I have never been interested in Lewis Carroll's books, Alice's Adventures in Wonderland and Through the Looking Glass. I saw the Disney movie, as I'm sure most kids in my peer group had, but the movie didn't make me want to read the books. When I grew older and went looking for books to read I picked up both books, gave them a look through and decided they weren't for me. The story just was too outlandish for me (which is saying something considering my reading tastes). I was fascinated by the Disney Channel show (Adventures in Wonderland), but that show was so very different from other shows of the time (Tweedle Dee and Tweedle Dum as hip hop artists for instance) that it was hard not to be interested I think.

Upon meeting the author at this past New York Comic Con however, I have revised my opinion slightly and read both books (to compare). Still not interested in the original novels, but it gave me a better appreciation of The Looking Glass Wars!

Princess Alyss Heart suffers quite a bit--though not so much physically, but more mentally and emotionally. Its understandable that she would want to fit in, after being so cruelly mocked for years and her one vindication--the book--just making matters worse, I don't blame her. Equally though I was relieved to see her not play the priss for too long once things settle back to normalcy. It would have been heartily annoying to have her go from such a lively, spirited young girl to a spoiled, bratty whiner.

Beddor certainly did his best to alter each familiar character with just the right twist so as to make you wonder how you ever saw them otherwise. Hatter Madigan for instance--or rather the Mad Hatter or Bibwit Harte--the White Rabbit or even Redd. Oh Redd. I really enjoyed her theatrics--so vicious, so petty, so imperfect, I loved her despite being the 'evil' of the book. I rather less enjoyed the Cat, her half-feline/half-human assassin (the Cheschire Cat). The Cheschire Cat was the only character of the original novel I liked even a little bit. The Caterpillar definitely stayed the same--right down to his nonsensical, stuffy and obnoxious ways.

The story moves at a quick pace, alternating event viewpoints from Alyss' adventures, to Hatter Madigan's search for her, to Redd's tyrannical rule and some time is spent on Dodge Anders (Alyss' childhood friend) and Jack of Diamonds (a worm of a boy who plays both sides) so we get a very well rounded view of things. We never see Redd alone, but then such a paranoid personage as herself wouldn't trust to be alone (who knows what her subordinates are scheming if she isn't there to watch?).

The end sets up for the next book, obviously as this is a trilogy, but is satisfactory in tying up the loose ends that could be tied up and giving us a glimpse of things to come. ( )

What an utter disappointment. The concept of a dark Wonderland is, of course, exhilarating, and the idea of fictional characters learning to grow up by association with the real world - particularly if they're children or teenagers - has a long and storied history in fiction.

Unfortunately, Frank Beddor is not really interested in these concepts, at least not from a literary perspective, and his writing style indicates a limited understanding of basic structural tenets of creative writing. As with most youth-oriented books that I read, I try to view it from the perspective of my cousins in that age group. This book, however, would barely satisfy them, written as it is in such a startlingly underplayed prose.

Beddor's main issues are threefold. First, his dialogue is woefully stilted, with all characters sounding like they walked out of the same Edwardian era children's book. Similar to my issues with the (overall more successful) [b:Taran Wanderer|24782|Taran Wanderer (The Chronicles of Prydain, #4)|Lloyd Alexander|http://d.gr-assets.com/books/1316635412s/24782.jpg|2628] series, characters speak in the same manner regardless of whether they are holding court or running from a maniacal killer. It severely limits audience engagement with the text, completely cutting side-swiping any attempts at paciness or narrative energy.

Second, the text has a bizarre approach to which parts of the narrative are crucial. While there are some beautiful ideas here (for instance, the Mad Hatter's decade spent searching for his mistress, where he becomes a kind of mythical figure in the lives of 19th century Europeans), many of the key character moments are rushed through (notably, young Alyss' relationship with Lewis Carroll) while we spend a tiring amount of time with the oppressed people back in Wonderland. I don't like to review works by saying what they should have done (honest, I don't!), but "The Looking Glass Wars" smacks of a missed opportunity to tell a cohesive story instead of a set of images.

Because, ultimately, that is the issue here. My third issue with the book encompasses all the problems (and occasional solid moments) mentioned above. Beddor wants to write a comic book or a graphic novel. There's a great concept here for a truly gorgeous visual world, one unifying Victorian decor with gothic fantasy. The story beats are adequate, if not extraordinary, but they would have made far more sense in a visual format. Instead, this feels as if a comic writer is trying to become a novelist by literally transferring the skills of one medium into another - and that almost never works.

I'm going to have to read a few of the rave reviews of this series in an attempt to understand what people see in this - perhaps they, too, have an overactive imagination and are able to overlay this empty husk of a story with some perceived depth from their own mind. I don't have any problem with readers doing that; we all have! (It's how many academics make a living, after all.) But it's always a shame when a book with an intriguing concept leaves me with such a sour taste. ( )

Wenn man Alice im Wunderland nicht gelesen hat, kann man dieses Buch glaube ich nicht gut finden. ( )

A retelling of sorts, of Leis Carroll’s books about Wonderland, only here the stories are based on fact, but Alice is angry at Carroll for making them into silly near-fairy tales when she, in fact, escaped to this world when Red revolted, killed Alice’s mother (the White Queen of Hearts), and took the throne. Hatter searches this world for Alice for 13 years, finds her, and takes her back to fight for her throne.
I really wanted to love this one because I adore the originals and generally love the idea of creative retellings, but this one fell a little flat for me and I don’t think I’ll go on with the series. ( )

Rewrite of Carroll's Adventures in Wonderland. Exciting tale, sometimes over the top, but none the less fun to read. Not sure if I have enough interest in this Wonderland's future to read the next book in the series. ( )