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Always Coming Home (California Fiction) por…
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Always Coming Home (California Fiction) (1985 original; edición 2001)

por Ursula K. Le Guin

MiembrosReseñasPopularidadValoración promediaConversaciones / Menciones
2,134227,477 (3.9)1 / 123
"One of [Le Guin's] most radical novels. . . . Always Coming Home is a study in what a complete and utter rejection of capitalism and patriarchy might look like-for society and for the art of storytelling."-The Millions Reissued for a new generation of readers, Ursula K. Le Guin's magnificent work of imagination, a visionary, genre-crossing story about a future utopian community on the Northern California coast, hailed as "masterly" (Newsweek), "hypnotic" (People) and "[her] most consistently lyric and luminous book" (New York Times). This new edition includes an introduction by Shruti Swamy, author of A House is a Body. Midway through her career, Ursula K. Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer's fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated "translations" that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh's unified society and presents to us-in exquisite detail-their lives, histories, adventures, customs, language, and art. In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component-original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton-bringing this utterly original and compelling world to life.… (más)
Miembro:veracity
Título:Always Coming Home (California Fiction)
Autores:Ursula K. Le Guin
Información:University of California Press (2001), Edition: 1, Paperback, 525 pages
Colecciones:Tu biblioteca
Valoración:****
Etiquetas:fiction, literature, science fiction, alternative future, speculative fiction, fantasy, future, california, anthopology, post-apocalyptic, post-apolcalypse

Información de la obra

El eterno regreso a casa por Ursula K. Le Guin (1985)

  1. 31
    Kalpa Imperial por Angélica Gorodischer (Cecrow)
  2. 20
    Ammonite por Nicola Griffith (Usuario anónimo)
  3. 10
    El Verano Del Pequeño Sam John (Bolsillo) por John Crowley (fugitive)
    fugitive: Another book about a post apocalyptic civilization which pays particular attention to the details of art, language, culture, religion, etc.
  4. 00
    Into the Forest por Jean Hegland (sturlington)
    sturlington: The underlying themes are similar: a return to the pre-industrial way of life, respect for the land, set in California post-apocalypse, with feminist undertones.
  5. 00
    Pacific Edge por Kim Stanley Robinson (aulsmith)
    aulsmith: Two Pacific Coast ecotopias
  6. 00
    Ker Shus por Tor Åge Bringsværd (spiphany)
  7. 00
    Islandia por Austin Tappan Wright (Cecrow)
    Cecrow: Source of the concepts ania, apia and alia
  8. 00
    El Hombre Hembra [novel] por Joanna Russ (sturlington)
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» Ver también 123 menciones

Inglés (20)  Sueco (1)  Todos los idiomas (21)
Mostrando 1-5 de 21 (siguiente | mostrar todos)
This took me a long long time to read, in large part because I started out reading it as a compilation, instead of as a unified work. It *is* a compilation - but it's better read as a novel. You really have to develop and remember a sense of the Kesh to get the most of each component, and the ordering of stories is intentional.

It's a strange, unsettling, wonderful anthropological study of a people that doesn't exist, but drawing heavily on people who have existed. It's unbelievably rich and thoroughly thought-out (there's a CD of songs and poems, for God's sake). It's also maybe kinda self-indulgent.

If you really like LeGuin, you'll enjoy it.

A strange and painful book to read in October 2017, while the Valley burns. ( )
  mmparker | Oct 24, 2023 |
Love this book! It was a little confusing at first, but after I learned that it was written as different people speaking, it made it much easier to read. I still am not sure who the anthropologist is in the beginning. I would recommend this book but – be patient. – Reviewed by Mona ( )
  GalsGuidetotheGalaxy | Oct 14, 2021 |
Se me ha terminado haciendo tan cuesta arriba que la parte final (la que el propio libro dice que es informativa y no narrativa) la he dejado sin leer. ( )
  cuentosalgernon | Jun 22, 2020 |
This is one of my favourite books and I don't like dystopian fiction and so much better than 5th Sacred thing by Starhawk, which I loathed. Normally I like Starhawk but that is her non-fiction efforts.
It has the added benefit of music to go along with it. She creates a world that is believable and real. Read this instead of 5th Sacred Thing. I don't care if that makes me a terrible Pagan. It's a terrible book. ( )
  Mary_Beth_Robb | Feb 4, 2020 |
Not always a page-turner, but I had a great time in this world.

This felt a lot like the reading I did for my ancient civilization classes in college, but here Ursula K. Le Guin was doing the work of an entire people. I expect I'll be thinking a lot about the folks living in the Valley in the future.

What have I been thinking about already? Here's some

The portrayal of the Dayao is flatter than that of the Urrastians in the Dispossessed, I think. Maybe there just wasn't as much time to develop them - and maybe some of it is just how Stone Telling talks about her life.

The way Le Guin uses language and metaphor to shape a world-view is fascinating (& very self-aware). Examples include referring to all entities in the world as "people," or the way the Kesh identify "giving" and "wealth," or the way that one's child "makes someone a parent." I wonder if she read that Lakoff book.

Reading this book in 20 minute bursts on the MTA is a funny situation to be in.

One of my favorite quotes is from the introduction to the appendix: "Things from here on will be just as fictional, but more factual, although equally true." I think it captures the way she's been playing with fact and fiction and meaning and language throughout the whole book. ( )
1 vota haagen_daz | Jun 6, 2019 |
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» Añade otros autores (5 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Le Guin, Ursula K.autor principaltodas las edicionesconfirmado
Barton, ToddCompositorautor secundariotodas las edicionesconfirmado
Hersh, GeorgeGeomancerautor secundariotodas las edicionesconfirmado
Chodos, MargaretIlustradorautor secundarioalgunas edicionesconfirmado
Gibbs, ChristopherArtista de Cubiertaautor secundarioalgunas edicionesconfirmado
Hopkins, ChrisArtista de Cubiertaautor secundarioalgunas edicionesconfirmado
Redmond, GranvilleArtista de Cubiertaautor secundarioalgunas edicionesconfirmado
Reinharez, IsabelleTraductorautor secundarioalgunas edicionesconfirmado
Scalzi, JohnIntroducciónautor secundarioalgunas edicionesconfirmado
van Houten, MickArtista de Cubiertaautor secundarioalgunas edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
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Acontecimientos importantes
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Primeras palabras
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Stone Telling is my last name.
Citas
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They might be going to have lived.
the worldwide technological web
Últimas palabras
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(Haz clic para mostrar. Atención: puede contener spoilers.)
Aviso de desambiguación
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This work is for editions containing the original 1985 text which do not contain the additional material from the 2019 "author's expanded edition".
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Referencias a esta obra en fuentes externas.

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"One of [Le Guin's] most radical novels. . . . Always Coming Home is a study in what a complete and utter rejection of capitalism and patriarchy might look like-for society and for the art of storytelling."-The Millions Reissued for a new generation of readers, Ursula K. Le Guin's magnificent work of imagination, a visionary, genre-crossing story about a future utopian community on the Northern California coast, hailed as "masterly" (Newsweek), "hypnotic" (People) and "[her] most consistently lyric and luminous book" (New York Times). This new edition includes an introduction by Shruti Swamy, author of A House is a Body. Midway through her career, Ursula K. Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer's fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated "translations" that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh's unified society and presents to us-in exquisite detail-their lives, histories, adventures, customs, language, and art. In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component-original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton-bringing this utterly original and compelling world to life.

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