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The Nuclear Age

por Tim O'Brien

MiembrosReseñasPopularidadValoración promediaMenciones
368969,650 (3.33)5
Fiction. Literature. Historical Fiction. HTML:Going After Cacciato (winner of the National Book Award in 1979) was widely acclaimed as one of the most powerful and emotionally vivid novels about Vietnam. Now, writing with the same sharp, richly expressive language, the same edgy dark humor and complete honesty, and the same rawness of nerve and energy, Tim O??Brien gives us an equally powerful novel about growing up as a child of anxiety??the big anxiety, the one that??s been with us since the fifties, when we finally realized that Einstein??s theories translated into Russian.
It??s 1995 and William Cowling is digging a hole in his backyard. He is forty-nine, and after years and years of pent-up terror he has finally found the courage of a fighting man. And so a hole. A hold that he hopes will one day be large enough to swallow up his almost fifty years?? worth of fear. A hole that causes his twelve-year-old daughter to call him a ??nutto,? and his wife to stop speaking to him. A hole that William will not stop digging and out of which rise scenes of his past to play themselves out in his memory.
The scenes take him back to his quietly peculiar adolescence (No. 2 pencils had a surprising significance), to his college days, down into the underground, and up through several stabs at ??normal? adulthood . . . they take him from Montana to Florida, from Cuba to California, from Kansas to New York to Germany and back to Montana as he makes him way through an often mystifying??but just as often hilarious ??labyrinth of fears and desires, obsessions and obligations, blessed madness and less-than-blessed sobriety . . . they take him into the lives of a shrink who??s a whiz a role reversal and of a dizzying eccentric cheerleader; of radical misfits and misfit radicals; of an ethereal stewardess (the traveling man??s dream); and two guerilla commandos who mix shtick and nightmare in their tactical brew. And each scene is a reminder of the unbargained-for-terror that has guided him to the bottom of his hole. For this digging is his final act of ??prudence and sanity???he??s taking control, getting there first, robbing his fears of their power to destroy . . . or so he believes. But is this act really sane? Is his daughter??s estimation of his emotional well-being (??pretty buggo, too?) the only truly sane statement being made? Is sanity even the issue? In the dazzling final scenes, William turns from the hole??from his past and from his future 0 to himself, digging deeper and deeper to find his answers.

The Nuclear Age
is pyrotechnically funny and moving, courageous and irreverent. It takes on our supreme unacknowledged terror (whose reality we both refuse to accept and all too easily accommodate ourselves to), finds it lunatic core, and shapes it into a story that speaks of, and to, an e
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Mostrando 1-5 de 9 (siguiente | mostrar todos)
First edition
  RCornell | Oct 27, 2023 |
USA, 1995
Indeholder kapitlerne "Fission", "1. Quantum Jumps", "2. Civil Defense", "3. Chain Reactions", "4. Quantum Jumps", "5. First Strikes", "6. Escalations", "7. Quantum Jumps", "Fusion", "8. The Ends of the Earth", "9. Underground Tests", "10. Quantum Jumps", "11. Fallout", "Critical Mass", "12. The Nuclear Age", "13. Quantum Jumps".

