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por Eileen Myles

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2206122,641 (3.47)3
"A cult figure to a generation of post-punk females forming their own literary avant-garde."--The New York TimesWhy can't I live right now. Because I am not rich, I am not a saint. But I do know this: not all of us were sent here to work.The first published novel of legendary poet and performer Eileen Myles follows a queer female growing up in working-class Boston, straining against the institutions that hold her: family, Catholic school, jobs at a camp, at a nursing home, at a school for developmentally disabled adult males. Free-ranging and deadpan, tragic and joyful, this is a book about women, gender, class, bodies, escape, and what it means to be "inside." Never more relevant, and now with an introduction by Chris Kraus.… (más)
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» Ver también 3 menciones

Mostrando 1-5 de 6 (siguiente | mostrar todos)
Experimental without being difficult to read--Myles plays with the form of the memoir, switching up details and messing around with language in this work that is situated between fiction and autobiography. The end result is more fun than not, especially considering some of the grim content in this story. ( )
  monicaberger | Jan 22, 2024 |
This is not my style of book. I realize that Myles was an "other" in many ways, and this is her way to show it, but I found it boring and repetitous. ( )
  suesbooks | Aug 14, 2022 |
Love her. I heard her read years ago. Awesome lady. ( )
  laurenbufferd | Nov 14, 2016 |
i really tried to like this book. it's just really not my thing. the first third or so kept me more or less interested enough while i was reading - is this a memoir? is it fiction? is she pretending to be the main character? is she fictionalizing her life? what the hell is a "nonfiction novel?" - but every time i put this book down i had to force myself to pick it up again. and by the last third i had to just push through to get it over with. i don't tend to like more experimental writing (as much as i would like to think i would) and this is no exception for me. ( )
  overlycriticalelisa | May 27, 2014 |
I tried to read this when I was still down on Eileen Myles and didn't finish, but now that I am up on her it seemed pretty good to me. Still don't like the picture on the cover though, except for that afghan. ( )
  LizaHa | Apr 1, 2013 |
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"A cult figure to a generation of post-punk females forming their own literary avant-garde."--The New York TimesWhy can't I live right now. Because I am not rich, I am not a saint. But I do know this: not all of us were sent here to work.The first published novel of legendary poet and performer Eileen Myles follows a queer female growing up in working-class Boston, straining against the institutions that hold her: family, Catholic school, jobs at a camp, at a nursing home, at a school for developmentally disabled adult males. Free-ranging and deadpan, tragic and joyful, this is a book about women, gender, class, bodies, escape, and what it means to be "inside." Never more relevant, and now with an introduction by Chris Kraus.

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