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sta es una novela de dos mujeres supervivientes. Una joven refugiada nigeriana que no tiene nada y una brillante periodista inglesa que aparentemente lo tiene todo. Sus vidas colisionan un fatdico da en Nigeria, y una de ellas tiene que tomar una terrible decisin, el tipo de decisin que uno espera no tener que tomar nunca. Dos aos despus, se reencuentran en Inglaterra, y ah empieza esta historia."-- Dust jacket.
A haunting novel about the tenuous friendship that blooms between two disparate strangers--one an illegal Nigerian refugee, the other a recent widow and newspaper woman from suburban London.… (más)
sweetiegherkin: Two books about strong women who survive horrific situations in war-torn African countries; one fiction and one nonfiction but both moving in their own way.
BookshelfMonstrosity: The stories of a impoverished countryside boy and two upper-class sisters are told against the backdrop of the 1960s Biafran War. This book, by one of Nigeria's most famous authors, should appeal to readers interested in Nigeria's history, Nigerian society and the lives of women in Nigeria.… (más)
dsc73277: "Hearts and Minds" and "Little Bee" have been two of the most compelling books I have read this year. Both deal sympathetically with the experience of migrants to Britain. At times they make for difficult reading, reminding one as they do of how difficult some people's lives are, however, ultimately they are not devoid of hope.… (más)
Andrew y Sarah, una pareja de periodistas ingleses, conocen a la joven Little Bee durante unas breves vacaciones en una playa africana, en la que tratan de superar una grave crisis matrimonial. Pero lo que tenía que ser una tranquila estancia se convierte en un episodio dramático; Little Bee y su hermana, testigos no deseados de una matanza, se salvan milagrosamente, en parte gracias a Andrew y Sarah, que se interponen a favor de las muchachas ante las fuerzas del orden nigerianas. Dos años más tarde, Little Bee, que ha cumplido dieciséis años, contacta con la pareja desde Inglaterra, donde acaba de salir de un centro para inmigrantes ilegales. Pero cuando Little Bee se presenta en su casa, Sarah está preparándose para el funeral de su marido, quien nunca superó la trágica experiencia de Nigeria. Se inicia entonces una difícil pero enriquecedora relación entre estas dos mujeres de trayectorias tan diferentes, mientras Little Bee se convierte también en amiga de Charlie, el hijo de Sarah y Andrew, que se dedica a luchar contra los malos en el mundo con su disfraz de Batman.
Andrew y Sarah, una pareja de periodistas ingleses, conocen a la joven Little Bee durante unas breves vacaciones en una playa africana, en la que tratan de superar una grave crisis matrimonial. Pero lo que tenía que ser una tranquila estancia se convierte en un episodio dramático; Little Bee y su hermana, testigos no deseados de una matanza, se salvan milagrosamente, en parte gracias a Andrew y Sarah, que se interponen a favor de las muchachas ante las fuerzas del orden nigerianas. Dos años más tarde, Little Bee, que ha cumplido dieciséis años, contacta con la pareja desde Inglaterra, donde acaba de salir de un centro para inmigrantes ilegales. Pero cuando Little Bee se presenta en su casa, Sarah está preparándose para el funeral de su marido, quien nunca superó la trágica experiencia de Nigeria. Se inicia entonces una difícil pero enriquecedora relación entre estas dos mujeres de trayectorias tan diferentes, mientras Little Bee se convierte también en amiga de Charlie, el hijo de Sarah y Andrew, que se dedica a luchar contra los malos en el mundo con su disfraz de Batman.
Andrew y Sarah, una pareja de periodistas ingleses, conocen a la joven Little Bee durante unas breves vacaciones en una playa africana, en la que tratan de superar una grave crisis matrimonial. Pero lo que tenía que ser una tranquila estancia se convierte en un episodio dramático; Little Bee y su hermana, testigos no deseados de una matanza, se salvan milagrosamente, en parte gracias a Andrew y Sarah, que se interponen a favor de las muchachas ante las fuerzas del orden nigerianas. Dos años más tarde, Little Bee, que ha cumplido dieciséis años, contacta con la pareja desde Inglaterra, donde acaba de salir de un centro para inmigrantes ilegales. Pero cuando Little Bee se presenta en su casa, Sarah está preparándose para el funeral de su marido, quien nunca superó la trágica experiencia de Nigeria. Se inicia entonces una difícil pero enriquecedora relación entre estas dos mujeres de trayectorias tan diferentes, mientras Little Bee se convierte también en amiga de Charlie, el hijo de Sarah y Andrew, que se dedica a luchar contra los malos en el mundo con su disfraz de Batman.
While the pretext of “Little Bee” initially seems contrived — two strangers, a British woman and a Nigerian girl, meet on a lonely African beach and become inextricably bound through the horror imprinted on their encounter — its impact is hardly shallow. Rather than focusing on postcolonial guilt or African angst, Cleave uses his emotionally charged narrative to challenge his readers’ conceptions of civility, of ethical choice.
