PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Cargando...

The Early Simple Stories (Collected Works of Langston Hughes, Vol 7)

por Langston Hughes

MiembrosReseñasPopularidadValoración promediaConversaciones
9Ninguno1,976,628NingunoNinguno
Jesse B. Semple first sprang to life in Langston Hughes's weekly Chicago Defender column in 1943. Almost immediately, the "Simple stories," as they were routinely called, had a large and ever-increasing audience. Simple soon became Harlem's Everyman--an ordinary black workingman, representative of the masses of black folks in the 1940s. Simple had migrated to Harlem, like many other blacks, seeking to escape the racism of the South, and he celebrated his new freedoms despite the economic struggles he still confronted. Simple's bar buddy and foil in the stories is the better-educated, more articulate Boyd, who has never lived in the South. Their conversations permit Simple to speak the wisdom of the working class. By the time the first book of Simple stories was published, Hughes had honed and polished these two characters, enhancing the distinctions between the vernacular language of Simple and the more educated diction of his friend. Remaining within the Afrocentric world that was his chosen sphere, Hughes makes clear the message that Simple and Boyd are very much alike; both are black men in a racially unbalanced society. Both exist in a world within a world, in Harlem, the separate black community of New York City. "You imply that there is no fun to be had around white folks." "I never had none," said Simple. "You have a color complex." "A colored complexion," said Simple. "I said complex, not complexion." "I added the shun myself," said Simple. "I'm colored, and being around white folks makes me feel more colored--since most of them shun Negroes." Countless exchanges between Simple and his companion offer wit and wisdom that remind contemporary readers why Langston Hughes is so special.… (más)
Ninguno
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

Ninguna reseña
sin reseñas | añadir una reseña
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Dedicatoria
Primeras palabras
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés

Ninguno

Jesse B. Semple first sprang to life in Langston Hughes's weekly Chicago Defender column in 1943. Almost immediately, the "Simple stories," as they were routinely called, had a large and ever-increasing audience. Simple soon became Harlem's Everyman--an ordinary black workingman, representative of the masses of black folks in the 1940s. Simple had migrated to Harlem, like many other blacks, seeking to escape the racism of the South, and he celebrated his new freedoms despite the economic struggles he still confronted. Simple's bar buddy and foil in the stories is the better-educated, more articulate Boyd, who has never lived in the South. Their conversations permit Simple to speak the wisdom of the working class. By the time the first book of Simple stories was published, Hughes had honed and polished these two characters, enhancing the distinctions between the vernacular language of Simple and the more educated diction of his friend. Remaining within the Afrocentric world that was his chosen sphere, Hughes makes clear the message that Simple and Boyd are very much alike; both are black men in a racially unbalanced society. Both exist in a world within a world, in Harlem, the separate black community of New York City. "You imply that there is no fun to be had around white folks." "I never had none," said Simple. "You have a color complex." "A colored complexion," said Simple. "I said complex, not complexion." "I added the shun myself," said Simple. "I'm colored, and being around white folks makes me feel more colored--since most of them shun Negroes." Countless exchanges between Simple and his companion offer wit and wisdom that remind contemporary readers why Langston Hughes is so special.

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Biblioteca heredada: Langston Hughes

Langston Hughes tiene una Biblioteca heredada. Las Bibliotecas heredadas son bibliotecas personales de lectores famosos que han sido compiladas por miembros de Librarything pertenecientes al grupo Bibliotecas heredadas.

Ver el perfil heredado de Langston Hughes.

Ver la página de autor de Langston Hughes.

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: No hay valoraciones.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 203,213,297 libros! | Barra superior: Siempre visible