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Cargando... The Penelopiad: The Myth of Penelope and Odysseus (Myths, The) (edición 2006)por Margaret Atwood
Información de la obraPenélope y las doce criadas por Margaret Atwood
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How delightful. Fun mostly for readers of the Odyssey. ( ) DNF at 70% I cannot believe I am DNFing this! I am just so painfully bored and underwhelmed, which is truly tragic because I love all the ingredients here, but this is a spiceless dish. Let me be explicit. I thoroughly enjoy Atwood's writing. I love Helenistic myth. I adore feminist retellings. I think the project is a wonderful and important and worthwhile endeavour. This one just doesn't do it for me. I don't know if I've been spoilt by other retellings and stories from marginalised creators, but I just didn't get anything more out of the book itself than the very good premise. And this is Margaret Atwood doing Peneolpe's perspective of the Odyssey, but it's just fine, very light and one note on the feminism when there is a whole lot more to say, particularly with the handmaidens as many others have pointed out, as well as it not being very sex positive or sympathetic to the plight of slaves - which wouldn't be as big a deal of this wasn't a feminist retelling and technically being told from a modern time with Peneolpe reflecting on two thousand years. It's just kinda very white middle class feminism and boring to boot. I'm sorry Margaret and to anyone who thinks this makes me a bad feminist. I just think we deserve more interesting stories and a greater grasp of kyriarchy and intersectionality in our post-millennium feminist literature. I am always confused when I read mythological retellings to give voice to the (usually voiceless) women in myth and then that one woman whom the author has given voice to spends a great chunk of her time talking about how awful all the OTHER women in myths are. In a brief 199 pages, Atwood manages to throw nearly every other female player in the orbit of Odysseus under the bus for seemingly no reason. Additionally this retelling somehow failed at giving Penelope any type of personality. She truly was like the water her mother told her to be - formless and pliant. This short book is a retelling of the Odyssey from the point of view of Penelope, waiting on Ithaca for her husband's return and becoming increasingly desperate due to the depredations of the gang of 100 young suitors who are squatting at the palace and eating her out of house and home. It is framed as her reflections after her death when she is living in the Greek afterlife thousands of years later. I found it curiously flat from the point of view of any fleshing-out of Penelope as a character. It does go into her earlier life a bit, but she remains rather self pitying and eaten up with jealousy of Helen, who is unsympathetically portrayed. I'm not unfamiliar with such a portrayal, having read Georgia Sallaska's 1970s 'Priam's Daughter' but it comes across as a bit odd in a modern work which sets out to give sympathetic voices to the female characters. I found it supremely ironic also that despite this ambition, the twelve maids are dealt with collectively and given no individuality. Only one even has a name. Penelope professes to be eaten up with guilt at their execution, but seems wholly ineffective in doing anything to head it off. The book is structured so that narrative by Penelope is interspersed with poetry and song by the maids as a Greek chorus. Some of this becomes very surreal - a modern day court trying to ascertain Odysseus' culpability for the deaths of the suitors and maids, and a scholarly treatment discussing whether the maids' execution symbolises the overthrow of Goddess worship, personified by Penelope, by a patriarchal religion embodied by Odysseus. Altogether, especially since I recently enjoyed the author's 'The Year of the Flood', I found this a disappointment and can only rate it as an OK 2 stars.
She channels Penelope by way of Absolutely Fabulous; one can imagine her chain-smoking and swilling wine between cracks about the weakness of men and the misery they visit upon women. Atwood has done her research: she knows that penelopeia means "duck" in Greek; that ribald stories about a Penelope - whether "our Penelope" or someone else - were circulated; and that virginity could be renewed by the blood of male sacrifice. Contenido enCanongate Myth Series: A Short History of Myth, The Penelopiad, Weight, and Dream Angus por Karen Armstrong The Myths (A Short History of Myth / The Penelopiad / Weight / Dream Angus / Helmet of Horror / Lion's Honey) por Karen Armstrong Margaret Atwood Collection - The Handmaid's Tale, The Penelopiad, Life Before Man, Cats Eye, Murder In The Dark por Margaret Atwood Tiene la adaptaciónFue inspirado porTiene como guía/complementario de referencia aPremiosListas de sobresalientes
Ganadora en dos ocasiones del Premio Booker -en el ao 2000 con El asesino ciego y en 2019 con Los testamentos-, un hecho inslito en la historia del mximo galardn literario de las letras anglosajonas, la aclamada autora de El cuento de la criada nos sorprende con una valiente reelaboracin del mito de Penlope, esposa de Odiseo y smbolo por excelencia de la fidelidad conyugal a lo largo de los siglos. En el relato homrico, tras la marcha de Odiseo a la guerra de Troya, Penlope se las compone -mientras teje y desteje incansablemente su tapiz- para conservar el reino de taca, criar a su hijo descarriado y mantener a raya a una caterva de pretendientes. Cuando, al cabo de veinte aos, Odiseo regresa a casa tras superar un sinfn de contratiempos, enfrentarse a seres monstruosos y acostarse con diosas, mata a los pretendientes de Penlope y, curiosamente, tambin a doce de sus doncellas. En una esplndida vuelta de tuerca al mito antiguo, Margaret Atwood ha decidido contar su versin de Penlope y sus doce criadas ejecutadas. Sabio, potico y ldico a un tiempo, el resultado es un retablo deslumbrante y turbador que presenta una dimensin desconocida de la abnegada esposa de Odiseo y ofrece una atrevida interpretacin de un antiguo misterio. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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