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Epiléptico: La ascensión del gran mal (2011)

por David B.

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1,2302315,835 (3.96)49
David B. spent an idyllic early childhood in a small town near Orléans, France, but the family's life changed abruptly when his big brother Jean-Christophe was struck with epilepsy at age eleven. In search of a cure, their parents dragged the family to acupuncturists and magnetic therapists, to mediums and macrobiotic communes, but every new cure ended in disappointment. Angry at his brother for "abandoning" him and at all the quacks who offered them false hope, the author learned to cope by drawing fantastically elaborate battle scenes, creating images that provide a window into his interior life, as well as reliving his grandfathers' experiences in both World Wars through flashbacks. An honest and horrifying portrait of the disease and of the pain and fear it sowed in the family, this graphic autobiography is also a moving depiction of one family's intricate history.--From publisher description.… (más)
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Inglés (20)  Francés (1)  Catalán (1)  Danés (1)  Todos los idiomas (23)
Mostrando 1-5 de 23 (siguiente | mostrar todos)
REVIEW OF EPILEPTIC DAVID B for librarything.com

David B.'s exploration of how a family member copes with epilepsy dives deep into the world of having an older sibling with the illness. Epileptic is a profound graphic novel in which the younger of two brothers narrates his life experience with unremitting candor. In this sense, 'graphic' refers both to the book's content as well as to its illustrated format. Before I present my review, I ask the reader to be very sensitive to the fact that Epileptic was copyrighted almost two decades ago (2005) when many victims and loved ones had starkly different life experiences than many, if not most, of their contemporary counterparts. The subject character suffers daily seizures during broad parts of his life which will naturally affect his cognitive life experience to a much greater degree than that of very many modern victims, the beneficiaries of far more effective second- and third-generation anticonvulsant medications. The likely difference in medical experiences is particularly assured if we assume that the author's outlook will have arisen deep in the 1990's. Cautious sensitivity becomes increasingly required as the illustrations of the sick brother distort him in a negative way as the book progresses. Some of the distortion has realism to it, however uncomfortable such realism might be.

The book is extraordinary in how many issues it brings up. The author tackles prejudice of violence; fear of surgery; non-medicinal seizure control; psychosomatic pitfalls in behavior; and many others. The author quickly calls attention to how readily people might stigmatize victims. Even as a graphic novel it wields more intellectual impact than ordinary texts might do.

The 2nd half of the book requires the most sensitivity to the time of publication as I've mentioned above. More and more, Jean-Christophe behaves in an agitated, antisocial manner. At the same time, his artistic portrayal becomes darker and larger than life. In illustrating his brother's resentful image of him, the author visually portrays him as a veritable monster in his brother's mind. The imagery discomforts a reader for its stigmatizing visuals, and for this reason the fact that it reveals the brother's psychological state is critical to bear in mind. The book, in fact, is more of a treatise on the healthy sibling than on the ill one.

So as not to be a spoiler, I will not detail the end of the book other than to say it is one of the most creative endings that I have seen in literature. It's not at all majestic, heroic, damning, or name your extreme. Rather it is creative and as profound as a miserable, humiliating disease permits. Epileptic is essential to a complete library of anyone with interests in the topic. ( )
  Jeffrey_Hatcher | Jan 19, 2024 |
Probably the strangest and most memorable approach to autobiographical comics I've seen, this is a story about the author, his older brother and younger sister and parents, and how they were affected by the brother's incurable epilepsy. David B. tells it and tells it, using everything at his disposal: childhood obsessions and dream images, long tangents about every other branch of the family, the history of macrobiotics and spiritualism, his present-day family's reaction to the ongoing book... every digression adding a new recurring piece to the visual language of the story. There are virtually no "scenes" of action spanning more than one panel, and much more narration than dialogue, so for a while you may feel like you're just seeing separate illustrations of a fragmented text, but it flows and builds effortlessly. I read somewhere that the artist described this approach as "personal mythology", but it's not just about David's own strange inner life; it's about the way all children develop their own mythology, and then succeed or fail in using it for other things as they grow up.