Hovedpersonen William Cowling på 49 år er født 1 oktober 1946 og er blevet skør af at spekulere på atomkrig siden han var knægt og kiggede i bladene og så billeder af atomeksplosioner og beskyttelsesrum i haven. Gymnasietiden var Kennedy, Cuba-krise og ICBM'er. 1964 og Tonkin-bugten og Vietnam-krigen. Senere universitet og med Sarah som farlig kæreste, for hun flirter med radikale og poserer med en automatriffel. 1967, eskalering af Vietnam krigen. Bombning af Hanoi og Haiphong. Nødlanding af fly med atombomber ombord på Edwards. Sarah fortsætter som aktivist mens William glider lidt i baggrunden. Men Vietnam-krigen er i gang og han bliver indkaldt. Sarah arrangerer at han kan gå under jorden. Hun sørger for nye papirer på Leonhard B. Johnson og de installerer sig sammen med nogle ligesindede et sted i Florida nær Key West eller Key Wasted som en af dem kalder det. På en af flyveturene undervejs dertil møder William en stewardesse Bobbi, som han måske er blevet lidt lun på. Sarah er en anelse jaloux. Efter ugers lediggang i Florida kommer der en dag en båd og henter dem til træning i Cuba. William får tyndskid, når han er i en farlig situation, så han bliver i stedet brugt til kurer-tjeneste, mens de andre udfører terror-aktioner i USA. Sarah kommer i Newsweek i marts 1969 som eftersøgt efter en aktion i Miami. De er en del af Weathermen Underground. De næste to år er han kurer, men altid med angsten for at blive arresteret. Han begynder at kigge efter Bobbi igen og finder ud af at hun hedder Bobby Haymore. Hun er stoppet som stewardesse, men han er lidt stædig og finder ud af at hun har fundet en tysker, Scholheimer og er blevet gift med ham og flyttet til Bonn. I 1971 bliver løjtnant William Calley dømt for overlagt drab. William er stadig kurer, men vil efterhånden gerne ud. En Chuck Adamson hjælper og han får en lille hytte, hvor han tager den stille og roligt. Julen 1972 bruger Richard M. Nixon på at bombe Nordvietnam men i 1973 indgåes våbenhvile og amerikanske tropper trækkes helt ud. I august 1974 går Nixon af og i september bliver han benådet af Gerald Ford. I 1975 falder Sydvietnam. I 1976 hjælper Chuck William til at kontakte myndighederne og tage sin straf for at være flygtet fra militærtjeneste. 21 januar 1977 udsteder Jimmy Carter en generalamnesti. William læser geologi og finder en uran-forekomst. Det er 1980 og han fejrer nytår med Sarah og de andre fra fortiden under jorden. De køber bjerget med uran-forekomsten og sætter gang i en budrunde mellem olieselskaberne. De sælger til Texaco for 25 millioner dollar kontant og deler.
Sarah tager med William til Bonn. Han leder efter Bobbi og efter at have fulgt masser af blinde spor får de bid. Ægteskabet med Scholheim holdt kun få måneder og så er hun ellers videre til Wiesbaden. De finder også en mand, der havde fornøjelsen af hende et stykke tid og så stadig taler om de digte, hun skrev. Sjovt nok er et af dem det samme som William fik i sin tid. Bobbi er en bimbo, men William er alligevel stadig forgabt. Sporet fører tilbage til USA og Minneapolis, hvor nogle penge får en kontormand til at kigge i registeret. En professor fortæller bittert at han gav hende A'er, men hun stak af med en anden, der gav hende B'er. Hun dumpede dog også ham og nu arbejder hun som turguide ved FN. Her ender sporet, for Sarah får øje på hende og gør sig så usynlig. William og Bobbi bliver gift og får datteren Melinda. De tager på udflugt og ser hvor bjerget har været engang. William tænker at det stadig er et sted. I siloer i midtvesten. En to-tre år senere begynder det at skræmme ham. I 1988 bliver Chuck valgt som borgmester i Helena. I 1993 dør Williams mor. Hans far døde i 1974, mens William stadig var under jorden. Og om sommeren 1993 forsvinder Boobi i to uger, men kommer så tilbage og uden anden forklaring end et kys. Tæt på jul dukker Sarah og Ned Rafferty op og har brug for et skjulested. De har en atombombe med i jeepen. De har hugget den fra Ollie og Tina, som er deres kammerater fra Weathermen dagene. Sammen har de hugge den fra militæret men de er uenige om den skal bruges, så derfor har Ned og Sarah taget den. Sarah har et grimt sår på læben og det ligner noget, en læge burde se på. Det er ikke kræft, men en grim infektion, som hun dør af en tre måneder senere. Efter begravelsen dukker Ollie Winkler, Tina Roebuck, Nethro og Ebenezer Keezer op og bliver over en uges tid. De tager atombomben med sig. Noget tid efter finder myndighederne dem og det kommer til en ildkamp, hvor de bliver skudt og dør.
Nu er det 1995 og han er begyndt at grave et hul i græsplænen. Hans datter Melinda synes at han er blevet skør. Konen Bobbi synes at han er blevet skør.
Planen er at lave vægge af beton og et tag af stål og så have et lille hyggeligt beskyttelsesrum. Bobbi låser soveværelsesdøren. Til gengæld låser han dem inde og leverer så mad og tøj igennem en luge skåret ud i døren. Natpotten, snavset tøj og service kommer så den anden vej. Han forestiller sig missilsiloerne i ørkenen og hvordan krigen bryder ud og missilerne bliver sendt afsted og helvede bryder løs. Han bedøver Bobbi og Melinda og bærer dem ned i hullet. Han har også en ladning dynamit klar, men han ender med at bakke ud af det og tager dem op af hullet igen.

