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Shiloh (1952)

por Shelby Foote

Otros autores: Ver la sección otros autores.

MiembrosReseñasPopularidadValoración promediaMenciones
7831928,347 (3.83)33
This fictional re-creation of the battle of Shiloh in April 1862 is a stunning work of imaginative history, from Shelby Foote, beloved historian of the Civil War. Shiloh conveys not only the bloody choreography of Union and Confederate troops through the woods near Pittsburg Landing, Tennessee, but the inner movements of the combatants' hearts and minds. Through the eyes of officers and illiterate foot soldiers, heroes, and cowards, Shiloh creates a dramatic mosaic of a critical moment in the making of America, complete to the haze of gunsmoke and the stunned expression in the eyes of dying men. Shiloh, which was hailed by The New York Times as "imaginative, powerful, filled with precise visual details . . . a brilliant book" fulfills the standard set by Shelby Foote's monumental three-part chronical of the Civil War.… (más)
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» Ver también 33 menciones

Mostrando 1-5 de 19 (siguiente | mostrar todos)
Audio book (unabridged). Very good
  derailer | Jan 25, 2024 |
very good book ( )
  bookman09919 | Aug 2, 2023 |
Good Civil War story. ( )
  kslade | Nov 29, 2022 |
Told through the eyes of several fictitious soldiers, representing both sides of the conflict, Shiloh reads like non-fiction. Shelby Foote has created the men, but the events and the circumstances are as genuine as they could possibly be, and the major figures of the battle, Johnston, Sherman, Wallace, Forest are there, exactly as they were in life, and the words they say are not put into their mouths but come from first hand accounts and memoirs.

If you can bear it, this is a way to see the battle as it occurred. Foote engages all of your senses, you not only see the battle, you smell it, taste it, feel it, and hear it. It swells around you and shakes the earth you are standing on. No wonder Ken Burns drafted Shelby Foote for his Civil War series, Shelby Foote had already mastered the exact method Burns employed for pulling the viewer/reader onto the battlefield.

At one point I saw a reb and a Union man lying on opposite sides of the road, both in the standard prone position for firing. Their rifles were level and they both had one eye shut. They had the same wound, a neat red hole in the forehead, and they were stone dead, still lying there with the sights lined up--they must have fired at the same time. Looking at them I thought of the terrible urgency they both must have felt in the last half-second before they both pulled trigger.

And, no one understands the South better than Foote. He sees it with love, I believe, but without sentiment.

I remember what my father had said about the South bearing within itself the seeds of defeat, the Confederacy being conceived already moribund. We were sick from an old malady, he said: incurable romanticism and misplaced chivalry, too much Walter Scott and Dumas read too seriously. We were in love with the past, he said; in love with death.

Perhaps this explains why I feel so connected to the Civil War still--after all, I love Scott and Dumas.

**A footnote that makes no difference but gave me delight: one of the men mentioned by name was Burt Tapley of Mississippi. Tapley happens to be a family name, so I wondered if this was just a coincidence, destined to make me feel a bit closer to the action, or if this man was a name gleaned from the record and a possible ancestor who saw the action first hand.
( )
  mattorsara | Aug 11, 2022 |
For tells the story of the battle of Shiloh through the eyes of a random collection of individual soldiers - northern and southern. Both sides clearly believed in the right of what they were fight for. Heroics are mainly forgotten except for Forests charge. An enjoyable addition to Foote's cannon. ( )
  waldhaus1 | Sep 17, 2019 |
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» Añade otros autores (1 posible)

Nombre del autorRolTipo de autor¿Obra?Estado
Foote, ShelbyAutorautor principaltodas las edicionesconfirmado
Dietz, NormanNarradorautor secundarioalgunas edicionesconfirmado
Ferrone, RichardNarradorautor secundarioalgunas edicionesconfirmado
Gorman, RobertNarradorautor secundarioalgunas edicionesconfirmado
Gray, SamNarradorautor secundarioalgunas edicionesconfirmado
Guidall, GeorgeNarradorautor secundarioalgunas edicionesconfirmado
Hammer, MarkNarradorautor secundarioalgunas edicionesconfirmado
Jones, John RandolphNarradorautor secundarioalgunas edicionesconfirmado
Markowitz, DavidNarradorautor secundarioalgunas edicionesconfirmado
McClure, SpikeNarradorautor secundarioalgunas edicionesconfirmado
McCue, KerinNarradorautor secundarioalgunas edicionesconfirmado
Poe, RichardNarradorautor secundarioalgunas edicionesconfirmado
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The sky had cleared, the clouds raveled to tatters, and at four o'clock the sun broke through, silver on the bright green of grass and leaves and golden on the puddles in the road; all down the column men quickened the step, smiling in the sudden burst of gold and silver weather.
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This fictional re-creation of the battle of Shiloh in April 1862 is a stunning work of imaginative history, from Shelby Foote, beloved historian of the Civil War. Shiloh conveys not only the bloody choreography of Union and Confederate troops through the woods near Pittsburg Landing, Tennessee, but the inner movements of the combatants' hearts and minds. Through the eyes of officers and illiterate foot soldiers, heroes, and cowards, Shiloh creates a dramatic mosaic of a critical moment in the making of America, complete to the haze of gunsmoke and the stunned expression in the eyes of dying men. Shiloh, which was hailed by The New York Times as "imaginative, powerful, filled with precise visual details . . . a brilliant book" fulfills the standard set by Shelby Foote's monumental three-part chronical of the Civil War.

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