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Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention. When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined. Suddenly the fate of all life here in Spaceland is at stake. Rudy Rucker is a past master at turning mathematical concepts into rollicking science fiction adventure, from Spacetime DonutsandWhite Light to The Hacker and the Ants. In the tradition of Edwin A. Abbott's classic novel, Flatland, Rucker gives us a tour of higher mathematics and visionary realities.Spaceland is Flatlandon hyperdrive!… (más)
I made it about halfway through before giving up on this book. I very seldom do that, but if the characters fail to appeal to me after 150 pages, chances are they won't ever. I could not force myself to care about what happened to them. They're quite unlikeable, in fact, and the plot and setting were not interesting enough to overcome that for me. Don't let this prevent you from trying it. I'm sure there are people this book will appeal to. TOR liked it enough to publish it, after all. It just was not to my taste. ( )
I love Rudy Rucker, I really do. But as I've started reading his fiction again recently, I'm finding that it's his non-fiction works that really draw me in. This book, while entertaining, just didn't quite do it for me. ( )
I was disappointed by this book. I felt it was not up to Rudy Rucker's usual standard. The story goes through all the usual plot devices and twists, but the characters are flat and uninteresting. In fact the plot was boring and even predictable.
The highlight of the book was the attempts to describe the 4th dimension and my (failed) attempts to visualise it. ( )
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
It was the last day of the 1999th year of our era. The pattering of the rain had long ago announced nightfall; and I was sitting in the company of my wife, musing on the events of the past and the prospects of the coming year, the coming century, the coming Millenium. --Edwin A. Abott, Flatland
Dedicatoria
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
For Tom Banchoff, Kee Dewdney, Martin Gardner, and John Walker
Primeras palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
My idea for handling December 31, 1999, was that Jena and I should fix a nice meal, drink champagne, watch TV, and stay clear of the Y2K bug.
Citas
Últimas palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention. When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined. Suddenly the fate of all life here in Spaceland is at stake. Rudy Rucker is a past master at turning mathematical concepts into rollicking science fiction adventure, from Spacetime DonutsandWhite Light to The Hacker and the Ants. In the tradition of Edwin A. Abbott's classic novel, Flatland, Rucker gives us a tour of higher mathematics and visionary realities.Spaceland is Flatlandon hyperdrive!
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"I have no idea," I admitted. (