Bogen kører i to spor. Det ene kører hurtigt og viser barndom, opvækst og voksenliv. Det andet er langsomt og handler om hans graveprojekt. Desværre mikser bogen også en gang historieundervisning ind og er desuden fodslæbende og langsom. Pointen er vist nok at det at stable atomraketter op i ørkenen giver lige så lidt mening som at stable dynamit op i sit beskyttelsesrum.
Lidt omsonst, for hvem er i tvivl om at amerikanere er skøre? ( )
  bnielsen | Nov 13, 2020 |
This book was droll and beats you over the head with the author's muddled point. Was the protagonist upset about nuclear annihilation or the Vietnam War? O'Brien aims for the fences with his plot setup, but then pulls back when he actually has to swing the bat. Very disappointing story. ( )
  writing_librarian | Mar 18, 2012 |
I could not finish this book and I normally love Tim O'Brien's writing. I think another reviewer said it best: "ceaseless." This story just hammers away at you ceaselessly. The dialog doesn't work. The effort to establish the narrator as crazy goes overboard. It's just too much. I think this is one of O'Brien's first and I can say with certainty that he improved in later books. O'Brien tries too hard to deal with too many subjects at once, here. ( )
  carrieprice78 | Oct 15, 2010 |
1995: als antwoord op de zondvloed van de 20ste euw, de nukleaire dreigeing, werkt William Cowling aan een eigentijdse ark, een schuilkelder. De waanzin van het dagelijkse leven met het einde der tijden in zicht.
  Baukis | Jan 22, 2010 |
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Fiction. Literature. Historical Fiction. HTML:Going After Cacciato (winner of the National Book Award in 1979) was widely acclaimed as one of the most powerful and emotionally vivid novels about Vietnam. Now, writing with the same sharp, richly expressive language, the same edgy dark humor and complete honesty, and the same rawness of nerve and energy, Tim O??Brien gives us an equally powerful novel about growing up as a child of anxiety??the big anxiety, the one that??s been with us since the fifties, when we finally realized that Einstein??s theories translated into Russian.
It??s 1995 and William Cowling is digging a hole in his backyard. He is forty-nine, and after years and years of pent-up terror he has finally found the courage of a fighting man. And so a hole. A hold that he hopes will one day be large enough to swallow up his almost fifty years?? worth of fear. A hole that causes his twelve-year-old daughter to call him a ??nutto,? and his wife to stop speaking to him. A hole that William will not stop digging and out of which rise scenes of his past to play themselves out in his memory.
The scenes take him back to his quietly peculiar adolescence (No. 2 pencils had a surprising significance), to his college days, down into the underground, and up through several stabs at ??normal? adulthood . . . they take him from Montana to Florida, from Cuba to California, from Kansas to New York to Germany and back to Montana as he makes him way through an often mystifying??but just as often hilarious ??labyrinth of fears and desires, obsessions and obligations, blessed madness and less-than-blessed sobriety . . . they take him into the lives of a shrink who??s a whiz a role reversal and of a dizzying eccentric cheerleader; of radical misfits and misfit radicals; of an ethereal stewardess (the traveling man??s dream); and two guerilla commandos who mix shtick and nightmare in their tactical brew. And each scene is a reminder of the unbargained-for-terror that has guided him to the bottom of his hole. For this digging is his final act of ??prudence and sanity???he??s taking control, getting there first, robbing his fears of their power to destroy . . . or so he believes. But is this act really sane? Is his daughter??s estimation of his emotional well-being (??pretty buggo, too?) the only truly sane statement being made? Is sanity even the issue? In the dazzling final scenes, William turns from the hole??from his past and from his future 0 to himself, digging deeper and deeper to find his answers.

The Nuclear Age
is pyrotechnically funny and moving, courageous and irreverent. It takes on our supreme unacknowledged terror (whose reality we both refuse to accept and all too easily accommodate ourselves to), finds it lunatic core, and shapes it into a story that speaks of, and to, an e

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