Kim Thompson's translation is good as usual, even though I wish there had been some way to use more of the original title, which is an evocative pun. ( )
  elibishop173 | Oct 11, 2021 |
David B.'s artwork is stunning, it sort of reminded me of Cubism. He's truly forged a unique style however I found his narrative work a bit circular and at times i was lost in the story when I didn't want to be. I think it took something away from the emotional center of the work, which was overall stunning.
  b.masonjudy | Nov 13, 2020 |
The plot's a little scant but the illustrations are, how do you say, incroyable! That fourth star is for the author's extremely good taste in freaky animal-man hybrid/parallel universe lit, "magical realism" if you're being a snob about it, "fantastic literature" if you're not. ( )
  uncleflannery | May 16, 2020 |
What a unique experience and intensely intimate insight to the life of a young boy whose brother is stricken with Epilepsy. The disease alters the life of the whole family aa well as each individual member irrevocably. ( )
  lissabeth21 | Oct 3, 2017 |
Mostrando 1-5 de 23 (siguiente | mostrar todos)
Illness may be of dubious use as metaphor, as Susan Sontag famously argued, but it's an even unlikelier theme for a comic book. By both origin and reputation, comics (or graphic novels, as one is now more or less obliged to call them) are the ultimate vessel of nerdy wish-fulfillment: blocky, oversaturated fantasy pieces in which everyday schmoes acquire superhuman powers and wreak righteous vengeance on their villainous tormentors.
añadido por stephmo | editarWashington Post, Chris Lehmann (Apr 3, 2005)
 
David B's autobiographical Epileptic [368pp, Jonathan Cape, £16.99], on the other hand, is a staggeringly original work of real power. Its creator developed his cartooning style as a way to cope with his brother's debilitating illness. In his childhood bedroom, with Bach on the stereo, he would pour all his fear, aggression, sympathy and detachment into intricate comic strips.
añadido por stephmo | editarThe Telegraph, Helen Brown (Feb 13, 2005)
 
A book with a title like Epileptic does not raise high expectations: will it be an account of suffering nobly borne, or a worthy medical treatise perhaps? Not a bit of it, this memoir is a graphics extravaganza spread over 361 pages, bursting with energy and wild imaginings, a comic tour de force that is as emotionally gut-wrenching as it is visually stunning.
añadido por stephmo | editarThe Spectator, Tony Gould (Feb 12, 2005)
 
To eviscerate, according to the OED , is "To take out the entrails of; to disembowel; to gut"; fishermen do it. Evisceration is also, of course, a familiar and often pretty fishy form of literary self-display, all the way from the Psalmist to Dave Pelzer - writing conceived of, produced and presented as a form of self-dismemberment or mutilation through which the writer saves him or herself from some real or imagined pain.
añadido por stephmo | editarGuardian, Ian Sansom (Feb 12, 2005)
 
From childhood, French artist Pierre-François Beauchard had a firm hand on his demons, and was capable of channeling them into supportive and constructive channels. His hefty graphic-novel memoir Epileptic (initially released as the multi-volume French series L'Ascension Du Haut Mal, and published under his nom de plume, David B.) shows him as a child obsessed with war and death, and prone to seeing the world in terms of monsters and metaphors.
 

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Please do not combine partial editions with the full edition of Epileptic. Partial volumes are not the same as an omnibus volume and are their own work. Please keep in mind that the French version comes in six volumes, where other language versions come in a two volume set when combining Volumes 1 and Volumes 2 together.
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David B. spent an idyllic early childhood in a small town near Orléans, France, but the family's life changed abruptly when his big brother Jean-Christophe was struck with epilepsy at age eleven. In search of a cure, their parents dragged the family to acupuncturists and magnetic therapists, to mediums and macrobiotic communes, but every new cure ended in disappointment. Angry at his brother for "abandoning" him and at all the quacks who offered them false hope, the author learned to cope by drawing fantastically elaborate battle scenes, creating images that provide a window into his interior life, as well as reliving his grandfathers' experiences in both World Wars through flashbacks. An honest and horrifying portrait of the disease and of the pain and fear it sowed in the family, this graphic autobiography is also a moving depiction of one family's intricate history.--From publisher description.

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