotodas las edicionesconfirmado
Pushkin, AlexanderContribuidorautor secundariotodas las edicionesconfirmado
Quiroga, HoracioContribuidorautor secundariotodas las edicionesconfirmado
SakiContribuidorautor secundariotodas las edicionesconfirmado
Schulz, BrunoContribuidorautor secundariotodas las edicionesconfirmado
Stevenson, Robert LouisContribuidorautor secundariotodas las edicionesconfirmado
Tanizaki, JunichiroContribuidorautor secundariotodas las edicionesconfirmado
Verne, JulesContribuidorautor secundariotodas las edicionesconfirmado
Wells, H.G.Contribuidorautor secundariotodas las edicionesconfirmado
Wharton, EdithContribuidorautor secundariotodas las edicionesconfirmado
Wilde, OscarContribuidorautor secundariotodas las edicionesconfirmado
Williams, CharlesContribuidorautor secundariotodas las edicionesconfirmado
Williams, TennesseeContribuidorautor secundariotodas las edicionesconfirmado
Yourcenar, MargueriteContribuidorautor secundariotodas las edicionesconfirmado
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Seventy-two stories of fantasy and horror drawn primarily from England, the United States, and Latin America, whose authors include Henry James, D. H. Lawrence, and Tennessee Williams.

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