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A Death in the Family por James Agee
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A Death in the Family (1957 original; edición 1998)

por James Agee (Autor)

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3,042674,476 (3.93)189
Classic Literature. Fiction. HTML:

Decades after its original publication, James Agee's last novel seems, more than ever, an American classic. For in his lyrical, sorrowful account of a man's death and its impact on his family, Agee painstakingly created a small world of domestic happiness and then showed how quickly and casually it could be destroyed.

On a sultry summer night in 1915, Jay Follet leaves his house in Knoxville, Tennessee, to tend to his father, whom he believes is dying. The summons turns out to be a false alarm, but on his way back to his family, Jay has a car accident and is killed instantly. Dancing back and forth in time and braiding the viewpoints of Jay's wife, brother, and young son, Rufus, Agee creates an overwhelmingly powerful novel of innocence, tenderness, and loss that should be read aloud for the sheer music of its prose.

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Miembro:sporter221
Título:A Death in the Family
Autores:James Agee (Autor)
Información:Vintage (1998), Edition: 1st Vintage International ed, 320 pages
Colecciones:Core Essential Fiction
Valoración:
Etiquetas:Ninguno

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Una muerte en la familia por James Agee (1957)

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James Ageeautor principaltodas las edicionescalculado
Homolka, FlorenceAuthor photographautor secundarioalgunas edicionesconfirmado
James, LloydNarradorautor secundarioalgunas edicionesconfirmado
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I grew up in Texas, and I hitchhiked to Tennessee when I was nineteen years old with nothing but a guitar, a change of jeans, and a couple of shirt. I climbed down from the cab on an eighteen-wheeler at I-40 and Broadway a little after midnight on the something-something of November and turned left, spending my first night in town nursing a cup of coffee in an all-night dinner. -Introduction, Steve Earle
We are talking now of summer evenings in Knoxville, Tennessee, in the time that I lived there so successfully disguised to myself as a child. It was a little bit mixed sort of block, fairly solidly lower middle class, with one or two juts apieces on either side of that. The houses corresponded: middle-sized gracefully fretted wood houses built in the late nineties and early nineteen hundreds, with small front and side and more spacious back yards, and trees in the yards, and porches. These were softwooded trees, populars, tulip trees, cottonwoods. There were fences around one or two of the houses, but mainly the yards ran into each other with only now and then a low hedges that wasn't going very well There were few good friends among the grown people, and they were not poor enough for the other sort of intimate acquaintance, but everyone nodded and spoke, and even might talk short times, trivially, and at the two extremes of the general or the particular, and ordinarily nextdoor neighbors talked quite a bit when they happened to run into each other, and never paid calls. The men were mostly small business men, one or two very modestly executive, one or two worked with their hands, most of them clerical, and most of them between thirty and forty-five. -Knoxville: Summer, 1915
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Please do not combine with "A death in the family : a restoration of the author's text"
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Classic Literature. Fiction. HTML:

Decades after its original publication, James Agee's last novel seems, more than ever, an American classic. For in his lyrical, sorrowful account of a man's death and its impact on his family, Agee painstakingly created a small world of domestic happiness and then showed how quickly and casually it could be destroyed.

On a sultry summer night in 1915, Jay Follet leaves his house in Knoxville, Tennessee, to tend to his father, whom he believes is dying. The summons turns out to be a false alarm, but on his way back to his family, Jay has a car accident and is killed instantly. Dancing back and forth in time and braiding the viewpoints of Jay's wife, brother, and young son, Rufus, Agee creates an overwhelmingly powerful novel of innocence, tenderness, and loss that should be read aloud for the sheer music of its prose.

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