"Little Bee" leaves little doubt that Cleave deserves the praise. He has carved two indelible characters whose choices in even the most straitened circumstances permit them dignity -- if they are willing to sacrifice for it. "Little Bee" is the best kind of political novel: You're almost entirely unaware of its politics because the book doesn't deal in abstractions but in human beings.
añadido por VivienneR | editarThe Washington Post, Sarah L Courteau(Feb 25, 2009)
"Little Bee" is the best kind of political novel: You're almost entirely unaware of its politics because the book doesn't deal in abstractions but in human beings.
Book clubs in search of the next "Kite Runner" need look no further than this astonishing, flawless novel about what happens when ordinary, mundane Western lives are thrown into stark contrast against the terrifying realities of war-torn Africa.
Cleave has a sharp cinematic eye, but the plot is undermined by weak motivations and coincidences.
añadido por Shortride | editarPublishers Weekly(Nov 10, 2008)
The taut spring of Cleave's intricate plot is a sequence of unpalatable moral decisions that cleverly bind life-choices to the guilty freight of conscience. But this novel's great strength is the squeamishly raw candour of its protagonists.
The Other Hand is an ambitious and fearless gallop from the jungles of Africa via a shocking encounter on a Nigerian beach to the media offices of London and domesticity in leafy suburbia. Part-thriller, part-multicultural Aga saga, the book enmeshes its characters in the issues of immigration, globalisation, political violence and personal accountability. Lists of themes are often review-speak for "worthy but dull", but not in this case. Cleave immerses the reader in the worlds of his characters with an unshakable confidence that we will find them as gripping and vital as he does. Mostly, that confidence is justified.
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Britain is proud of its tradition of providing a safe haven for people fleeting [sic] persecution and conflict. - From Life in the United Kingdom: A Journey to Citizenship (UK Home Office, 2005)
Dedicatoria
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
For Joseph
Primeras palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Most days I wish I was a British pound coin instead of an African girl.
Citas
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
(Little Bee, p.13/14:) "...and I ask you right here please to agree with me that a scar is never ugly. That's what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty (...) Because take it from me, a scar does not form on the dying. A scar means, "I survived".
Through the lobby of the Home Office building, the public sector shuffled past in its scuffed shoes, balancing its morning coffee on cardboard carry trays. The women bulged out of M&S trouser suits, wattles wobbling and bangles clacking. The men seemed limp and hypoxic--half-garroted by their ties. Everyone stooped, or scuttled, or nervously ticked. They carried themselves like weather presenters preparing to lower expectations for the bank-holiday weekend.
We knew what we had: we had nothing. Your world and our world had come to this understanding. Even the missionaries had boarded up their mission. They left us with the holy books that were not worth the expense of shipping back to your country. In our village our only Bible had all of its pages missing after the forty-sixth verse of the twenty-seventh chapter of Matthew, so that the end of our religion, as far as any of us knew, was My God, my god, why hast thous forsaken me? We understood that this was the end of the story. That is how we lived, happily and without hope. I was very young then, and I did not miss having a future because I did not know I was entitled to one.
Compromise, eh? Isn't it sad, growing up? You start off like my Charlie. You start off thinking you can kill all the baddies and save the world. Then you get a little bit older, maybe Little Bee's age, and you realize that some of the world's badness is inside you, that maybe you're a part of it. And then you get a little bit older still, and a bit more comfortable, and you start wondering whether that badness you've seen in yourself is really all that bad at all. You start talking about ten percent.
There were people in that crowd, and strolling along the walkway, from all of the different colors and nationalities of the earth. There were more races even than I recognized from the detention center. I stood with my back against the railings and my mouth open and I watched them walking past, more and more of them. And then I realized it. I said to myself, Little Bee, there is no them. This endless procession of people, walking along beside this great river, these people are you.
This isn't about the decisions you made anymore. Because the biggest thing in your life, the thing that killed Andrew and the thing that means you can't sleep, is something that happened without you.
Últimas palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
But me, I watched all of those children smiling and dancing and splashing each other in salt water and bright sunlight, and I laughed and laughed and laughed until the sound of the sea was drowned.
sta es una novela de dos mujeres supervivientes. Una joven refugiada nigeriana que no tiene nada y una brillante periodista inglesa que aparentemente lo tiene todo. Sus vidas colisionan un fatdico da en Nigeria, y una de ellas tiene que tomar una terrible decisin, el tipo de decisin que uno espera no tener que tomar nunca. Dos aos despus, se reencuentran en Inglaterra, y ah empieza esta historia."-- Dust jacket.
A haunting novel about the tenuous friendship that blooms between two disparate strangers--one an illegal Nigerian refugee, the other a recent widow and newspaper woman from suburban London.
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